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Maschina, Jasmina - Demolition Series CD Cover Art
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Jasmina Maschina Demolition Series CD - Import

 Jasmina Maschina Discography of CDs

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On her first solo release away from Minit, Jasmina Maschina turns away from electronic to largely acoustic settings to produce a brief, enjoyable album that won't suddenly surprise listeners, but is still an exquisite, melancholic confection. Maschina's singing, wistful and tinged with a hint of lost sorrow, calmly floats among the understated arrangements on the album's nine songs; samples and textures inform the songs but the feeling is of a live performance, though so carefully blended that trying to determine where the joints are is a bit of a mug's game. If generally of a piece, standout tracks still abound, the first being "Over," one of the collaborative efforts on the album, with guitar work from Torben Tilly and soft backing vocals on the gorgeous, wordless chorus adding extra depth to the kind of song that readily finds its midpoint between Sarah Records-style serenity and post-shoegaze reach. The calm lope of "Sister," with guitar and keyboards interweaving to suggest a gold-tinged sunset in some quiet corner of the universe, and the piano of A.B. Meyers on "Slow Walker," a series of reflective descents in a variety of styles as the song unfolds, help to flesh out the listen further, while the concluding "Asleep (Minit Variation)," the longest song at nearly nine minutes, stretches out the mesmerizing style of the album as a whole to an exultant piece of understated psychedelic drone, encompassing everything from the tinge of sitars to the cascade of feedback. ~ Ned Raggett

Personnel: Jasmina Maschina; Lucinda Dayhew (vocals); Torben Tilly (guitar); Jimmy Trash (melodica).

Demolition Series Music


Detailed Demolition Series Music Information



List Price $19.98 (You save $2.63)
Category Rock/Pop Albums, Rock CDs
Label Staubgold
Orig Year 2008
CD Universe Part number 7646223
Catalog number 86
Discs 1
Release Date Apr 29, 2008
Studio/Live Studio
Mono/Stereo Stereo
Personnel Torben Tilly - guitar
Jasmina Maschina
Jimmy Trash - melodica
Lucinda Dayhew - vocals
Additional Info Germany
Jasmina Maschina Demolition Series Songs


Jasmina Maschina Demolition Series Album Track Listing



1.Sweet City Sue
2.Holy Holy Holy Word
3.Over
4.Learning to Fly
5.Sister
6.Sit With Me
7.Slow Walker
8.Under Sea
9.Asleep (Minit Variation)
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Downriver What was once just the title to one song dealing with a young man of life-sized faith and his eminent toils (love, riches and answers found, but lost and the Kingdom-to-Come), became the definitive name of David Lucas’s musical journey through spirituality and appreciation for true sacrifice. Downriver began with the Damascus trio assembling in a dank basement, located in the small village of Chippewa, late in the spring of 1998. The band wanted to put together a few songs in order to compete in the annual battle-of-the-bands contest, held at the college of then bass player, John Hoegg. Winning third place at the band’s first gig, following the performance of Burn Away, Lil’ Devil and a Hendrix cover, invoked the confidence necessary to assure David that an audience would find pleasure in the sounds of his own heart. Adhering to the bluesy, stoner-rock premise that was established, Smokeflower, Down River, Gethsemane, Beggin’ for You and If I Go, were written and compiled to form the band’s repertoire. Too short-lived, Damascus, as it was, would run its course after only a handful of gigs in the Niagara region of Ontario, Canada. Interference of the female persuasion and a band member/long-time friend’s reluctance to acknowledge his abuse of drugs and alcohol, forced Dave and John to pursue other musical projects. A number of starts and stops would ensue while humoring various inspirations and moods, but the struggles of the soul always led back to the blues. “I wrote this one chorus when my buddy John and I were working on a Blues/Hip-hop thing with a mutual friend, Jeff Miller, from Harrisburg, PA, ‘Can’t nobody ever sing the blues like my Lord can sing the blues, ‘cause ain’t nobody ever had the blues like my Lord had the blues’. That’s just so true to my heart, man. He knew what was coming. How much lower can a man feel, you know? Every burden I have, every pain I feel, every battle. . . I know nothing can ever compare to that, but I know that He understands and He has a way to lead me out of it. But, like the old saying ‘Let go and let God’, that’s the most difficult part for any man”. With growth in life, in matters of the soul and in music, came an identity, which was realized in one of his songs. In Down River, Lucas allegorically wrote about a baptism taking place in a river, whereby, the new man is risen up from the water as the current carries away the old. From that point, the new man has to stand strong against the oncoming current, lest he falls and is swept down to be reunited with his past. “It’s about the struggle for progress, which, realistically, I think all of us endure, regardless of faith. We measure ourselves by how often and how far we back-slide, but then what we use to move forward, again, what we take with us and what we leave behind.” Untie My hands, let Me hold your heart down low under the water, babe, feel the down river flow – from Down River, by David Lucas. Often, daily life and all of its predictable, but unwelcome incidents, are allowed to become so disproportionate to their actual triviality, that far too effortlessly blurred is the focus of what should be so uniquely relevant. Like so many of us, David experienced an epiphany following the horrific ...
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