| | Iris Parks New Praise CD Iris Parks Discography of CDs
Hi Friends!Thank you for visiting my site of sale. I truly believe in my heart of hearts that thisnew project will bless you like no body business. Description of this projectEnergetic and hip, soulful with diverse praise and worship that will put you right in the presence of God ! My Bio Visit: irisparks.comMy website will also give you the opportunity to read more about me and visit my other CD project “Victory under the Blood”. Just for You I pray you are blessed and favor will overtake your life. New Praise Music | Category | Rap Albums | | Label | CD Baby | | CD Universe Part number | 7649270 | | Catalog number | 185936 | | Discs | 1 | | Release Date | Mar 11, 2008 |
Iris Parks New Praise Songs | 1. | New Praise |
| 2. | More Than Enough |
| 3. | Holy Ghost Fire |
| 4. | Riplle Of Love |
| 5. | Jesus Loves Me |
| 6. | War Cry |
| 7. | I Bow Down |
| 8. | In His Presence |
| 9. | Restoration |
| 10. | Restoration (Instrumental) |
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New Praise Review
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Purchase New Praise CD To buy, Click on price to add to cart | Michael Jackson's This Is It CDs (2009)
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Out of a seemingly endless array of hip hop albums, every now and again something fresh and powerful rises to the top of the pile. Hailing from the Queensbridge Housing Projects in Long Island City (home to Marley Marl among others), 20-year old Nasir "Nas" Jones is less concerned with being an impersonator than with being an originator, bypassing adolescent fantasies and B-boy braggadocio in favor of jazzy beats, rap noir realism and new answers to urban despair.
ILLMATIC is his story, a cautionary tale of the inner-city streets, and as Nas makes plain on his opener, "The Genesis," this is what he does, with or without a record contract, and it's going to be served up straight, no chaser. And because Nas has the courage to transcend popular ...
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"Call it what you want: alt-country, Americana, indie-folk. It is a genre built upon a certain set of traditions, both sonic and lyrical. From the Band to Wilco to Whiskeytown, its musicians are more interested in exploring these traditions than being avant-garde; thus, success depends almost entirely upon ones ability to write quality songs and perform them earnestly. Luke Kalloch’s latest release Carolane Acres, finds the 23 year old singer/songwriter exploring these traditions across an excellent set of songs that sound right at home alongside any works of the 1990’s alt-country movement. Kalloch has the Americana formula down to a T – straightforward yet poignant lyrics, morose melodies, equal parts acoustic guitars and twangy overdriven electrics, flourishes of piano and mandolin, and performances given the kind of slightly reverbed production that gives the illusion that the listener is in the same small room as the performer. Lyrically, this set of songs is all about storytelling; whether it’s telling the performer’s personal story, or creating a narrative about the people in the world the performer inhabits. On the one hand, there are the deeply personal narratives of songs like “Elizabeth Come Home,” where Kalloch details all the heartache, paranoia, and sleepless nights that accompany the end of a romantic relationship. Elsewhere, Kalloch sings with equal conviction about the world around him, from the orphan boys and street corner prostitutes of “This Town” to the old fisherman of “Sailors.”Kalloch also has a few lyrical tricks up his sleeves. There is, for example, the hushed brushed-snare ballad “I Don’t Want to Leave Your Sight,” about trying to catch the eye of a lover. Kalloch deftly avoids slipping into cliché here by taking a phrase that is itself a cliché (“I don’t want to let you out of my sight”) and turning it on its head to create the song’s chorus of “I don’t want to leave your sight.” It’s an unexpected reversal that adds an additional feeling of helplessness to Kalloch’s already pleading vocals.Some of Carolane Acres greatest pleasures come from Kalloch’s repeated use of surprising contrasts. The EP’s opening track, “The Destroyer,” for example, employs a poppy Paul Westerberg/Replacements-esque electric guitar bounce and supremely catchy melodies and harmonies to present a chorus that is seriously dark: “I am the destroyer, of all your hopes and dreams and your sentimental schemes.” Later, Kalloch plays with contrasting guitar textures in “Elizabeth Come Home,” mixing an explosion of jangly treble guitar ...
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Brian Melick; Musician, Educator, Author, Designer has been professionally involved in music since the early age of 13. Featured recording artist on over 250 commercially released recordings on independent as well as major labels highlighted by his four solo projects, "Percussive Voices" Hudson Valley Records (debut at 23 on the World Music Chart), “Diverse Elements”, "Perpetual Motion", and "The Art of Udu". The last three of which have been released as Sound Libraries through Gene Michael Productions. Which are now placed with Universal Pictures, MGM Studios, Columbia Pictures, Fox Network, Discover Channel, TLC and with Disney. Very active educator offering Participatory Workshops, Masterclasses, Individual Lessons for all ages focusing on the World of Percussion, World of Udu, and Making and Playing Percussion Instruments Made Out Of Found Objects as well as Lecturer on "Music as a Career". Highlights include two books and two instructional videos released to support his work on the Udu Drum (Nigerian Side Hole Pot Drum) "The How to of Udu" Warner Brothers as well as "Making Percussion Instruments out of Found Objects". Through Community Learning an educational curriculum development company Brian developed a 15 week course curriculum based on his workshop ...
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