| | Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al CD Hovhaness, Alan CDS
 (1 Customer Review)
Twelfth in a series with previously unreleased works by well-known composers, this 126-minute 96kHz|24bit DualDisc features the world premiere recordings of Alan Hovhaness's Shambala and Janabar in addition to the first digital recording of Talin and commentaries by the composer. The CD side contains only Shambala in addition to single movements from the other two works. Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al Music Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al Classical Review Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al Songs | 1. Janabar, Op. 81 "Journey": no 1, Fantasy (11:54) | | Common Name | Journey Janabar, Janabar | | Composer | Alan Hovhaness (1911 - 2000) | | Conductor | Rastislav Stur | | Performer | Paul Hersey (Piano)
Michael Bowman (Trumpet)
Christina Fong (Violin) | | Genre | 20th Century Period | | Ensemble | Slovak Philharmonic Orchestra | | Period | 20th Century | | Recording | Studio | | 2. Talin, Op. 93: no 2, Estampie (1:51) | | Common Name | Estampie | | Composer | Alan Hovhaness (1911 - 2000) | | Conductor | Rastislav Stur | | Performer | Christina Fong (Viola) | | Genre | 20th Century Period / Concerto | | Date Written | 1952 | | Ensemble | Slovak Philharmonic Orchestra | | Period | 20th Century | | Country | USA | | 3. Shambala, Op. 228 (45:00) | | Composer | Alan Hovhaness (1911 - 2000) | | Conductor | Rastislav Stur | | Performer | Christina Fong (Violin)
Gaurav Mazumdar (Sitar) | | Genre | 20th Century Period | | Ensemble | Slovak Philharmonic Orchestra | | Period | 20th Century | | 4. Janabar, Op. 81 "Journey" (36:57) | | Common Name | Journey Janabar, Janabar | | Composer | Alan Hovhaness (1911 - 2000) | | Conductor | Rastislav Stur | | Performer | Paul Hersey (Piano)
Michael Bowman (Trumpet)
Christina Fong (Violin) | | Genre | 20th Century Period | | Ensemble | Slovak Philharmonic Orchestra | | Period | 20th Century | | 5. Talin, Op. 93 (16:18) | | Composer | Alan Hovhaness (1911 - 2000) | | Conductor | Rastislav Stur | | Performer | Christina Fong (Viola) | | Genre | 20th Century Period / Concerto | | Date Written | 1952 | | Ensemble | Slovak Philharmonic Orchestra | | Period | 20th Century | | Country | USA | | 6. Shambala, Op. 228 (45:00) | | Composer | Alan Hovhaness (1911 - 2000) | | Conductor | Rastislav Stur | | Performer | Christina Fong (Violin)
Gaurav Mazumdar (Sitar) | | Genre | 20th Century Period | | Ensemble | Slovak Philharmonic Orchestra | | Period | 20th Century |
Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al Music Composers on Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al CD : Alan Hovhaness Conductors on Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al CD : Rastislav Stur Ensembles on Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al CD : Slovak Philharmonic Orchestra Genres on Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al CD : 20th Century Period, Concerto Performers on Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al CD : Michael Bowman, Christina Fong, Paul Hersey, Gaurav Mazumdar Purchase Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al To buy, Click on price to add to cart | Trans-Siberian Orchestra Christmas Eve And Other Stories CD (1996)
Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al
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Trans-Siberian Orchestra includes: Paul O'Neill (conductor).
In 2004, Trans-Siberian Orchestra finished their "Christmas trilogy" with the massive -- some would say ponderous -- The Lost Christmas Eve. Wasting none of the holiday season's precious shopping time, the Christmas Trilogy box set landed two weeks after that album, giving the band's loyal fan base a set to give -- some would say inflict -- to their friends. Then again, maybe they'll just want to hold on to the set since there's a DVD with appearances by Jewel and Michael Crawford and the lavishly illustrated booklet includes all the lyrics and background stories. You really should dabble in Trans-Siberian's dramatic, huge world of Christmas music through the eyes of classic rock before laying down the money for the set. If you just need a bit of this 60-piece, the first album is the most inspired, but it's not enough for most who get hooked. Although the next two albums gave diminishing returns, Trans-Siberian producer/mastermind Paul O'Neill kept pouring his heart into the music and always offered some genuine thrills. Great presentation and a packed DVD make up for a lot of note-spinning on the third disc, and what was a wintry night made for besides curling up with a precious, hope-filled story, no matter how cumbersome? ~ David Jeffries
What would happen if members of Savatage decided to write some Christmas songs? Easy: Trans-Siberian Orchestra. This "supergroup" ...
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Hovhaness: Janabar, Talin, Shambala / Ratislav Stur, Et Al
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Personnel: Andrea Bocelli (vocals); Brandon Winbush, Shawne Jackson, Angela Fisher, Richard Redd, Andrea Jones, Esther Marie Austin, James Chip Burney, Keith Allen , Laura Pausini, Sarah Brightman, Kurt Lykes, Celine Dion (vocals); Paolo Gianolio, Dean Parks (acoustic guitar); Michael Landau (electric guitar); Margherita Graczyk (violin); Paolo Bighignoli (bassoon); Kenny G (soprano saxophone); Guido Corti (horns); Celso Valli (piano, keyboards, programming); Randy Kerber, Walter Afanasieff (piano, keyboards); Lang Lang (piano); Vinnie Colaiuta (drums); Ignazio Orlando, Luca Malaguti, Luca Bignardi (programming).
Recording information: Andrea Bocelli Studio, ...
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Ernst-Lothar von Knorr lived in Germany from 1896 to 1973. He wrote over 100 compositions in his lifetime. In his youth, all signs pointed to a soloist's career for von Knorr when the 11-year-old violinist was growing up in Bonn and was accepted at the Cologne Conservatory where he studied violin, tone composition and directing. Just two years later his first composition was made public. Similarly to other masters in the history of music such as Johann Sebastian Bach and Paul Hindemith, Ernst-Lothar von Knorr deserves a double honor, not only in composition but also in musical education. He attained a solid position as a strong and unmistakable personality in both fields. The praise attributed to von Knorr's compositions, acquired through public resonance of performance statistics, although limited, is similar to other composers of this century. Von Knorr's music does not belong to the expounded and often over-accentuated modes and fads of musical movements of the twentieth century. His music unfolds more in the characteristic and justifiable niche between atonality and seriality on the one hand, and the retrograde style of late romanticism on the other. The musicologist, Ludwig Finscher in a speech on the 20th anniversary of the death of Ernst-Lothar von Knorr summarized this niche in the following way: "The composer Ernst-Lothar von Knorr began his career similar to the same-aged Paul Hindemith in the 1920's, marked by the musical young movement, that is, music of amateur musicians which indluced the re-discovery of folksongs and the pre-tonal polyphony of the fifteenth and sixteenth century, all of which was in extreme contrast to the second Viennese school. This occurred simultaneously with musicologists Albert Schweitzer and Ernst Kurth's re- discovery of Baroque polyphony, which is especially marked by Bach. Von Knorr and Hindemith were very similar during this time, but differentiated from one another in that Hindemith expressed a carefree and unconcerned style with a touch of provocation and a tremendous surplus of temperament. Von Knorr’s music is restrained and more introverted, similar to the people of those times, but demonstrates a very expressive power. It is no coincidence therefore that von Knorr’s ...
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