| | Fore Black & White CD - Import Fore Discography of CDs
The Fore sound like they haven't listened to any records except for a scant collection of pre-65 Beatles and Rolling Stones 45s. They're so carefully studied in the sound and style of the Brit Invasion that it's hard to believe that this isn't some long lost recording discovered bricked in to the back wall of the Cavern. Diskant"The Fore are one of the most exciting hidden gems out there, screaming to be heard and appreciated." Resonance 104.4 FMThe Fore's brand of raw rock and roll sounds like no other band around, blending timeless unforgettable melodies with a pulsating backbeat.If you were listening to the Kinks, Small faces or the Beatles, and a Fore demo dropped in to your play list you wouldn't notice the huge generation gap. The Fore have bought a time machine and travelled from the 60's to the twenty first century to bring the true sounds of that past generation back to you. The Fore are not a tribute band by any means, yet they have captured the essence of the 60’s music scene and made it there own. Broccoli MusicThe Fore are :- Nathan Persad : Rhythm guitar Matt Hardy : Lead guitar Simon Thompson : Drums Spencer Hannabuss : Bass guitar Fore Black & White Songs | 1. | Love For Sale |
| 2. | A Girl Like You |
| 3. | Little Louisa |
| 4. | If I Show You Love |
| 5. | You'll Be Mine |
| 6. | Man Of Few Words |
| 7. | I Want To Be With You |
| 8. | Someone New |
| 9. | I Got A Girl |
| 10. | Here Comes The Girl |
| 11. | Please Tell Me |
| 12. | Shake |
| 13. | In So Deep |
| 14. | It'll Be Me |
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Black & White Review
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Purchase Black & White CD To buy, Click on price to add to cart | Dr Andrew Weil Breathing: Master Key To Self Healing CDs (2000)
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| | Taylor Swift Fearless CDs (2008) With DVD; Bonus Tracks; Special Edition
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| | Jim Reeves Twelve Songs Of Christmas CD (1963)
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| | Carrie Underwood Play On CD (2009)
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Daisy in her hair aside, Carrie Underwood looks flat-out glamorous on the cover of PLAY ON, which is a pretty fair indication of what awaits listeners on her third album. Carrie is still nominally a country artist and sometimes will sing supported by fiddles and steel guitar, but this is crossover pop pure and simple, whether it's the thundering rhythms on the Shania-styled strut "Cowboy Casanova" or the succession of maudlin melodies on the preponderance of power ballads. Carrie takes a much stronger presence as ...
| | Lady Gaga Fame Monster CDs (2009) Deluxe Edition
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the ...
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Instrumentalist Aeoliah is well known ...
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| | Cross Canadian Ragweed Mission California CD (2007)
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| | Cajun Jamboree: The Essential Collection Of Joe Bonsall & The Orange Playboys CD (2008)
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| | Bad English CD (2008) (Import) Import
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| | Rick Nestler Spending My Days CD (2008)
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Rick was born July 10, 1950 in the Bronx, New York. The oldest son of what eventually became seven children; Rick’s father was an accountant while his mother held down the fort as chief domestic engineer for the family. In 1954 the family moved from the Bronx to Harrison, NY, a Westchester suburb of NYC. He attended a Catholic grammar school there. In 1964 Rick enrolled in Archbishop Stepinac HS in White Plains, NY. It was there he got his first real experience performing in school plays, in Glee Club and local church basement, YM and YWCA coffeehouses. His earliest influences were Dylan, Donovan, Arlo Guthrie, his friend Rich Bala and his sister Dee.It was while attending Marist College in Poughkeepsie that Rick started to write his own songs and playing them in surrounding colleges and bars. This was also when he first found his political voice playing at an “Angry Arts Weekend” and various demonstrations and rallies against the Vietnam War and supporting the first grape boycott for the United Farm workers.In 1970 Rick joined a group of three friends in forming a band called Mirkwood. The philosophy of the band was to avoid playing anything that might be a commercial tune while concentrating on original songs and obscure country, rock, and folk covers. This philosophy culminated in the group finding local critical acclaim, about three years of gigs in local colleges, no money and a date at the Cafe Wha? where, for lack of a better descriptive title, they were billed as a “hard folk” band. Obscurity and band breakup followed.Rick continued to play as a solo act and with sometime partner Drew Gorman opening for such people as Robert Klein, Stories and Steve Goodman in various colleges in the Northeast. Rick was also firmly ensconced in the tri-state (NY, NJ, CT) bar and club scene doing a mix of country, rock, pop, folk and original tunes.During the mid-70’s he found himself working at a coffeehouse called “The Fair Harbor” as second string house musician and sound man. Here he befriended more infamous folk singers like Joe Heukerott, Guy Davis and Lyndon Hardy and Jay Ungar. Lyn & Jay hired him to do sound for square dances and it wasn’t long until he was playing along with them.By the late 70’s Rick was expanding into the Irish pub circuit and sitting in on a regular basis with the Bronx based top forty country cover band White Birch. He was a founding member of the People’s Voice Cafe. About this time he met Pete Seeger. A friend had invited him to go out sailing ...
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