| | Jasmina Maschina Demolition Series CD - Import Jasmina Maschina Discography of CDs
On her first solo release away from Minit, Jasmina Maschina turns away from electronic to largely acoustic settings to produce a brief, enjoyable album that won't suddenly surprise listeners, but is still an exquisite, melancholic confection. Maschina's singing, wistful and tinged with a hint of lost sorrow, calmly floats among the understated arrangements on the album's nine songs; samples and textures inform the songs but the feeling is of a live performance, though so carefully blended that trying to determine where the joints are is a bit of a mug's game. If generally of a piece, standout tracks still abound, the first being "Over," one of the collaborative efforts on the album, with guitar work from Torben Tilly and soft backing vocals on the gorgeous, wordless chorus adding extra depth to the kind of song that readily finds its midpoint between Sarah Records-style serenity and post-shoegaze reach. The calm lope of "Sister," with guitar and keyboards interweaving to suggest a gold-tinged sunset in some quiet corner of the universe, and the piano of A.B. Meyers on "Slow Walker," a series of reflective descents in a variety of styles as the song unfolds, help to flesh out the listen further, while the concluding "Asleep (Minit Variation)," the longest song at nearly nine minutes, stretches out the mesmerizing style of the album as a whole to an exultant piece of understated psychedelic drone, encompassing everything from the tinge of sitars to the cascade of feedback. ~ Ned Raggett
Personnel: Jasmina Maschina; Lucinda Dayhew (vocals); Torben Tilly (guitar); Jimmy Trash (melodica).
Jasmina Maschina Demolition Series Songs | 1. | Sweet City Sue |
| 2. | Holy Holy Holy Word |
| 3. | Over |
| 4. | Learning to Fly |
| 5. | Sister |
| 6. | Sit With Me |
| 7. | Slow Walker |
| 8. | Under Sea |
| 9. | Asleep (Minit Variation) |
| Demolition Series Review
GuidelinesRemember to focus your comments on Jasmina Maschina Demolition Series CD - Import. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Demolition Series CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
Demolition Series album
$10.39
| | Katatonia Night Is The New Day CD (2009)
Demolition Series CD music
$14.38
| | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
Demolition Series music CDs
$8.99
| | Van Der Graaf Generator: Live At The Paradiso DVD (2009)
Demolition Series songs
$14.02
| | Frank Zappa Joe's Garage Acts I, II & III CDs (1979) Remastered
Demolition Series album
$15.85 The superlative repackaging and remastering undertaken by Ryko has put the original three-part, two-record ...
| | N Sync Home For Christmas CD (1998) Enhanced CD
Demolition Series CD music
$6.09
| | Five Red Caps 1943-1945 CDs (1996) (Import) United Kingdom
Demolition Series music CDs
$16.49
| | Paramount Piano Blues 1928-32, Vol. 1 CDs (1991)
Demolition Series songs
$14.79
| | Control Machete Solo Para Fanaticos CD (2002)
Demolition Series album
$11.39
| | Tarwater Needle Was Traveling CD (2005)
Demolition Series CD music
$12.59
| | Nick Luca You Win Again CD (2005)
Demolition Series music CDs
$11.69
| | Terremoto Eternal Scream CD (2008) (Import)
$19.69 | | Last Autumn's Dream Hunting Shadows CD (2008) (Import) Bonus Track
Demolition Series songs
$26.19
| | Journey Trial By Fire CD (2008) Bonus Track; Remastered; Digipak
Demolition Series album
$7.89
| | Downriver CD (2009)
Demolition Series CD music
$9.59 Downriver What was once just the title to one song dealing with a young man of life-sized faith and his eminent toils (love, riches and answers found, but lost and the Kingdom-to-Come), became the definitive name of David Lucasâs musical journey through spirituality and appreciation for true sacrifice. Downriver began with the Damascus trio assembling in a dank basement, located in the small village of Chippewa, late in the spring of 1998. The band wanted to put together a few songs in order to compete in the annual battle-of-the-bands contest, held at the college of then bass player, John Hoegg. Winning third place at the bandâs first gig, following the performance of Burn Away, Lilâ Devil and a Hendrix cover, invoked the confidence necessary to assure David that an audience would find pleasure in the sounds of his own heart. Adhering to the bluesy, stoner-rock premise that was established, Smokeflower, Down River, Gethsemane, Begginâ for You and If I Go, were written and compiled to form the bandâs repertoire. Too short-lived, Damascus, as it was, would run its course after only a handful of gigs in the Niagara region of Ontario, Canada. Interference of the female persuasion and a band member/long-time friendâs reluctance to acknowledge his abuse of drugs and alcohol, forced Dave and John to pursue other musical projects. A number of starts and stops would ensue while humoring various inspirations and moods, but the struggles of the soul always led back to the blues. âI wrote this one chorus when my buddy John and I were working on a Blues/Hip-hop thing with a mutual friend, Jeff Miller, from Harrisburg, PA, âCanât nobody ever sing the blues like my Lord can sing the blues, âcause ainât nobody ever had the blues like my Lord had the bluesâ. Thatâs just so true to my heart, man. He knew what was coming. How much lower can a man feel, you know? Every burden I have, every pain I feel, every battle. . . I know nothing can ever compare to that, but I know that He understands and He has a way to lead me out of it. But, like the old saying âLet go and let Godâ, thatâs the most difficult part for any manâ. With growth in life, in matters of the soul and in music, came an identity, which was realized in one of his songs. In Down River, Lucas allegorically wrote about a baptism taking place in a river, whereby, the new man is risen up from the water as the current carries away the old. From that point, the new man has to stand strong against the oncoming current, lest he falls and is swept down to be reunited with his past. âItâs about the struggle for progress, which, realistically, I think all of us endure, regardless of faith. We measure ourselves by how often and how far we back-slide, but then what we use to move forward, again, what we take with us and what we leave behind.â Untie My hands, let Me hold your heart down low under the water, babe, feel the down river flow â from Down River, by David Lucas. Often, daily life and all of its predictable, but unwelcome incidents, are allowed to become so disproportionate to their actual triviality, that far too effortlessly blurred is the focus of what should be so uniquely relevant. Like so many of us, David experienced an epiphany following the horrific ...
|
|
|