| | Opus MC War On Thought CD Opus MC Discography of CDs
*NEW PRICES!!!*Since a young age Harley Bourget (a.k.a. Opus MC) has moved to the beat of a different drum. When his peers sought freedom via drugs, and alcohol, he always found his in music. From early interests in jazz, Latin, punk rock and metal drumming, to his more recent exploits into the worlds of Hip Hop, and experimental dance, one thing has remained constant; A strong message. Not content to simply move feet, Opus MC strives to excersise the minds and hearts of all listeners. Having released his debut LP "War On Thought" in 2007 to much acclaim, his softmore effort "Smile...Music" looks to follow up with a breath of fresh air, and positivity. Keep your ears to the ground, and your mouth ready to bust a grin, 2008 is the year of the Smile! 'Get my words out to as many people who will listen with an open mind and heart. I work with friends that have mutual goals, and adhere to moral principles that reflect kindness, compassion, and developmental motivation. ' His first release "War On Thought" is out now!Opus MC has performed along-Opened For:-Abstract Rude, Agent Orange, B-Traits, Benny Elim Capital J, Chadio, Chanbricky, Chaz, Craze, D-Snow/The Electrichead, Degree, Dreadnought, Epic, Flow Pro, Freaky Flow, Harmoniah, Jonek, Kenny Ken, Krafty Kuts, Locution Revolution, Math Blasters, Matt Hatter, MC Sharpness, Moves, Oh Aces, Pete Flex, PhatCat, Shamik, Shy FX, Slim Pickins, The Blurb, The Joe, Unkle Sam, Verseye, Sweetz, Xaolin...and more. Check the review out:http:// canada /edmontonjournal/news/culture/story. html?id=2e3a591c-02a8-4803-bed9-1982ec8ee510 Interview:http:// vueweekly /article.php?id=7762 Opus MC War On Thought Songs | 1. | Musical Youth |
| 2. | Sinister Fascist |
| 3. | Killing God |
| 4. | Magnum Opus |
| 5. | Ultra Funky |
| 6. | Advocate for Freedom |
| 7. | War On Thought |
| 8. | Speed |
| 9. | Message of Choice |
| 10. | Time Filler |
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War On Thought Review
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Audio Mixer: Seth Presant.
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Nebraskan singer/songwriter Conor Oberst began combining troubadourism with emo rock at a ridiculously early age, inspired by the older, more literate Nebraska cult hero Simon Joyner (whose huge influence is somehow always overlooked by journalists). Recording prolifically for local indie label Saddle Creek, Oberst (as Bright Eyes, with or without accompaniment) gradually refined his Neil Young-with-ADD sound over the years. LIFTED OR THE STORY IS IN THE SOIL...is his most ambitious outing to date, featuring ...
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Swedish producer Andreas Saag is a lot closer to West London in the spiritual sense than the physical sense, which is apparent on his full-length debut as Stateless for Ubiquity. This follows a pair singles ...
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Unbunny returned in 2002 with Black Strawberries on New Hampshire's Two-Ton Santa Records. The band's quirky musical strategy remained mostly the same, with singer/guitarist Jarid Del Deo serving as songwriter, and drummer James Ess and bassist Steve Haruch providing rhythm support. The disc begins with the upbeat and casual "In a Way," which is followed by the bare-bones instrumental "Blorn Blind." On "5th of July," the band sounds like a folk band more than ever, with a healthy dose of blues behind Del Deo's calculated and straightforward lyrics. The pace picks up on "Water and the Spanish Tongue," and the majestic instrumentation reaches a new level on "Glacier," with guest piano by Death Cab For Cutie's Chris Walla. The disc ends with "Northerns Pies," an orchestral and reflective mood piece. Black Strawberries marked the return of Unbunny, who remained at top form after recording at a frantic pace in the mid- to late '90s. Sidney Linder, Rob Downen, Julie Law, and Gregg Porter guest on guitar, trumpet, piano, and drums respectively on the 12-track disc, which was mostly recorded with Walla in early 2002. ~ Stephen Cramer
Review from Comes with a Smile--Unbunny Black Strawberries ...
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Armed with an acoustic guitar and a head full of songs, Sal Belloise set out in a VW bus on his musical journey back in the hazy 60s. He's been traveling that road ever since, performing thousands of shows and meeting millions of faces. In the process, his music, like his rich, melodic guitar work and vocals, has deepened with life experiences along the way. Belloise's fans span the globe and are an intricate part of his creative process, as it is his audience who determines which songs get recorded. "I let the people dictate which songs are keepers and which ones are sleepers by the initial response they receive from applause," Belloise says of the importance of his fans' participation and preferences. Although one tune might go over better in Ireland than another in New York City, his acoustically driven music finds its rhythmic groove somewhere between powerful folkish rock and trans-pop. Belloise was weaned on vocal harmonies of the late psychedelic era - Crosby, Stills and Nash, Neil Young, James Taylor - and his guitar style is steeped in those sounds mixed with the spirit of Jimi Hendrix and flavored with the warm southern nights of living on a small island off the west coast of Florida - Clearwater ...
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