| | Al Rey Of Ancient Celebrations 2 CD Al Rey Discography of CDs
A compilation of world music combining Asian, African and Aboriginal influences. Artist and composer Al Rey utilizes multiple instruments and orchestration to achieve a sonic sound scape. Audiophiles from all backgrounds and countries agree, the combination of old and future music is a journey for the ears as well as the soul. Pleasant Dreams Of Ancient Celebrations 2 Music Al Rey Of Ancient Celebrations 2 Songs | 1. | Moon Drum |
| 2. | Shaman |
| 3. | Hari |
| 4. | Dream |
| 5. | Twelve Thousand Doors |
| 6. | Forbidden City |
| 7. | Star Fall |
| 8. | Friends |
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Of Ancient Celebrations 2 Review
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Purchase Of Ancient Celebrations 2 CD To buy, Click on price to add to cart | Ennio Morricone - Peace Notes: Live In Venice DVDs (2008) With CD
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Fate can be a funny thing. Into his fourth decade as a singer/songwriter and battling emphysema (he's hooked up to an oxygen tank around the clock), Mickey Newbury has made his piece de resistance. Newbury rose amidst friends and colleagues such as Willie Nelson, Kris Kristofferson, and the late, great Townes Van Zandt as a formidable Texas songwriter in the late '60s and early '70s. He wrote memorable hits for other artists while recording his own, less-recognized albums. A Long Road Home finds the embattled singer/songwriter deeply reflecting upon the journey, and it's a touching and strong song cycle. There are memories of when he was a teen with vinegar in his veins tearing down endless highways toward something or another (and more importantly away from something or another), in the form of "In '59." There are also multiple tales of romantic regret, such as "I Don't Love You," with its parsimonious lyrics, and "Where Are You Darlin' Tonight." There's also the stirring and disconcerting "So Sad," which ranks among Newbury's best compositions. He also revisits past victories with an updated take on "Here Comes the Rain, Baby," which was originally recorded for 1968's Harlequinn Melodies. Newbury may be embattled physically, but the creative fires ...
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Originally inspired to take up playing the blues in our teens, we’ve both been playing ever since – in bands, jams, solo, duos – and sometimes just the two of us together. Living at opposite ends of the country, we don't get to play together as often as we'd like, but when we do, the result is the kind of thing you hear on this album – a mixture of old favourites and new discoveries. It’s also a homage to the men and women who first shaped the blues, and a journey through the country blues, vaudeville and jug band music of the 1920s and 1930s, to the post World War 2, electric blues of Chicago. Recorded in a single session, and mostly in single takes (with some overdubbing for additional vocals and jug), we set out to capture the spirit of one of our live sets, meeting the blues like an old friend – but one full of surprises.Notes on the songs1. Stealing, Stealing An old favourite that we first heard from Jesse Fuller, but originally recorded in 1928 by the Memphis Jug Band with Will Shade on harmonica and vocals. It has what must be one of the best opening lines of any song.2. Big Road BluesA Tommy Johnson song, first recorded in 1928 and one of three of his on this album. He wrote this one night at a party when the girl he wanted to go home with was non-committal. The guitar here is in dropped D tuning capoed up to E.3. Green River BluesOne of two Charley Patton songs on this album, both recorded in 1929. This one rolls along like a Mississippi steamboat; big wheel churning, smoke hanging in the air, and accordion and guitar music drifting across the water….4. I Wonder To MyselfAnother song from Tommy Johnson, this one surviving only as a poor quality 1929 Paramount recording. We think this is the only ragtime number Tommy recorded, and family members tell us that in the studio he had someone to put the kazoo in his mouth for the instrumental breaks. Here Bob had the luxury of a rack to hold his kazoo. Tommy’s lyrics deal with common themes in his songs - coming home to his old mother who is missing him, being drunk and short of money. The lyrics also make a reference to racial segregation (“got to stagger to the rear of some passenger train”), which was rare in 1920s blues recordings.5. Rocking Chair BluesA Big Bill Broonzy song first recorded in 1940 with Memphis Slim on piano. Although Big Bill protests he’s young and tender and needs handling with care, he was 47 at the time. And as for Bob’s age…well, he too is being ironic…...6. Going To GermanyA Canon's Jug Stompers song recorded in 1929 with Noah Lewis singing and playing harmonica. There are various ideas on what is meant by “going to German” – perhaps a reference to army service during the First World War or, more likely, to Germantown on the east side of Memphis. Either way, it's a beautiful and haunting song.7. Me And The Devil BluesOne of our favourite Robert Johnson numbers and one we usually play acoustically. But this time we plugged in for an ‘early Chicago’ sound, Bob playing ...
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"...a cross between Bruce Cockburn and Jorma Kaukonen!" -Andre de Channes, host of "Thursday Night Live"-KRSH 95.9 FM Santa Rosa, CADana Hubbard wears two hats! He's always been a singer/songwriter and he's always been a blues player.While these two categories are not mutually exclusive, the music-genre police would like you to think so. But they're about marketing. Dana's about music.Born and raised on the Central Coast of California, he attended UC Santa Cruz only long enough to finish an elective course on County Blues. Then he hit the road and never looked back. With acoustic guitar in hand, he busked the streets of Berkeley and San Francisco, eventually putting together his ...
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