| | Haydn:Cello Concerto 1 & 2/Kraft CD - Import Bylsma, Anner CDS
Haydn:Cello Concerto 1 & 2/Kraft Music | List Price | $17.99 (You save $0.90) | | Label | MSI Music / Super D | | CD Universe Part number | 7647948 | | Discs | 1 | | Release Date | Jul 01, 2008 | | Additional Info | Import |
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With the contemporary prominence of such composers as Elgar and Vaughan Williams, it is, perhaps, easy to overlook, or at least to underestimate, the revivifying effect of Parry’s work. Musical life in Britain during the first half of the nineteenth century was in a state of stultification: the innovations of continental Europe were largely condemned by the Establishment and there was a steady trend towards archaism, with the ‘pure’ musical language of the sixteenth and seventeenth centuries being upheld as the ideal.It was due largely to his teacher and mentor, Edward Dannreuther, that Parry was able to draw on wider musical influences for his own compositions. Dannreuther was, as Parry wrote after his first lesson, “a decided Radical in music”; he was a champion of Brahms, Liszt, and Wagner; and, as well as his introduction to English audiences of piano concertos by Chopin, Grieg, Tchaikovsky and Scharwenka, he instituted a series of chamber music concerts at his London home, 12 Orme Square. These concerts provided a vehicle for the first performances of several of Parry’s own chamber works, including the Piano Trios in E minor, B minor and G major; the Piano Quartet in A-flat; and the String Quintet in E-flat; as well as two of the works featured on this disc: the Fantasie-Sonata and the Sonata in D major.The edition used for this recording is Volume LXXX of ‘Musica Britannica’: ‘C. Hubert H. Parry: The Sonatas for Violin and Piano’, published in 2003 by Stainer & Bell and edited by Professor Jeremy Dibble.Sonata in D minor for Violin and PianoforteParry’s first Sonata for Violin and Piano was composed probably between November 1874 and March 1875; the first movement was revised during the winter of 1876–7 while Parry was staying in Cannes with his wife, who was convalescing from an infected lung. The work shows the influence of Schumann, especially in the opening Allegro, where the syncopated piano part of the development’s closing passage is strongly reminiscent of the German composer’s Piano Quintet, which Parry had first heard in February. The voice of Brahms can also be heard: for instance, in the flatwards inflection over a tonic pedal that occurs at the end of the second movement. The Andante is also remarkable for the unusual tonal design of the recapitulation: Parry at first restates the opening material in the “wrong” key of D major, before modulating back to the tonic of F major for a wonderfully tender and heartfelt utterance.Fantasie Sonata in one movement for Violin and PianoDuring 1877 Dannreuther was preparing the Piano Concerto by Xaver Scharwenka for a performance at the Crystal Palace. This concerto is in one continuous movement ...
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Total Time: 43:09 minutesCD "pressed" from master on Professional CD recorders, in sealed jewel caseAll arrangements by Clint JonesAll tracks believed humanly playable PRESENTATION1 – Intro, Promenade 1, Gnomus (The Gnome) – 5:54 minutes Begins with a solo piano introduction to “Pictures”. The orchestra then plays Promenade 1, followed by grand piano solo for “The Gnome”.2 – Promenade 2, Il vecchio castello (The Old Castle) - 6:14 minutes. Full orchestra plays “Promenade 2”, followed by choir, piano and orchestra for “The Old Castle”.3 – Promenade 3, Tuileries (Children Quarrelling After Play) - 1:56 minutes. “Promenade 3” begins with synthesizer then is accompanied by full orchestra, which continues through “Children Quarrelling After Play”. 4 – Bydlo (Cattle) - 3:09 minutes. “Cattle” is played with grand piano and synthesizer and then played with orchestra.5 – Promenade 4 - Ballet des poussins dans leurs coques (Ballet of the Unhatched Chicks) - 1:39 minutes. “Promenade 4” is played with synthesizer and orchestra, followed with full orchestra for “Ballet of the Unhatched Chicks”.6 – Samuel Goldberg und Schmuÿle ...
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