| | Stadio I Miti Musica CD Stadio Discography of CDs
 |
|
Our Price: $9.79  CDFor Sale Limited Availability
|  |
I Miti Musica Music | List Price | $11.99 (You save $2.20) | | Category | Rock/Pop Albums, World CDs, Italian | | CD Universe Part number | 7640982 | | Catalog number | 162633 | | Discs | 1 | | Release Date | Mar 06, 2000 |
I Miti Musica Review
GuidelinesRemember to focus your comments on Stadio I Miti Musica CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase I Miti Musica CD To buy, Click on price to add to cart | Nini Rosso Il Silenzio CD (2007) (Import)
I Miti Musica album
 $14.45  
| | Michael Jackson Collection CDs (1979) (Import) Limited Edition; Special Edition
I Miti Musica CD music
$36.79
Import-only 2009 five CD box set, initially compiled to celebrate Michael Jackson's historic return to the stage in London. The Collection is a special set containing five mini LP sleeve editions of his ...
| | Pink Martini Sympathique CD (1997)
I Miti Musica music CDs
$13.89   
The first album by Portland, Oregon's tongue in cheek lounge pop orchestra Pink Martini, SYMPATHIQUE, was originally released in 1997 on the band's own Heinz label. Although the album contains two originals by singer China Forbes and pianist Thomas Lauderdale, the title track and "Lullaby," the bulk of the album's 12 songs consists of new arrangements of loungy favorites like "Never On Sunday," "Que Sera Sera," "Brazil," and "Song of the Black Lizard," taken from the soundtrack of a Japanese cult film. Unlike contemporaries such as Combustible Edison, Pink Martini had the musical chops and heartfelt love of the style to keep the album from descending into snarky kitsch. In 2009, Heinz Records released the first ever vinyl edition of the album.
Recorded at Stiles Recording Studio, Portland, Oregon, from December 1996 to April 1997.
Pink ...
| | Masters Of Acoustic Guitar CD (1997)
I Miti Musica songs
$11.99
| | John Zorn Complete Studio Recordings CDs (2005) Box Set
I Miti Musica album
$81.39 
| | Yasmin Levy Mano Suave CD (2007)
I Miti Musica CD music
$13.49
Yasmin Levy has proved herself to be the leading exponent of Ladino song (Ladino is the language of the Sephardic Jews whose roots are in Spain). However, her previous albums have never quite captured her potential. This time, though, she's hit the spot, finding both the intensity of performance and delicacy of arrangement that's been her hallmark. The style is a mix of influences that blend perfectly -- listen carefully and you can hear traces of flamenco nestled alongside Middle Eastern music, with influences from around the Mediterranean liberally scattered across the sound. Her voice is in glorious form, with a depth of purity that illustrates just how she's ...
| | Bana El Rincon El Puente Roto CD (2006)
$7.99 | | Beloved Platinum Collection: Sun's Rising/Halcyon CDs (2006) (Import) Import; Argentina
I Miti Musica music CDs
$13.35
| | Vasco Rossi Il Mondo Che Vorrei CD (2009) (Import) Import
I Miti Musica songs
$23.75
| | Ornella Vanoni Ai Miei Amici Cantautori / Ai Mei Amici 2 CD (2003)
I Miti Musica album
$24.45
| | Diamanten Der Blasmusik CD (2008) (Import)
$36.79 | | James Pequignot Whims Reveries & Nightmare Sorrows CD (2008)
I Miti Musica CD music
$10.15
Whims, Reveries, and Nightmare Sorrows, the latest album from James Pequignot, spans four years, three homes, and nearly 3,000 miles. Pequignot had once sworn off songs of unrequited love, but the discovery of one of his favorite new artists: Josh Ritter, along with a lengthy bout of depression sparked by a bad breakup, compelled him to write and produce an album that didn't shy away from his feelings, but embraced them. The result is an album that is tragically beautiful. Pequignot avoids the common cliches associated with this kind of material, and instead creates conflicted characters in interesting situations who explore the sadness of the world around them, and often come to enlightening conclusions. Pequignot has worked and recorded at several different “real” recording studios, and felt that he could do a better job of producing this album himself with nothing but home recording equipment. That means no $1000 microphones, no vacuum tube pre-amps, and no one to tell him “no.” This album is an artistic statement, made with only creativity in mind. Pequignot worked mostly alone on this album, playing almost all of the instrumentation himself. ...
|
|
|
|
 |
|
|
Email a Friend
