Kole Exile CD

Exile Music

Category	Rock/Pop Albums, Rock CDs
Label	CD Baby
CD Universe Part number	7649804
Catalog number	185968
Discs	1
Release Date	Mar 04, 2008

Kole Exile Songs

	1.	Tides
	2.	Stacey's Song
	3.	Fuguish
	4.	September
	5.	(In Memory Of) Opus 1 Mvt 1 Denial
	6.	(In Memory Of) Opus 1 Mvt 2 Reminiscence
	7.	(In Memory Of) Opus 1 Mvt 3 Acceptance
	8.	Someone To Help
	9.	Wrong
	10.	Restless Nights

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Few one-hit wonders have ever been as thoroughly misleading as Stories and their cover of Hot Chocolate's "Brother Louie." Stories turned Hot Chocolate's tale of interracial love into an early-'70s AM pop classic, a number one hit in 1973 and a staple of '70s oldies radio and compilations from that point after, but its very omnipresence hurt the band, suggesting they were another faceless studio-created outfit, maybe even a bubblegum group, when they were nothing of the sort. Stories was the brainchild of former Left Banke pianist/songwriter Michael Brown, who wrote the baroque classics "Walk Away Renee" and "Pretty Ballerina" for the group, and bassist/singer Ian Lloyd. The two were paired after Brown signed to Kama Sutra in 1971, with Lloyd bringing in associates drummer Bryan Madey and guitarist Steve Love, thus completing Stories. Brown and Lloyd collaborated on two albums but Brown did not stick around to finish the second, 1973's About Us, due to his dissatisfaction with the direction Lloyd and producer Eddie Kramer were taking the band. That second album brought the band closer to a polished commercialism, but Raven's 2007's two-fer Stories/About Us -- the best-produced collection of the band's two major albums ever produced, supplemented by the 1974 single "Another Love," which was released after the group's third album Traveling Underground, was billed to Ian Lloyd & Stories upon its release -- shows that Stories was always an odd creature, bearing echoes of Brown's delicate work with Left Banke, a more mainstream McCartney-esque pop also reminiscent of a sweeter Raspberries and, thanks to Lloyd's light rasp, hints of Rod Stewart. That hoarse soulfulness served Lloyd well on "Brother Louie," but he was never a true blue-eyed soul vocalist, and not just because Stories didn't often delve into blues-rock: his touch was too light, his voice too high and thin to dig deep into R&B. He was stuck between two sounds, between precious pop and soulful rock, which was completely appropriate for Brown's artful pop writing. Brown's songs for Stories weren't immediate, they were elliptical and gentle, just melodic enough to hint that these tunes are hookier than they are, having just enough structure to suggest big pop arrangements that never quite materialize, at least on their debut Stories. The touchstone for Stories is quite plainly Paul McCartney, as this is music that places the melody at the forefront; it's proudly precious and willfully whimsical, music crying out for listeners with a sweet tooth. Here, Stories make Badfinger seem like muscular macho men, as their hardest-rocking song, "Take Cover" -- with its big, cascading chorus, it's a tune that ...