| | Expulsados Vol. 2-Altoparlantes CD - Import Expulsados Discography of CDs
Expulsados Vol. 2-Altoparlantes Music | List Price | $12.99 (You save $1.20) | | Category | Latin Albums | | Label | Phantom | | CD Universe Part number | 7641805 | | Catalog number | 797140 | | Discs | 1 | | Release Date | Apr 01, 2008 |
Expulsados Vol. 2-Altoparlantes Review
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Purchase Expulsados Vol. 2-Altoparlantes CD To buy, Click on price to add to cart | Aventura Last CD (2009) Digipak
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Personnel: Alberto Barros (trombone).
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| | Lightning Head Studio Don CD (2008)
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Lightning Head: Studio Don (Best Seven/Sonar Kollektiv)BBC 1 – Blues, Soul and Reggae ReviewsTaking his name from a phrase that appeared in an interview with Lee Perry, Lightning Head refers to the idea of inspiration and not, for those of you that were wondering, some freakish meteorological accident. El Head as he is sometimes known, is ex Rockers Hi-Fi main man, Glyn Bush and Studio Don is the first offering under the new moniker. Fusing latin, samba, reggae, dub and house, this wonderfully international record is made all the more surprising by the fact that it has been made by one young man living and working in Dorset, UK.By his own admission, the self-congratulatory title is actually a play on words based on the legendary Studio One in Kingston. Like the familiar Jamaican sound of the seventies, Dorset's finest has its own set of sonic anchors: guitar, drums, bass, Hammond organ, clavinet and monosynth. That said, the El Head sound is embellished time and again with steel pan percussion, the odd echo-meter or reverberator and various bits of machinery that go boing.The funky dancehall break "Me and Me Princess" was the track that started Mr Bush’s new musical journey way back when. This is beautiful in its simplicity and a perfect illustration of how a few components in the right hands can become supremely catchy. The pure party vibe on "Superfunky Bird" sees Colliston White on mic detail and puts things on an Afro disco tip.In keeping with reggae tradition Studio Don has a couple of cover versions on it. Jean Jacques Perreys "E.V.A." is reworked in a dub steel orchestra style whist "Steelsation", a reworking of the Saturday Night Fever classic, ...
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I Am Frankie ...
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| | Gregory Stovetop Apatheyecarry CD (2004)
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Gregory Stovetop Bubbling enthusiasm If other bands have frustrated me recently by being too cool or too serious of purpose to fully experience their own artistic possibilities, I'm relieved to find Gregory Stovetop bursting onto the Ann Arbor scene. Affable, earthy, and explosive, this solo singer-songwriter - protected only by his acoustic guitar - throws himself into his songs and performances.To borrow my mother's lament on how quickly I used to go through a pair of shoes, I'd have to say Stovetop "wears his guitar hard." His energetic strumming, often overlaid with fancy, melodic finger work, squeezes every bit of volume and verve from his instrument. At a recent performance, he started out with a borrowed guitar after breaking a string on his own during the sound check . . . and then broke another string early in his set.Endless gusto can be a bit much in a show if there's no counterpoint of quieter numbers. At times Stovetop is a little, well, over the top. Even so, many of his tunes adopt a bolero style that starts quiet and slow and gradually rises in intensity and speed, finishing with repetitive, driving rhythmic lines. And his sheer enthusiasm for his developing craft begs indulgence. Add to this his boyish pink cheeks and mop of unruly hair, and you'll find it easy to root for Stovetop as a Tom Sawyer- meets-Richie Havens character.His vocal style is equally earnest. The first thing you'll likely notice is a tendency to bleat out notes, rather like a lamb or gurgling brook. I'm not talking vibrato here, just a singing style that seems to bubble forth uncontrollably. He can also draw out a single vowel, changing its shape several times on his way to whisper-singing the end of the word.By alternating vocal lines with complicated guitar refrains - and the occasional pregnant pause of surprising silence - he creates a well-balanced sound for a solo performer. He also looks comfortable with himself all alone on stage. But he does have a tendency to sing with his head thrown back too often, as if howling at the moon.That might not be an inappropriate impression, given the lyrical content of many of his compositions. At least five of the numbers on his six-song self-titled CD draw from themes of nature to express love, awe, and gratitude. It's easy to sound clichéd when writing about the moon, sky, and stars, but Stovetop avoids this danger with clever phrasing and captivating imagery. "All your dreams are stars inside of me," he offers in one love song, along with these lines: "Our hearts light up the sky / the opening of the eyes / a girl and a guy / rain or shine / hello and good-bye / give up or try."Let's hope Stovetop doesn't give up, and doesn't let the inevitably subtler stylings of maturity dampen the fire in his belly. He's at the Crazy Wisdom Tea Room on Friday, December 26.-Stephanie Kadel-TarasI am a huge fan of Roy Orbison and I have never tired of his legacy of ballads and love songs,sung like no one else can.Of course I wish I had heard him in person.And then comes Gregory Stovetop,who writes and sings love songs in this same grand styleand with that same pure natural ability.Stovetop's songs are filled with emotion,with yearningand longing for the loved one.And his songs are carefully crafted and build up,verse upon verse,each chorus stronger than the last,creating picture-stories in the mind of ...
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