| | Schubert:Symphony No 1/Worzischek CD - Import Hengelbrock, Thomas CDS
Schubert:Symphony No 1/Worzischek Music | List Price | $17.99 (You save $0.90) | | Label | MSI Music / Super D | | CD Universe Part number | 7647131 | | Discs | 1 | | Release Date | Jul 01, 2008 | | Additional Info | Import |
Schubert:Symphony No 1/Worzischek Review
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Music composed by Gene De Paul. Lyrics written by Johnny Mercer.
Songwriter Johnny Mercer did not have much luck writing for Broadway, but the exception was Lil' Abner, based on the satiric Al Capp comic strip about the rural residents of Dogpatch. Mercer wrote the song lyrics to music by Gene DePaul, with whom he had worked on the movie musical Seven Brides for Seven Brothers. After the show opened on November 15, 1956, it became the only stage work with which Mercer was associated to turn a profit, running 693 performances. Actually, the score isn't as strong as that for one of Mercer's flops, St. Louis Woman, but it is appropriate to the subject matter. The songs "Jubilation T. Cornpone," "The Country's in the Very Best of Hands," and "Progress Is the Root of All Evil" wittily capture Capp's sense of humor and dim view of politics. There are also some attractive romantic ballads, notably "Namely You" and "Love in a Home," both of which became minor hits. Edith "Edie" Adams and Stubby Kaye lead a cast of unknowns who give their all to the show's broad comedy. A key element of Lil' Abner's success was the staging and choreography of director Michael Kidd, not available on record, although the 2002 reissue adds the main dance number, "Sadie Hawkins Day Ballet." The disc is, in fact, full of new material, including a stereo version of the "Overture" (Li'l Abner was Columbia Records' last cast album not recorded in stereo, but the label was experimenting); the previously unreleased song "What's Good for General Bullmoose"; an expanded version of the finale, "The Matrimonial Stomp"; "There's Room Enough for Us," from the 1959 soundtrack album; and pop versions of two songs cut from the score, Percy Faith's "The Way to a Man's Heart" and Rosemary Clooney's "It's a Nuisance Having You Around." ~ William Ruhlmann
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Tonal Majesty presents... "Not Quite Classical" is in many ways exactly what it says: It is literally not quite "classical" but at the same time it is not quite "not classical." The album features the clarinet performing along side synthesizers in a delightful cross-genre experience. The songs were all written by Jamie K. Auberg over the past fifteen years. Tonal Majesty is a one man musical ensemble founded by Jame K. Auberg. Jamie K. Auberg is an author, composer, and music educator; as well as an amatuer movie producer. He attended Christopher Newport University where he studied composition with Mastersergent Aldo Forte. He graduated from Christopher Newport University with a Bachelor of Music Degree in 1999. Currently Mr. Auberg teaches band at Hampton Christian Academy, general music and choir at Denbigh Christian Academy, and private clarinet and piano lessons at Centerstage Acaademy. He also is a freelance composer for the Virginia Film Company. "Tonal Majesty" had its beginning in the early '90s when Mr. Auberg was still in High School. Originally called "Tonal Magic," the group consisted of three musicians (two clarinets and a Tenor Sax) playing along with synthesizers. Although he created the name "Tonal Magic," Mr. Auberg was unhappy with the name. Because of his strong religous beliefs he decided to drop the word "Magic" and came up with "Tonal Majesty." The group disappeared after High School, but Mr. Auberg attempted to restart it in college. When one of the members of the new ...
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