| | Testament Formation Of Damnation CD - Import Testament Discography of CDs
Formation Of Damnation Music | List Price | $46.99 (You save $3.64) | | Category | Rock Albums, Heavy Metal CDs | | Label | Phantom | | CD Universe Part number | 7643029 | | Catalog number | 762886 | | Discs | 1 | | Release Date | Apr 29, 2008 |
Testament Formation Of Damnation Songs | 1. | For The Glory Of |
| 2. | More Than Meets The Eye  |
| 3. | The Evil Has Landed |
| 4. | Formation Of Damnation |
| 5. | Dangers of The Faithless |
| 6. | The Persecuted Won't Forget |
| 7. | Henchman |
| 8. | Killing Season |
| 9. | Afterlife |
| 10. | F.E.A.R. |
| 11. | Leave Me Forever |
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Formation Of Damnation Music Formation Of Damnation Review
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Buy Formation Of Damnation CD Purchase Formation Of Damnation CD To buy, Click on price to add to cart | Judas Priest Concert Classics CD (2009) Reissue
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There was a time when British Steel was the hottest, hardest, and most awesome substance on the planet. On Judas Priest "Concert Classics", here it is, in its most appropriate circumstances: live, on stage. Judas Priest re-invented heavy metal. The first band to use the twin-guitar attack, they built on the foundation Black Sabbath had laid and moved metal to a new level. Looking back on the body of the work that the classic Priest line-up of Rob Halford, Glenn Tipton, K.K. Downing, Ian Hill and Dave Holland has left us, nobody is in any doubt that the "British Steel" album was the finest studio work the band produced. There are also those people who will tell you that British Steel was the finest British ...
| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
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Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome by a guitar crunching juggernaut. This strange mix of styles is more effective here than it has been for about a decade, and there's no threat of the album becoming ponderous either as the economical tracklist and purposeful songs wipe away the sins of their previous album, 2005's ROSENROT. The group's loyal fans have remained with them through the '00s and have braved all the difficult but ultimately rewarding efforts that came with it. To them, LIEBE IST FUR ALLE DA is the big payoff and an instant classic. For the rest of the world, this is that once a decade, perfectly balanced Rammstein album that's immediately accessible but wide and deep enough to explore for years to come.
Anyone familiar with the industrial metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album Liebe Ist fur Alle Da ("Love Is There for Everyone") ...
| | Scar Symmetry Dark Matter Demensions CD (2009)
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Audio Mixer: Jonas Kjellgren.
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Nickleback's sixth album doesn't stake out new ground, but this Canadian post-grunge quartet is known for their allegiance to old-school hard rock values. That allegiance is borne out on 2008's DARK HORSE, a collection of riff-driven rockers and power ballads that thrives on simple chord progressions, distortion-heavy guitars, and lyrics about partying and other carnal delights. The singalong single "Gotta Be Somebody" may flirt with radio-ready pop, but most of DARK HORSE revels in denim-clad, bad boy swagger.
It's hard to forget that Nickleback is a mainstream act, however, especially given the potent, high-gloss sound of the album, courtesy of veteran producer Robert "Mutt" Lang. Like Def Leppard, another Lang-produced band, Nickleback's rock is packaged prettily enough for soccer ...
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In the tradition of bands such as Metallica and Judas Priest, Pantera put themselves on the map with supercharged blues-based metal riffs and screaming/singing vocals. Adding groove to their artistic aggression made COWBOYS FROM HELL a landmark for the band.
With the relentless "Primal Concrete Sledge," Pantera take a chance and incorporate industrial elements into their style, a risky move for a metal band in 1990. "Psycho Holiday" showcases machine-gun syncopation while "Heresy" matches thrash riffs with double bass drumming dexterity. The haunting and dramatic "Cemetery Gates" features soulful vocals and was responsible for thrusting Pantera in the metal mainstream. The outro to "Domination" makes use of an infectiously mosh-worthy progression, while a call-and-answer metal/blues riff comprises the hook in "Shattered." Drummer Vinnie Paul has a drum sound that's comparable to that of Lars Ulrich (of Metallica); both of them were heavily imitated in the early '90s. "Clash With Reality" ...
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Tommy Guerrero and Gadget throw in some acid jazz horn sounds and hip-hop beats on Hoy Yen Ass'n. Guerrero's alt-blues guitar fits well with DJ Gadget's down-tempo rhythms. This is the after-hours version of Guerrero and Gadget's ...
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Norwegian pop/punkers Goldenboy could hardly be construed as innovators, but the songs on Right Kind of Wrong are super sturdy, often infectious and bolstered by a pristine production value. Cut from the Descendents/Green Day/blink-182-cloth, highly-charged, melodic urges like "The Challenge" and "56" are hard to resist. Single-worthy nuggets like "In a Year or Two" and "When Summer Turns to Fall" are equally hook-infested; they'd be TRL-contenders in an ideal world. Still, Goldenboy's sugary fits of aggression start to feel redundant as the disc plays out, but "Pink," a creepy homage to the punk leaning pop diva of the same name, is a stalker rocker worth sticking around for. Destined to be popular with kids in the know, Right Kind of ...
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Anticipation for Sean Paul's follow-up to 2003's mega-successful DUTTY ROCK was running high by the time 2005's THE TRINITY hit the streets. But fans expecting a reprise of the light, fun dancehall pop that made DUTTY ROCK such a commercial success will be in for a surprise here. THE TRINITY has a much harder-edged sound than its predecessor, and there is little of the buoyancy or melodic hooks that made that album accessible.
Instead, THE TRINITY is produced with the club in mind. Tunes like "Head in the Zone" and "Send It On" are characterized by driving dancehall rhythms, hypnotic rapid-fire vocal cadences, and urban R&B touches that give the tracks a glamorous sheen, with Sean Paul laying down lyrics ...
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