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Our Price: $5.55 CDFor Sale Usually ships in 1-2 days
Our Price: $9.90
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Recording information: Beach Road Studios, Goderich, Ontario, Canada.
Personnel: Justin Wolfe (vocals).
Audio Mixer: John Ewing, Jr. .
Thine Eyes Bleed Review
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Purchase Thine Eyes Bleed CD To buy, Click on price to add to cart | Nightmare On Elm Street Collection DVDs (1984) Widescreen
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| | 31Knots Talk Like Blood CD (2005)
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$10.69 The prog-sounding Portland outfit 31Knots employs punk and reggae influences in its pursuit of angular textures and disaffected lyrics. TALK LIKE BLOOD hits its stride about halfway through, with "Chain Reaction"'s perfect storm of prog and punk, while the band wears its smarts on its sleeve in the baroque-sounding "Proxy and ...
| | Fats Domino Fat Man's Frenzy CD (2006) (Import) United Kingdom
Thine Eyes Bleed songs
$15.85 A generous 32-track single-disc overview of Fats Domino's first six years of recording, Fat Man's Frenzy stops just short of "Blueberry Hill," the song that sent Domino to international stardom in 1956. What's immediately obvious about these Imperial recordings, which reach back to "The Fat Man" from 1949, is how uptempo most of them are. The easy sliding, midtempo Fats style of "Blueberry Hill" and "Walking to New Orleans" hadn't quite codified yet, and most of these tracks move along briskly on Domino's stripped-down Big Easy piano playing and producer Dave Bartholemew's loose-limbed and sympathetic arrangements. While a little of the familiar Fats comes through in his laconic Creole vocals on cuts like "Little Bee" and "Blue Monday," most of what is collected here isn't exactly laid-back, and a couple of the instrumentals, like the title tune and "Swanee River Hop," are downright freight trains at full throttle. "Ain't That a Shame" (called here by its original title, "Ain't It a Shame") is here, a song that is almost as much a signature for Domino as "Blueberry Hill," and it remains a New Orleans R&B classic. This set doesn't make an ideal starting point for listeners interested in Fats Domino simply because his later, better-known hits aren't here, but it is still a wonderful collection, and no Fats fan will be disappointed by it. ~ Steve Leggett
A rockin' and jumpin' overview of Fats' first half-a-dozen years as a recording star. It concentrates ...
| | Top Clique Hated By Plenty Feared By Many CD (2006)
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$5.69 We chose the name, because ain't NObody messing wit us as a group or individually. We clique tight and we on top...So there ya have it..."Top Clique"... The group consist of four members: Pimp T.,Torch,Jewelz,and Q.P. All assassinating from the streets of a small town called ADEL,GA.(Cook County). Each member has their own unique style of rapping and when they combine these four unique styles, you get the REAL sounds of the South in one CD. They've recently released an underground CL&IC entitled "Hated by Plenty, Feared by Many". The title speaks for itself. The group was formed by Pimp T. & Torch. Pimp T. took it amongst himself to find 4 of ...
| | John Coltrane The Impulse! Albums: Volume Two CDs (2008) Limited Edition; Remastered; Box Set
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$37.35 This second volume in Universal/Impulse's reissuing of the albums of John Coltrane contains some choice titles. For those who love the early Impulse Trane, there is certainly something here for you in the John Coltrane and Johnny Hartman collection of ballads. There's also the ...
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| | Klaus Arp Film Music CD (1998)
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$8.99 This is a delightful CD, recorded by Klaus Arp and the Cologne Radio Orchestra, which will probably get lost in either the soundtrack or classical sections of whatever store chooses to stock it, simply because outside of Germany and Austria, only serious music buffs will recognize Walter Jurmann's name. In another reality, Jurmann might well have been a rival to his slightly older Viennese contemporary Frederick Loewe. As it is, his songs, usually written with lyricist Fritz Rotter, were among the most popular and memorable to grace German popular music of the 1920s, filled with hauntingly beautiful melodies and exquisite scoring. Once he moved into film composition -- which included full scores as well as songs in his early German film work -- in partnership with Bronislaw Kaper, he was truly in his element. His German music often reflected the lighthearted, jaunty spirit of the jazz age, in pieces such as "Du Bist Night Die Erste" -- the opening medley shows how easily this material slid into his American period (including the song "San Francisco," from the MGM movie of that name). And "Le Bistro du Port" and "On n'aime qu'une fois," from his short-lived French period, show how easily Jurmann absorbed French popular influences ...
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