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All songs written by Kerner and Kenny Wise, except "Loose Goose" (Kenny Aaronson).
The first album from Dust is interesting on many levels. The rhythm section featured drummer Marc Bell, who would later join New York punk rockers Richard Hell & the Voidoids, while bassist Kenny Aaronson would sign on with labelmate Stories on the group's third album, as Ian Lloyd moved from bass/vocals to complete frontman. The songwriting team of producer Kenny Kerner and singer/guitarist Richie Wise would go on to produce the third Stories album, making this Dust debut and its follow-up an important piece of the Stories puzzle. Wise's lead vocals on Dust were decent enough to complement his very competent guitar playing; Wise would eventually get hired as A&R man at Scotti Brothers Records. This record is not only the document of a record executive/producer as recording artist, but of musicians who would go on to do more substantial work in the industry. "Stone Woman," with its shimmering slide guitar work from Aaronson, would've fit perfectly on a Leslie West record. What Dust was all about is kind of difficult to get a handle on. A hard rock band for sure, and certainly spirited; the listener has to wonder if the group is successful when progressive, or if things might be better served by staying on the straight and narrow. "Chasin' Ladies" sports a real cool riff and pretty eerie vocal by Wise, while the one song contributed by Aaronson, "Loose Goose," becomes an endless jam. Wise emulates Greg Lake of ELP and, despite the good try, had Dust kept to the poppy influences all these musicians had in them, the group might have had a better chance at success. Kama Sutra, after all, had the Lovin' Spoonful and Sopwith Camel, artists who charted with pop music on the Top 40. For their image, Dust used a photo from the catacombs on the front cover and a camel in the desert on the back. It's an amalgam of hard rock and progressive sounds from co-producer Kerner, who would go on to produce hits for Gladys Knight and edit The Music Connection magazine. Interesting stuff worth hearing at least once. ~ Joe Viglione
CD reissue of the debut album from the American Rockers, a mixture of British-influenced Hard Rock and Prog. The album was originally released on the Kama Sutra label in 1971, introducing a group of young players to the world at large, most of whom would move on to bigger things. The rhythm section featured drummer Marc Bell, who would later join New York Punkers Richard Hell & The Voidoids, while bassist Kenny Aaronson would join labelmates Stories by their third album. The songwriting team of producer Kenny Kerner and singer/guitarist Richie Wise would go on to produce the third Stories album. Seven tracks. Repertoire.
Dust: Richie Wise (vocals).
Dust: Richie Wise (acoustic & electric guitars, vocals); Kenny Aaronson (bass, steel guitar, dobro, guitar); Marc Bell (drums).
Producers: Dominic Sicilia, Kenny Aaronson, Marc Bell, Richie Wise, Kenny Kerner.
Mojo (Publisher) (10/02, p.100) - "...Cinematic pop..." Record Collector (magazine) (p.90) - 3 stars out of 5 -- "[A] good, solid hard rock album, showcasing the excellent abilities of all involved....The debut is entirely enjoyable..." Dust Songs | 1. | Stone Woman |
| 2. | Chasin' Ladies |
| 3. | Hoin' Easy |
| 4. | Love Me Hard |
| 5. | From A Dry Camel |
| 6. | Often Shadows Fely |
| 7. | Loose Goose |
| Dust Review
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Purchase Dust CD To buy, Click on price to add to cart | Chills Kaleidoscope World CD (1986) (Import) Import; Australia
Dust album
$23.75 KALEIDOSCOPE WORLD contains 10 bonus tracks and represents everything the band recorded through early 1986, including all of the LOST EP, and the I LOVE MY LEATHER JACKET/THE GREAT ESCAPE 12"
KALEIDOSCOPE WORLD, The Chills' 18-track compilation culled from The Chills early and mid-'80s EPs and singles, is highlighted by the song "Pink Frost."
The Chills' Martin Phillipps mixes up melodic pop with elements of garage rock and punk, creating songs with a sweet melancholy all their own. Phillipps has always been the focus of the Chills, writing and singing the band's songs. His group has also rivaled Menudo in its sheer number of personnel changes. In a just world, the Chills would have sold just as many records.
KALEIDOSCOPE WORLD showcases the shifting line-ups and many moods of the early to mid-'80s Chills. "Rolling Moon" captures a mood of shambling joy, its simple, repeated keyboard riff sounding like a distant caravan crossing New Zealand's big-sky country. "Pink Frost" is undoubtedly one of the Chills' two or three finest songs, an eerie tale of finding ...
| | Killing Floor CD (1995) With Book; Limited Edition; Digipak
Dust CD music
$16.65 The sheer toughness -- and overall derivative -- nature of Killing Floor's debut album, issued six months after Led Zeppelin's debut in 1969 on the Spark label, is a wondrous contrast to the overly slick treatment American blues were given by British artists. All of these tunes, with the exception of one, are revamped versions of songs from the blues canon with different words. The lone "cover" in the set was written by Willie Dixon titled "Woman You Need Love," the tune Zep ripped for "Whole Lotta Love." Despite the fact that this set was issued before by Repertoire, the Akarma version is definitive in that it features the original cover artwork in a heavy cardboard gatefold sleeve, and killer sound. This is a raw, immediate, overdriven, psychedelic blues record that offers an interesting historical counterpoint to the immediate impact of Page and Plant and Co., but it also offers a great contrast to the recent 1990s versions of American groups trying to rock up the blues in like style: Jon Spencer Blues Explosion immediately ...
| | Danny Kirwan Second Chapter CD (1975) With Book; Limited Edition; Digipak
Dust music CDs
$19.79 The first solo album from Fleetwood Mac singer/songwriter Daniel David Kirwan has the future producer for Human League and Buzzcocks, Martin Rushent, utilizing those skills here, as well as engineering. The sound is crystal clear, and a feather in the cap for Rushent as well as Kirwan. It starts off with an uncharacteristic "Ram Jam City," which has more Lindsey Buckingham sounds than one would expect, especially since the two guitarists come from two different musical worlds. "Odds and Ends" is more lighthearted, the kind of music Paul McCartney toyed with on The White Album's "Rocky Raccoon." What Second Chapter immediately sets forth is the importance of Kirwan as a pop artist, and how, despite Fleetwood Mac's success after he left, his sounds could still have been beneficial to that supergroup. "Hot Summers Day" is a fine example of that, a beautiful song that could offset Buckingham's gritty ramblings. It would have made a nice counterpoint as Stevie Nicks complemented Christine McVie's tunes with her adventures, bringing an important change of pace to that popular band's hits. The jacket looks like a dusty old family album-style ...
| | Legend CD (2007) With Book; Limited Edition; Digipak
Dust songs
$16.59 In some circles, Mickey Jupp is something of a minor legend, a roots rocker with excellent taste and a cutting wit, best heard on the songs "Switchboard Susan" and "You'll Never Get Me Up in One of Those," both covered by Nick Lowe. Basher's endorsement is a clear indication that Jupp is a pub rocker, a guy who specializes in laid-back good times, so it shouldn't come as a great surprise that his first band, Legend, was proto-pub, an unabashed celebration of old-time rock & roll, filled with three-chord Chuck Berry rockers and doo wop backing vocals. Nevertheless, listening to their 1970 LP is a bit of a shock, as it's completely disassociated with anything that was happening in 1970, even with Tony Visconti enlisted as their producer. Legend's sensibility is ahead of its time in its retro thinking, pointing the way to the rock & roll revival of the late '70s and not even that similar to the country-rock of Eggs Over Easy or Bees Make Honey, as this has little of the rustic feel of the Band: it's just straight-up oldies rock, a trait emphasized by those incessant doo wop harmonies that are on almost every cut on this LP (but do disappear on the bonus live cuts on the Repertoire reissue, possibly because they were too busy playing to harmonize). Those harmonies ...
| | Paul Kossoff Kossoff/Kirke/Tetsu/Rabbit CD (2007)
Dust album
$13.85 Unsurprisingly, this quartet sounds uncannily like Free and its English descendant Bad Company. Drummer Simon Kirke was in both bands. Guitarist Paul Kossoff, bassist Tetsu Yamauchi, and keyboardist John "Rabbit" Bundrick were in Free, although the latter two appeared only in the band's ragged, final days. The problem ...
| | Dust Hard Attack CD (1972) Remastered; Digipak
Dust CD music
$23.29 All songs written by Kenny Kerner and Richie Wise, except "Learning To Die" (Kenny Kerner/Kenny Aaronson).
Hard Attack by Dust is an improvement over the acceptable performance of the self-titled debut from the year before. The team of producer Kenny Kerner and vocalist/guitarist/producer Richie Wise do just what the title suggests, bringing a harder attack to songs like "Pull Away/So Many Times" and "Ivory," the latter an instrumental with emphasis on guitar riffs and cymbal work. It's an ...
| | Peter Orloff CD (Import) Germany
Dust music CDs
$10.49
| | Guillermo De La Roca Musica Criolla: Argentina - Flutes And Guitars CD (2001) (Import) Import
Dust songs
$14.95
| | Pierrot Cocoon CD (2001)
$18.59 | | Kelis You Are The Quarry CD (2004) Japan
Dust album
$44.25 Japanese version with one extra track and a bonus DVD (Region 2).
Armed with a new label (Attack Records), a new producer (Jerry Finn of Blink 182 and Green Day fame), and, on the album cover, a Tommy gun, Morrissey immediately lines up his targets at the outset of YOU ARE THE QUARRY. The sharp-witted Brit-pop icon takes shots at the United States and England, respectively, on the biting "America Is Not the World" and the bold "Irish Blood, English Heart." Unsurprisingly, the rest of the album doesn't shy away from frustration-fueled ...
| | Ballou Thirty9thirty8 CD (2007)
Dust CD music
$12.65 "On THRITY9THIRTY8 (Flattened Planet no#), McManus is joined by trumpeter Dave Ballou and drummer Devin Gray. The resourceful guitarist reveals yet another facet of his personality on this heavy, cosmically inclined live performance (Eight30Four / Nine40Two / Twenty1Nineteen. 39:38. June 19, 2005, Baltimore, MD). This is much more successful, with McManus giving into his inner feedback junkie and blending well with Ballou in terms of both phrasing and timbral contrast. Gray has a very cool sound on his kit, all tuned quite exactingly, and he plays in spare patterns that recall Blackwell. The opening track is a bit of a teaser, with three solo statements, cycling back through a few times. But once the set gets going, the trio interaction is the thing. McManus' tight little chordal work at the opening of "Nine40Two" suggest a Nels Cline influence, both in his use of seconds and his tone. He also interacts really impressively with Gray, and when Ballou enters there's some lovely counterpoint and clatter. Things get more expressive on the longest, and concluding track, with an extended duo for McManus and Ballou, filled with glissing and winding staccato lines. At times I wish Gray would take a somewhat more active role, since the trio segments are so good. But still, I commend his taste and restraint. A good set."-Jason Bivin, CADENCE MAGAZINE Winter, 2008"Recorded at a club in Ballou’s Baltimore backyard, Thirty9Thirty8 rests on the premise that the only constraint on these musicians is the time of each cut. Their ideas are largely realized with three engaging improvs titled to reflect their times that, along with McManus’ delightfully varied playing, showcase Ballou’s mastery of his horn. Ballou shines on a number of fronts but most notably tone and inventive lines that include some exquisite minor modal playing on the opening track. Drummer Devin Gray acts as a conduit between Ballou and McManus allowing ample room for the guitarist’s breadth. This is clearly the lighter of the two sessions despite doses of electric guitar sound sheeting ...
| | Voyager Univers CD (2008) (Import)
Dust music CDs
$23.65
| | Mike Zanta Handful Of Treasure CD (2008)
Dust songs
$10.15
| | White Stripes White Blood Cells CD (2008) (Import) Japan; Remastered; Super-High Material
Dust album
$40.75
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