| | Boléro: Music By Ravel, Borodin, Bizet Super-Audio CD Kunzel, Erich CDS
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Modern, Opera, Suite, Post-Romantic, Super Audio, Musical Comedy, Bolero |
**Super Audio CD (SACD)**
A Super Audio CD player is required to play this CD.
This item will not play on standard CD players. Boléro: Music By Ravel, Borodin, Bizet Music | List Price | $18.97 (You save $1.68) | | Label | Telarc Distribution | | Orig Year | 4/22/2008 | | All Time Sales Rank |  3936  | | CD Universe Part number | 7646126 | | Discs | 1 | | Release Date | Apr 22, 2008 | | Recording Time | 1 5 | | Additional Info | Super Audio CD; Hybrid SACD |
Boléro: Music By Ravel, Borodin, Bizet Music Boléro: Music By Ravel, Borodin, Bizet Review
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Boléro: Music By Ravel, Borodin, Bizet Songs | 1. Bolero, ballet for orchestra (13:31) | | Common Name | Bolero Ballet For Orchestra | | Composer | Maurice Ravel (1875 - 1937) | | Conductor | Erich Kunzel | | Genre | Bolero | | Date Written | 1928 | | Period | Modern | | Country | France | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | 2. Music as Popularized in Kismet (after Borodin): Part 1: Excerpts from Symphony No. 2; In the Steppes (6:29) | | Common Name | Music As Popularized In Kismet After Borodin | | Composer | Erich Kunzel (1935 - 2009) | | Conductor | Erich Kunzel | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | 3. Music as Popularized in Kismet (after Borodin): Part 2: Excerpts from String Quartet No. 2; Overture (9:16) | | Common Name | Music As Popularized In Kismet After Borodin | | Composer | Erich Kunzel (1935 - 2009) | | Conductor | Erich Kunzel | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | 4. Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard) (11:18) | | Common Name | Carmen Suite For Orchestra | | Composer | Georges Bizet (1838 - 1875) | | Conductor | Erich Kunzel | | Genre | Romantic Period | | Date Written | 1875 | | Period | Romantic | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | Notes | Composition written: 1875.
Composition revised: Spain. | | 5. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): March of the Smugglers (Act 3) (4:13) | | Common Name | Carmen Suite For Orchestra | | Composer | Georges Bizet (1838 - 1875) | | Conductor | Erich Kunzel | | Genre | Romantic Period | | Date Written | 1875 | | Period | Romantic | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | Notes | Composition written: 1875.
Composition revised: Spain. | | 6. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Habanera (Act 1) (2:01) | | Common Name | Carmen Suite For Orchestra | | Composer | Georges Bizet (1838 - 1875) | | Conductor | Erich Kunzel | | Genre | Romantic Period | | Date Written | 1875 | | Period | Romantic | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | Notes | Composition written: 1875.
Composition revised: Spain. | | 7. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Song of the Toreador (Act 2) (2:21) | | Common Name | Carmen Suite For Orchestra | | Composer | Georges Bizet (1838 - 1875) | | Conductor | Erich Kunzel | | Genre | Romantic Period | | Date Written | 1875 | | Period | Romantic | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | Notes | Composition written: 1875.
Composition revised: Spain. | | 8. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): The Changing of the Guard (Children' (3:48) | | Common Name | Carmen Suite For Orchestra | | Composer | Georges Bizet (1838 - 1875) | | Conductor | Erich Kunzel | | Genre | Romantic Period | | Date Written | 1875 | | Period | Romantic | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | Notes | Composition written: 1875.
Composition revised: Spain. | | 9. Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard): Danse Boheme (Act 2) (4:33) | | Common Name | Carmen Suite For Orchestra | | Composer | Georges Bizet (1838 - 1875) | | Conductor | Erich Kunzel | | Genre | Romantic Period | | Date Written | 1875 | | Period | Romantic | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 | | Notes | Composition written: 1875.
Composition revised: Spain. | | 10. Iberia Suite, for orchestra (orchestrated by Arbos from "Iberia" for piano): Fete-dieu a Seville (7:09) | | Common Name | Iberia Iberia, Iberia Suite For Orchestra | | Composer | Isaac Albéniz (1860 - 1909) | | Conductor | Erich Kunzel | | Genre | Suite | | Date Written | 1906-1907 | | Period | Post-Romantic | | Country | Spain | | Venue | Music Hall, Cincinnati, OH | | Recording Date | 10/22/2007 |
Boléro: Music By Ravel, Borodin, Bizet Music Composers on Boléro: Music By Ravel, Borodin, Bizet CD : Isaac Albeniz, Georges Bizet, Erich Kunzel, Maurice Ravel Conductors on Boléro: Music By Ravel, Borodin, Bizet CD : Erich Kunzel Genres on Boléro: Music By Ravel, Borodin, Bizet CD : Bolero, Romantic Period, Suite Purchase Boléro: Music By Ravel, Borodin, Bizet To buy, Click on price to add to cart | Leopold Stokowski Rhapsodies CD (2005) SACD Hybrid
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Eight compositions by Bill Frisell inspired by 8 Gerhard Richter paintings.
The music from Richter 858 was originally commissioned and recorded to accompany a book of paintings by Gerhard Richter, which was only available in limited quantities back in 2002. Tony Reif of Songlines decided to rescue the recordings from obscurity, and re-released them in early 2005. The band is Frisell on guitar and delay, Eyvind Kang on viola, Jenny Scheinman on violin, and Frisell's old bandmate Hank Roberts on cello. The pieces were directly inspired by a specific painting, and recorded live to two-track with no editing or overdubs. In the booklet are thoughts and guidelines given to Frisell by producer David Breskin and an interview on the subject with Frisell, and they shed a great deal of light on the process of how this music was created. Since art is, of course, a subjective thing, you may or may not feel that the music directly relates to the paintings, but there's no denying that this is a fascinating project. The majority of the songs are built on simple repeated figures, and the players all seem free to embellish and improvise on top of that. Frisell's delays play a major role in this music (Breskin points out that Richter's technique of applying a squeegee to wet oil paint is analogous to Frisell "smearing" notes by manipulating his delay), and the way he uses the delayed guitar signal to complement, and in some cases mimic, the strings is quite amazing (remember, this was done live with no editing). It's been years since Frisell has made such extensive use of the delay, but he's still an absolute master. There is also a minimalist quality to the pieces, but the interplay between guitar, delay and strings keeps them from becoming static. Most of this album is quite serene and beautiful, although there are a couple of hairier moments. The paintings themselves are also reproduced in the booklet, and also as enhanced content on the disc itself, which is encoded for Super Audio playback. This is a very interesting new sound for Bill Frisell, and apparently this band is developing more music together outside the scope of the original project. Recommended. ~ Sean Westergaard
Bill Frisell: Bill Frisell (guitar, electronics); Jenny Scheinman (violin); Eyvind Kang (viola); Hank Roberts (cello).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
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