| | Kathryn Williams Leave To Remain CD Kathryn Williams Discography of CDs
Leave To Remain Music | List Price | $26.98 (You save $3.73) | | Category | Rock/Pop Albums, Rock CDs | | Label | Pastel Music | | CD Universe Part number | 7655045 | | Catalog number | 2026 | | Discs | 1 | | Release Date | Apr 22, 2008 | | Additional Info | Bonus Track |
Kathryn Williams Leave To Remain Songs | 1. | Blue Onto You |
| 2. | Let It Happen |
| 3. | Sustain Pedal |
| 4. | Stevie |
| 5. | Sandy L |
| 6. | When |
| 7. | Glass Bottom Boat |
| 8. | Hollow |
| 9. | Opened |
| 10. | Room In My Head |
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Purchase Leave To Remain CD To buy, Click on price to add to cart | Glee Cast Glee: The Music, Vol. 2 CD (2009) Original Soundtrack
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 $9.58  
The second Glee soundtrack throws a bone to the show's supporting characters, with Jenna Ushkowitz (the faux-stuttering Tina) singing her first solo and Amber Riley (Mercedes) receiving a larger chunk of airtime. Lea Michele and Matthew Morrison continue to steal the show, though; Morrison delivers one of the album's most inventive songs with a mash-up of "Don't Stand So Close to Me" and "Young Girl," while Michele sings the absolute pants off of everything the producers give her. The album sometimes strays away from choral arrangements and focuses on individual actors, but it's hard not to sing along with a song like "Jump," where the cast replaces Eddie Van Halen's keyboard riff with bright choral harmonies. ~ Andrew Leahey
The second Glee soundtrack feels a bit rushed, arriving no less than four weeks after Vol. 1's release and featuring songs from half as many episodes. Returning fans will still find a lot to enjoy here, though, as Jenna ...
| | Michael Jackson - Video Greatest Hits - History V. 2: On Film DVD (1997)
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 $9.69 
| | Gov't Mule By A Thread CD (2009)
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$11.89 
BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material on this set is tight; there is less jamming but Gordie ...
| | Michael Jackson Bad CD (1987) Bonus Tracks; Remastered; Special Edition
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$7.59 
Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).
Jackson's domination of the world record market continued following Thriller, although by comparison it was an almighty flop with only 12 million sales. As Pink Floyd and Dire Straits have ...
| | Kings Of Leon Only By The Night CD (2008)
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$8.99 
| | Breaking Benjamin Dear Agony CD (2009)
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$13.15 
| | Alvin Darling There's An Answer In Prayer CD (1995)
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$13.85
| | Glen Scott Without Vertigo CD (1999) Bonus Track; Japan
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$36.99
On his 1999 debut WITHOUT VERTIGO, Glen Scott demonstrates his command over a myriad of pop music styles. The blues, funk, rock & roll, gospel, hip-hop and jazz all find their way into the songs. Like Seal and Garland Jeffries, Glen Scott's varied sound--packed with lush harmonies, heavy drums, simple piano lines and a variety of guitars--is hard to pin down to one style or another. From the soul groove of "My World" to ...
| | Octavo Des Pieds Et Des Main CD (2006) (Import)
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| | B E Taylor Try Love CD (2007)
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$13.39
| | So You Think You Can Dance CD (2008) (Import) Import
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$34.85
| | Laboratorium Anatomy Lesson CD (2008) (Import) Bonus Tracks; Remastered; Digipak
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$18.09
DIGIPAK EDITION
| | Graham Nash Innocent Eyes CD (1986)
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$9.79 
With perennial partner David Crosby in the hoosegow, Graham Nash was somewhat at loose ends in the mid-'80s. He couldn't resurrect Crosby, Stills & Nash or Crosby & Nash, and he had already tried reuniting with the Hollies. But Nash had always had a genius for reinvention, which was what led him from one configuration to another and kept him one step ahead of the oldies circuit. Also, despite his reputation for artistic integrity, he had never been above following musical trends or seeking commercial success, as he did, for example, in moving the Hollies toward psychedelic pop in the late '60s, and as he demonstrated by providing Crosby, Stills & Nash, Crosby, Stills, Nash & Young, and Crosby & Nash with their biggest hit singles. So, it was not really surprising that he would return to his solo career with Innocent Eyes, his first solo album in six years, or that he would try to make the kind of record that would get played on the radio in 1986. That inevitably meant prominent synthesizer keyboards and loud drum programming, and that was the sound of Innocent Eyes, announced immediately on the lead-off track, a sort of spy movie in song written by Davitt Siegerson and Richie Zito called "See You in Prague." The instrumental track might as well have been pulled from a Donna Summer album of a few years earlier. Not all of Innocent Eyes was quite that trendy, but Nash had made his point: At the age of 44, he still felt prepared to compete with contemporary pop stars half his age. It was, as he proclaimed in a song he co-wrote with Craig Doerge, a "Newday," and he didn't want to be the person he was yesterday. Unfortunately, whatever the arrangements, the ten songs on Innocent Eyes, four of them not written by Nash, were not outstanding for the most part. Among the Nash compositions, "Over the Wall," which appeared to be about the Berlin Wall, was effective; "Sad Eyes" was a pretty love song; and "Keep Away from Me" and "Glass and Steel," both of which sounded like they might have concerned Crosby, had a strong cautionary appeal. But even though the title song, written by keyboardist Paul Bliss, saw some radio action, the album didn't have any songs to rank with Nash's best, and his thin, keening tenor wasn't really a good fit with the synthesizer parts, which tended to overwhelm it. Thus, Innocent Eyes was at best a minor Nash album, at worst a misstep. ~ William Ruhlmann
Out of print in the U.S.! UK reissue of this 1986 solo album from the former Hollies member and one-third of the legendary trio Crosby Stills ...
| | David Usher Wake Up & Say Goodbye CD (2008) (Import)
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$28.89
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