| | Brad Paisley 5th Gear CD Brad Paisley Discography of CDs
Highlighted by the smash first single, "Ticks," a goofy-sexy ode to nudity al fresco, Brad Paisley's FIFTH GEAR maintains his string of albums neatly balanced between light pop-oriented material and more traditional country. The latter is best exemplified by the twangy guitar instrumental "Throttleneck," the reverent "When We All Get To Heaven," and the tuneful "Bigger Fish To Fry," featuring guest vocals by Vince Gill, Bill Anderson, and Little Jimmy Dickens.
Elsewhere, a lovely ballad duet with Carrie Underwood, "Oh Love," keeps an eye to Nashville's present as well as its past. As on most of Paisley's albums, the main lyrical topic, even more than the usual love songs, is what it means to be a man in contemporary America: "I'm Still A Guy" is perhaps the most obvious song on the topic, but the country rocker "Mr. Policeman," the wry character study "Online" (a song about Internet personas at odds with reality), and the surprisingly philosophical opener "All I Wanted Was A Car" flirt with the concept as well.
Audio Mixer: Justin Niebank.Rolling Stone (p.72) - 3 stars out of 5 -- "Smart, low-profile Nashvillean Paisley's sixth album features not one but two songs about how adulthood beats adolescence." Entertainment Weekly (p.71) - "[T]he guy's a vivid nostalgist, and his duet with Carrie Underwood is a harmonic delight." -- Grade: B+ 5th Gear Review
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Purchase 5th Gear CD To buy, Click on price to add to cart | Brad Paisley Time Well Wasted CD (2005)
5th Gear album
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$16.45 POP NOTES : Ho-Hum : Fearless and loopyBY PHILIP MARTINARKANSAS DEMOCRAT-GAZETTEYou could start off talking about prophets without honor and all that, but the truth is Ho-Hum isn't without honor in their adopted hometown of Little Rock. In fact in some quarters they're pretty well revered and rightly so. Lenny and Rod Bryan and their various co-conspirators (their new album, Now I Love You, features keyboardist Sam Heard and drummer Brad Brown) have always been conscientious about producing honest and interesting music. Even the occasional misstep - the major-label disappointment Local, for instance - have had their moments of dissonant grace and sonic power. In a way, it's remarkable that they've remained true to their vision of themselves as a kind of homegrown refutation of the careerist rock cliches. Constantly maneuvering, you never get the feeling they're looking for a formula or a uniform. So it's possible to admire the band while not totally buying into their records - they'd probably understand and appreciate that sort of respectful yet appraising stance, for one suspects the brothers Bryan are their own most scrupulous critics. Still, it's difficult to be cool about their latest CD - released by their own Playadel Records - for it has about it a loopy, pop sprightliness in addition to the band's trademark fearlessness. These are pop songs, with big, full chords and bouncing synths and lots of goodies knocking around in back of Lenny's raw yet pliable voice. It's the few seconds of these songs that hook you - listen to the reverb-soaked opening of "Raindropshine" or the pulsing '80s keyboard figure that kicks off album opener "This Is My Home." "Theeicansee" reveals an absorption of dance music influences, with guitars occasionally vibrating through the mix and a wonderfully ingenuous vocal hook. As with most of the band's recorded projects, not every sound will delight every listener ...
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