| | Michael Bolivar You Go To My Head CD Michael Bolivar Discography of CDs
Michael Bolivar has performed with many artists, both famous and aspiring, including his high school band (Evan E. Worthing), his college band (Prairie View A&M, Lou Rawls, The OâJays, Billy Preston, Helen OâConner, Aretha Franklin, Freddie ... You Go To My Head Music | Category | Jazz Albums | | Label | CD Baby | | CD Universe Part number | 7644143 | | Catalog number | 184854 | | Discs | 1 | | Release Date | Feb 26, 2008 |
Michael Bolivar You Go To My Head Songs | 1. | Stompin' At the Savoy |
| 2. | Four |
| 3. | You Go to My Head |
| 4. | Cherry Pink and Apple Blossom White |
| 5. | Our Love Is Here to Stay |
| 6. | In the Mood |
| 7. | Da Blues |
| 8. | Caught Up in the Rapture |
| 9. | When I Fall in Love |
| 10. | We'll Be Together Forever |
| You Go To My Head Review
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$9.59 âI set out to make an album that I would like,â says quirky pop-rocker, Rod Kim, âwithout thinking about if anyone else would.â Like many great works of art, it all began with a girl. âI woke up one day and realized I was madly in love with herâŠthis wonderful girl, this childhood friend,â Rod continues, âSo I began writing songs that would chronicle our beautiful journey in fully realizing this love. Thatâs where âGive Me A Fairytaleâ and âBy Nowâ came from. Then I wrote âJerseyâ at a diner in southern Jersey the moment I decided to fly out to see her.âAnd as in many stories, unlikely circumstance turns the path.âI took the next flight out halfway across the country to have coffee with her and finally tell her how I felt, the beginnings of âComing Home To Youâ were pieced together. My best friend was getting married soon, and I was imagining my life in his shoes. It was everything I admired about my friendâs happiness and everything I wanted to tell the girl I had come 600 miles to have coffee with. However, it was there at that little coffee joint I was quietly let down. Weeks later, I found out that days before I had showed up she met someone. Suddenly, the hopeful writing ended as regret and heartache set in and âI Had Youâ was born. As the months passed by, she got engaged and soon married. That was probably the darkest day for me in a long while. I just laid in bed all day counting the hours until she walked the aisle and whimpering into a handheld tape recorder, feeling both guilty that I wasnât there to see one of my best friends on her happiest day and heartbreak that it wasnât me. That tape would become âShe Will Never Love Meâ. âWith half an albumâs worth of demo recordings, Rod decided to fully realize these songs in the studio.âI had never felt this range of emotions so strongly, and made the decision the only way I would be able to work through them would be to finish the art that I had started. âSheâ was worth it, I spent too many years not saying what I meant to say and this was my chance to at least make something beautiful of my hurt.âAs with many stories, the hero needs a hand.âThatâs when I called Ian (Baird). I had worked with him in several bands I produced and manage in college,â Rod reminisces, âAnd he came in at the last minute to play drums for me at the concert that became âLive From LaDue Auditoriumâ. He speaks the language of music so well, I knew he would âgetâ where I was going and where I was coming from. When I brought in a quirky demo or threw in random claps, bangs or feedback, he would know exactly what I was getting at. Ian primarily played drums for me at the beginning, but as time moved on he helped me realize my songs more and more. Musically, he was the guy tapping me on the shoulder whispering, âDid you tell them about this part?ââThough this project featured new music from Rod, he would dust off one tune from nearly a decade ago.âI had this song called âLead Me To Believeâ I had written when I was barely 16-years-old. I felt like I wasnât good enough for this same girl back then and this was about that.âAt this point, more than a year had gone by and Rod had spent most of this time by the piano crafting these songs. A new voice would soon come to him.âGuitar is probably one of my weaker instruments,â confesses Rod, âbut as in my life circumstances, I wanted to strengthen that which was weak. I went out and bought an electric guitar and small amp. Around the same ...
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