| | La-33 Gozalo CD - Import La-33 Discography of CDs
Gozalo Music | List Price | $30.99 (You save $2.10) | | Category | World Albums, World Beat CDs | | Label | Phantom | | CD Universe Part number | 7655876 | | Catalog number | 772072 | | Discs | 1 | | Release Date | Apr 15, 2008 |
La-33 Gozalo Songs | 1. | Descarga |
| 2. | Bye-Bye |
| 3. | Quiereme Na'ma |
| 4. | Plinio Guzman |
| 5. | Fea |
| 6. | Robo |
| 7. | Te Lo Voy a Devolver |
| 8. | Gozalo |
| 9. | Bomba Colombiana |
| 10. | Porque Yo |
| 11. | Rumbabuena |
| 12. | Turpial |
| 13. | Tormenta (Sand Storm) |
| 14. | Arrullo y Son |
| 15. | My Favourite Things |
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Gozalo Review
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Purchase Gozalo CD To buy, Click on price to add to cart | Lord Of The Dance DVD (1996)
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet.
Although it took more than a year of concerts and promotional appearances, Michael Bublé's 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That peak may not seem impressive at first, but in a musical world dominated by rap or the latest flavor of alternative rock, Bublé's upper chart appearance was a real accomplishment and it sparked a renewed interest in music associated with great vocalists like Frank Sinatra. With his second studio disc, It's Time, Bublé builds upon the musical foundation ...
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Marley's consistent (certainly by reggae standards) album career has proffered many great songbooks, of which EXODUS is just one ...
| | Los Indios Tabajaras Maria Elena/Always In My Heart CD (1997)
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Maria Elena/Always in My Heart is a single-CD that combines Los Indios Tabajaras' two hit albums from the early '60s. ...
| | Mercedes Sosa 30 Anos CD (1994)
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| | Best Of The Irish Rovers. CD (1999)
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Recorded between 1966 and 1971. Originally released on Decca. Includes liner notes and interviews with band members by Todd Everett.
Somewhere between Bing Crosby's vocal novelties back in the '40s and the current popularity of dance troupes like Riverdance and Michael Flatley's Lord of the Dance, the flag of Irish music was held aloft in North America during the '60s by the success of the Irish Rovers. Patterning themselves after the Clancy Brothers (another popular group during the folk boom of the late '50s and early '60s), the group scored their 15 minutes of fame with the children's novelty, "The Unicorn," included here on Best of Irish Rovers. But the group was no children's novelty act, as witnessed by the preponderance of straight-ahead Irish drinking songs that spice up this 16-track collection. Highlights include "The Irish Rover," ...
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| | Fischer Choere Die Goldene Hitparade CD (2008) (Import)
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| | Peter Alexander Sag' Es Mit Musik CD (2008) (Import)
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| | Faraualla Sospiro CD (2008) (Import) Import
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| | World Travel: Israel CD (2008)
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| | Yamato Ensemble Japanese Music By Michio Miyagi, Vol. 2 CD (2007) Import
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After one successful album of Michio Miyagi's music, ARC returns with a second featuring the Yamato Ensemble. Miyagi was a figure in transit between the traditional sounds of Japanese art music and Western art music, making occasional trips to the West and incorporating sounds accordingly. Here, a fair selection is given for up to four parts -- two kotos, a flute (either the shakuhachi or the shakuroku, depending on the song), and a vocal part. The selections cover the majority of his career, with representatives from the early, middle and late portions of his work, from Japanese influences and Western ones, and from both rural and urban themes. Miyagi tends toward program music of a sort for many of his compositions, depicting the world around him in sound. Unlike most program music however, which will translate scenes from the visual to the auditory, Miyagi had only the auditory realm to work with (from a childhood-onset blindness). His attention to the aural world was keen as a result, and the details of his compositions are painstaking in their delicacy and trueness to the world, both natural and manmade. The album opens with a simple love song, using a strong soprano to counter the lightness of the koto and flute. The key here is in the development of counterpoint and melody, not unheard of in Japanese music but certainly not focal elements. Following this, we get an example of pure program music, mimicking the sounds of a working shrine: footsteps, sweeping, gurgling water, and more. At the far end of the traditional scale, a piece depicting the ages-old cricket-collecting of royalty is composed with elements of court music, hints of gagaku coming out periodically. One of the most forward pieces here follows (toward the end of Miyagi's career), in the form of an aural painting of London in the rain. Here we get some very busy koto-work, the sounds of the bustling city translated to the strings, with flatted intervals, high and uneven tempos, and an energy not usually ...
| | Alvin Trio Alcorn Original New Orleans Jazz Brunch CD (2008)
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