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OOP in the US. Originally released in 1978. This highly influential Krautrock band's output remains groundbreaking and mysterious, even four decades after their first recordings. If you've heard a Can album, you'll still be hard-pressed to describe it's musical secrets. If you haven't heard a Can album, then this may be the doorway into a new way of listening to music. While some tracks do have basic song structures, others float around the room like anxious helium balloons, never knowing where they will land until they get there. Includes tracks from albums like Tago Mago, Monster Movie, Ege Bamyasi and others. Mute. Cannibalism Review
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Purchase Cannibalism CD To buy, Click on price to add to cart | Beatles - A Hard Day's Night DVDs (1964)
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| | Halford III: Winter Songs CD (2009) Special Edition; Digipak
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At first glance, Halford's entry into the crowded holiday market looks like a parody. Heavy metal and Christmas make for strange bedfellows, and WINTER SONGS' pastoral cover art -- which depicts Rob Halford staring wistfully (with a goatee and shades) into a soft, snowy pine forest -- screams Spinal Tap. That said, the Judas Priest frontman approaches yuletide standards like "We Three Kings" and ...
| | Tom Waits Glitter And Doom Live CDs (2009) Digipak
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" ...
| | Pink Floyd Wish You Were Here CD (1975) Remastered
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Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California).
Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system.
The breakthrough success of DARK SIDE OF THE MOON made WISH YOU WERE HERE a crucial follow-up in strictly commercial terms. Further pressure came from it being Pink Floyd's first recording for a new label, Columbia. Yet the demands on the band only provided Roger Waters with more fodder for his lyrics, which glanced ...
| | Jack Jezzro An Acoustic Sunday CD (2007)
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Jack JezzroDIVERSITY best describes the artistry of guitarist, bassist, and producer Jack Jezzro. His numerous recordings and productions have sold well into the millions, all while continuing to be a highly regarded studio musician and performer with an extensive resume. However, even more than that, Jezzro has a style and taste that are all his own-qualities that are a breath of fresh air to the music of today and qualities that breathe new life into the music of yesterday. ::: The Early YearsJazz is a natural expression for this West Virginia native, who seems to have been born musical. Jack Jezzro grew up in the small town of Rivesville, starting on piano and accordion when he was very young. 'I would go to the piano and start banging out tunes when I was four or five,' he recalls.His remarkable skill at simultaneously fingering melody and chord changes came naturally to him as a young listener. 'I had a stack of Chet Atkins records, and that's how I learned to play,' Jezzro reports. 'As a kid, I'd want to play all the parts. I'd listen to a tune by James Taylor, The Doobie Brothers, Simon & Garfunkel, or whomever. I'd play the bass part, the piano, the vocal-and I'd want to do it all right there on the guitar. '::: EducationFor his bass-playing skills, Jezzro earned a scholarship to West Virginia University in nearby Morgantown. 'I still kept playing guitar, but they didn't have a guitar program,' he says. 'I wanted to go to school there because it was close by, so I picked the bass and really got into it. ' The year was 1976. 'That fall, the Pittsburgh Symphony Orchestra came to Morgantown, and I got to meet the principal bass player, Sam Hollingsworth. We immediately hit it off. 'Hollingsworth took Jezzro under his wings, preparing him for a professional career. By 1978, Jack knew that if he wanted to become a professional, it was time to move on. Therefore, he took the year off from school and began playing in the Charleston Symphony ...
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