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Global Glue - Eardance CD Cover Art
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Global Glue Eardance CD - Import

 Global Glue Discography of CDs

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Eardance Music


Detailed Eardance Music Information



List Price $39.99 (You save $1.90)
Category Jazz Albums
Label MSI Music / Super D
CD Universe Part number 7642411
Discs 1
Release Date Mar 25, 2008
Additional Info Import
Global Glue Eardance Songs


Global Glue Eardance Album Track Listing



1.Absolutely Albany
2.Eardance
3.Rain in Spain
4.Sam Adams
5.Masada
6.Grandma's Little Nap
7.Coming Back
8.It Ain't Necessarily So
9.Votiv
10.Wally's Cafe
11.Global Glue
Eardance Review


Eardance Music Reviews



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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny ...
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Photographer: Milton Montenegro.
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COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical). "Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance. Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical). This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer. One thing that separates her from the pack is Ms. Jones' own piano stylings--not flashy, but deftly doubling or echoing her voice--that discreetly act as the glue holding together these airy, delicate, and beautiful arrangements. But the centerpiece is certainly the 22-year-old's confident-beyond-her-years vocal delivery in addition to a precise diction and velvety tone. Shades of Nina Simone, vintage Phoebe Snow, and a less beatnik Rickie Lee Jones are evident throughout as the young siren ...
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Guitarist John Scofield has excelled in assorted jazz contexts, from straight-ahead jazz (Charles Mingus) to funky fusion (George ...
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Following LOST & FOUND, an album that earned Ledisi a pair of Grammy nominations, TURN ME LOOSE partially roots itself in the singer's past work and otherwise branches out from it. The album's title, as well as its cover, indicates a new, brash direction--one that makes up only ...
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What The World Needs Now
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For the fourth edition of Five Play (not counting the recording they did backing vocalist Maria Anadon,) drummer and founder Sherrie Maricle has assembled yet another quintet from the players in her Diva Big Band. Bassist Noriko Ueda and pianist Tomoko Ohno are the holdovers and do not miss a beat. Janelle Reichman is a very young tenor saxophonist and clarinetist from Michigan who takes over for Anat Cohen. Jami Dauber from Chicago is now the full-time trumpeter -- she played on half of the previous CD, Five Play... Plus. Their repertoire concentrates on standards, a Toshiko Akiyoshi original, and two pop songs taken to swing proportions. What these women bring to the table is a finely tuned sense of democracy, style, purpose, and full intent to swing. Their equality and balance is in evidence right off the bat on an easily swung Art Blakey & the Jazz Messengers like version of the Hal David-Burt Bacharach written title track. Still in that vein but using a choppy accented melody for "I Want to Be Happy," their bop chops are also well honed. Some songs are typical as on the shuffle "Groove Merchant" or the straight swing blues of Akiyoshi's "Jo-House Blues," again Messenger-ish à la Hank Mobley and Lee Morgan, spiked by Ohno's lead out. Reichman's clean clarinet shines through on the samba take of Benny Goodman's "Slipped Disc" and the broken hearted "Cry Me a River." Dauber's muted plunger trumpet is both pining and humorous during "Moon Song," while Ueda's feature on "Old Folks" marks the coming of a rising star. There's one cut with just the trio sans horns "I Could Have Danced All Night" where Ohno and Ueda cut loose, and Maricle's brushwork on her snare drum is very impressive. While one might hope for the band to let it fly a bit more, that is probably due for a follow-up ...
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