| | Lieder CD Brahms / Liszt / Quasthoff / Zeyen CDS
Lieder Music | List Price | $23.99 (You save $7.70) | | Label | DG Imports | | Orig Year | 9/30/2008 | | CD Universe Part number | 7664668 | | Catalog number | 4777433 | | Discs | 1 | | Release Date | Sep 30, 2008 | | Recording Time | 1 20 |
Lieder Review
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Purchase Lieder To buy, Click on price to add to cart | Gustavo Dudamel Fiesta CD (2008)
Lieder
 $10.69    | | Trans-Siberian Orchestra Christmas Attic CD (1998)
Lieder
$9.95 
Live Recording
Personnel: Jody Ashworth, Joe Cerisano, Katrina Chester, Marlene Danielle, Thomas Faresse, Peggy Harley, Daryl B. Pediford (vocals); Al Pitrelli (guitar, bass, background vocals); Paul O'Neill, Chris Caffery (guitar); Jon Oliva (piano, keyboards, bass, background vocals); Robert Kinkel (piano, keyboards, background vocals); John Middleton (bass); Jeff Plate (drums); Maurice Lauchner, Timara Sanders, Zak Stevens, Doug Thoms, Yolanda Wyns (background vocals).
St. Bartholomew's Church Choristers: Marilina Acosta, Brendan Burgess, Julian
Drabik, Shoshana Frishberg, Julia George, Jack Gibson, Nina Gottlieb, Erick Hernandez, Michelle Repella, Anton Spivack.
Engineers include: Dave Wittman, Robert Kinkel, Michael Shielzi.
Recorded at Soundtrack, Studio 900 & Steller Productions, New York, New York.
Includes liner notes by Paul O'Neill.
Trans-Siberian Orchestra's second album, Christmas Attic, may not be as focused or serious as Christmas Eve, but it is just as enjoyable and maybe even more consistent, thanks to Paul O'Neill's increasingly impressive compositions and an improved musicality. ~ Stephen Thomas Erlewine
| | London Philharmonic Choir Hymns Triumphant Vols. 1 & 2 CDs (2002)
Lieder
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2cds-London Philharmonic Orch.
Recorded at CBS Recording Studios, London, England and at United Western Studios, Los Angeles, California. Includes liner notes by B.R. Hearn.
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This is a Super Audio CD playable only on Super Audio CD players.
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$14.89 | | Wayne Toups Blast From The Bayou CD (1988)
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Personnel: Wayne Toups (vocals, accordion); Wade Richard (electric guitar, background vocals); Jim Horn, Michael Haynes, Jack D. Hale, Sr. (horns); Rick Lagneaux (piano, organ, background vocals); Mark Miller (bass) Troy Gaspard (drums).
Recorded at Master Trak Enterprises, Crowley, Louisiana and Digital Recorders, Nashville, Tennessee.
Wayne Toups aspires to a sound that combines the two traditions of Louisiana French music, as is indicated by the name of his band. And indeed, it is a fusion of the more tradional Cajun style and the more African-American, rhythm & blues-oriented zydeco sound. The band uses a Hammond B3 organ in addition to the accordion (like Buckwheat Zydeco and the Ils Sont Partis band.) The songs are mostly sung in English, with a smattering of French to keep the disc authentic. But Wayne Toups is definitely reaching out to a broader audience than most zydeco or Cajun artists. Toups attempts a couple of covers--a version of "Tell It Like It Is," and Van Morrison's "Tupelo Honey." He gives these a new spin, and they are quite successful versions. A fun "Johnny Ne Peut Pas Danser"--or, more familiarly, "Johnny Can't Dance," written by Wayne Toups and Michael Doucet, gives an example of this band's unique sound.
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Live Recording
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$56.05 | | Davis Philips 50 - Strauss: Four Last Songs; Wagner: Wesendonk CD (2000)
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The Sun Also Rises' only album is extremely reminiscent of the Incredible String Band's brand of mystical acid folk. Where the Incredible String Band could mix jovial, introspective, and even menacing moods, however, the Sun Also Rises' range is more limited. While their blend of guitar, dulcimer, glockenspiel, bells, and more can be pleasing, the mood is about as twee as it ever got for British acid folk. Much of that's due to how Graham Hemingway and Anne Hemingway's twisting high harmonies have a cutesy flutter at their high end. But the precious melodies and lyrics do their part as well, giving off the air of a too-genteel Renaissance Faire. There are some nice wistful melodies and harmonies, though the mood is occasionally shattered (as on "Until I Do") by some way-too-farcical kazoo. At their tweest, they can sound as if they're trapped in a toy music box. They're better when they get a shred more serious and explore minor melodies, as on ballads like "Part of the Room" and their reworking of the folk standard "O Death" (here simply titled "Death"). This rarity was reissued on CD in the U.S. by the Scenescof label, with the addition of the bonus track "Fafnir and the Knights," which originally appeared on the 1972 various-artists compilation Us on the Village Thing label. ~ Richie Unterberger
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