| | Marvin Gaye Love Songs CD Marvin Gaye Discography of CDs
The fact that there's a Marvin Gaye compilation called Love Songs seems rather silly, especially since most of the albums he released throughout his career could have been subtitled "Love Songs." That a handful of these songs also appeared on a 1985 compilation of previously unreleased material called Romantically Yours makes the disc seem even more redundant. And then there's flat-out confusion: This disc shouldn't be confused with Motown's 2002 compilation Love Songs: Bedroom Ballads, nor should it be confused with the identically titled 1997 BMG International compilation, which is almost identical to this disc in track selection. At any rate, this Love Songs, released by Columbia/Legacy in 2003, is a Valentine's Day tie-in that includes "Turn on Some Music," "Sexual Healing," "Rockin' After Midnight," "Ain't It Funny (How Things Turn Around)," and "Happy Go Lucky." Die-hard Gaye fans have all this material, and casual fans would do better with just about any other compilation. ~ Andy Kellman
& tenor saxophones); Harvey Fuqua (synthesizer, bass, drums, percussion, background vocals); Preston Wilcox (drums); William Bryant II (percussion); Connie Howard, The Waters (background vocals).
Recorded between 1967 & 1984.
All tracks have been digitally remastered.
Producers include: Marvin Gaye, Gordon Banks, Harvey Fuqua, Norman Whitfield, Bobby Scott.
Compilation producers: Leo Sacks, David Ritz.
Personnel: Marvin Gaye (vocals, arranger, Fender Rhodes piano, organ, synthesizer, vibraphone, drums, glockenspiel, bongos, congas, tambourine, bells); Gordon Banks (guitar, synthesizer, bass, drums, percussion, background vocals); Bobby Stern (harmonica, saxophone); Joel Peskin (alto
Love Songs Music | List Price | $6.99 (You save $0.50) | | Category | Rock/Pop Albums, Dance CDs, Motown, R&B | | Label | Sony Music | | Orig Year | 2003 | | All Time Sales Rank | 562890  | | CD Universe Part number | 7654894 | | Catalog number | 722679 | | Discs | 1 | | Release Date | Mar 25, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Marvin Gaye - vocals, arranger, Fender Rhodes piano, organ, synthesizer, vibraphone, drums, glockenspiel, bongos, congas, tambourine, bells Joel Peskin - alto Gordon Banks - guitar, synthesizer, bass, drums, percussion, background vocals Bobby Stern - harmonica, saxophone
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Marvin Gaye Love Songs Songs Love Songs Review
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$9.59 OUR&BWhat is OUR&B?The S1 debut album is simply 3 young guys givin you all we got. OUR version of Rythym & Blues TODAY. So, there you have it!!!!!Check out OUR&B debut album, self titled S1. There is something on this album for everybody. We can step to the ladies heartfelt and sincere on songs like "The Girl Sittin' Next To Me" ...
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$16.45 What makes a jazz singer a “jazz” singer? It’s a question that is readily answered by Vicky Mountain’s third release, Sincerely Yours. Regardless of the song - be it a “classic” from the Great American songbook, a pop hit from the 60s, an R&B standard or an instrumental transcription—a jazz singer injects a personal story into the music, a story conveyed in the way each word, each phrase is shaped, in the way the singer weaves a mood and uses shades of rhythm and dynamics to further her tale. Here, Vicky, a veteran voice educator as well as seasoned vocalist, offers her lessons in the art (and she confirms it is an art) of turning song into conversation, poetry into prose, music into intimate theater. The lessons are stunningly enhanced by James Allen’s agile and lyrical guitar, not a background prop but a full and swinging partner. The partnership extends beyond the studio and into the MacPhail Center for Music where Vicky and James are colleagues on the faculty. Young yet masterful bassist Graydon Peterson joins the pair on a darkly flavorful “When Your Lover Is Gone.” What makes a jazz singer a jazz singer? Listen to Vicky Mountain.― Andrea Canter, MinneapolisREVIEW FROM PAMELA ESPELAND’S BLOG “BEBOPIFIED” 10/16/09Vocalist and MacPhail educator Vicky Mountain’s new CD, Sincerely Yours (2009), is a pleasure from start to end. Her voice—which ranges from sultry chanteuse to little girl, bluesy mama to playful tease—is in fine form, her landings sure-footed, her articulation pristine (one of the things I especially enjoy about her singing), her song choices eclectic and enjoyable. Where else can you find “Willow Weep for Me” side-by-side with “Love Potion #9”?She scats smartly in all the right places (on the Illinois Jacquet/James Mundy tune “Don’cha Go 'Way Mad” and the Walter Donaldson/Gus Kahn standard “Love Me or Leave Me”), sings her own lyrics to Fats Waller’s “Jitterbug Waltz” (renamed “Jitterbug Fantasy”) and gives it a music-hall ending, infuses “Love Me or Leave Me” with a fresh sense of urgency, and fills the Jimmy Van Heusen/Johnny Mercer fave “I Thought About You” with joyous anticipation instead of the usual regret. No worries; these lovers will meet again soon.Throughout, her background in theater shows: each song is a story, convincingly told. Each has its own mood and emotional setting. And she gives us her full voice, from lush low notes to sweet high ones.For accompaniment, she chose one man and one instrument. MacPhail colleague James Allen’s guitar is a full partner to Mountain’s voice. He brings skill, sensitivity, and wit to the table; for the R&B classic “Unchain My Heart” (think Ray Charles), Allen frames the tune with bassist Jack Bruce’s famous riff from the Cream song “Sunshine of Your Love.” Clever ...
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