| | Silver Jews Lookout Mountain, Lookout Sea CD Silver Jews Discography of CDs
David Berman's seventh album as the Silver Jews' resident indie poet continues in the slightly more ornate, yet cleanly produced direction of its predecessor, TANGLEWOOD NUMBERS.This time, his country-saloon craft work has developed even further, particularly on an old-timey whiskey blender such as "Suffering Juxebox." LOOKOUT is also an album marked by an uncharacteristic playfulness, with songs such as "Candy Jail" containing some of his most innocent--yet still piercingly intelligent--lyrics. But it's Berman's skill as a writer of hidden melodies and unexpectedly rising choruses that brings MOUNTAIN to its peak. Standout tracks such as "Strange Victory, Strange Defeat" sound triumphantly buoyant even while Berman's guitar takes a flight of Byrdsian whimsy. LOOKOUT demands that Berman be taken seriously as a musician, but also offers a gratifying suggestion of levity and lightness.
Silver Jews: David Berman (vocals, guitar); Cassie Berman (vocals, bass instrument); Peyton Pinkerton, William Tyler (guitar); Tony Crow (keyboards); Brian Kotzur (drums).
Spin (p.104) - 4 stars out of 5 -- "[A] low-key treat, country-inflected folk rock goosed by melodies that conjure both the Velvet Underground and Johnny Cash." Lookout Mountain, Lookout Sea Music Silver Jews Lookout Mountain, Lookout Sea Songs Lookout Mountain, Lookout Sea Music Lookout Mountain, Lookout Sea Review
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Purchase Lookout Mountain, Lookout Sea CD To buy, Click on price to add to cart | Muddy Waters Folk Singer CD (1964) Remastered
Lookout Mountain, Lookout Sea album
$8.49 Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box.
"You Can't Lose What You Ain't Never Had" and "The Same Thing" did not appear on the original version of FOLK SINGER. They were recorded at a separate session in April 1964, three months after FOLK SINGER was released.
The title and cover photo of this 1963 recording were an attempt to cash in on the burgeoning American ...
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$9.49 "Are they black?" --Iggy Pop. Formed in 2004 and hailing from the mescaline-infused outskirts of Austin, Texas, this gang of misfits has been on the road non-stop since their birth, performing at such venues as Sin-e, The Empty Bottle, and Spaceland. In early 2006, the band's self-titled debut EP was dubbed highly recommended in Spin Magazine, and received heavy radio airplay on such influential stations ...
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$16.45 Damon Brown is a musician who is enthusiastically exploring the possibilities of the 6 string bass guitar. His 2008 debut CD Falling Forward captures his compositional and bass work in the modern jazz genre. Brown's recorded works feature his playing in ways that expand his role as a bassist and leader. 'I am always wanting to find creative ways to communicate with listeners through my instrument' Brown states, and he adds, 'Even though I feature the bass guitar in unconventional roles, my focus is making my compositions as musical and expressive as possible.' As he draws heavily from the jazz traditions, Brown does not shy away from swinging on bass guitar even though he is an accomplished double bassist. 'I have always continued to play more traditional jazz on bass guitar as well as upright and feel that bass guitar has a place in jazz music. 'Born in South Boston VA in 1970, Damon was the youngest of 3 boys and was encouraged, along with his brothers, to follow his musical inclinations at an early age. He recalls,' My father whistled melodies while he played guitar, and his music and soulfulness left a lasting imprint on me. ' Damon would play guitar as well at an early age, but it was in 1983 when certain events began to shape his life. He remembers, ' In 1983 I picked up the bass, began performing in a band with my brothers Derek and Duane, and my life long friend, guitarist Harold Greene, who joined our band later that year. It was a huge year for me. ' Damon performed regularly with the group and rehearsed every week, along with taking every music class his public school offered. Berklee College of Music was Damon's first stop after high school, though eventually he transferred to North Carolina Central University to finish his undergraduate degree. It was at NCCU that he mentored with jazz program director Ira Wiggins and strings director Earl Sanders who began Damon's studies on double bass. And as the bassist for Ira Wiggins's professional group, Damon performed regularly throughout the state. 'Performing with Ira was an education I am equally thankful to have had, and he didn't cut us any slack on the bandstand just because some of us were his students at NCCU,' he says. While at NCCU, Damon developed severe tendonitis in his arms and ...
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