| | Verve Remixed 4 CD
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Since 2002 Verve Records have opened select cuts from their highly esteemed catalog to cutting-edge DJ and producers for remixing; a lively dialogue between old and new that is documented on their VERVE REMIXED series. Volume 4 continues to deliver inventive revisions of some of the classic jazz and blues vocal tunes of the `50s and `60s, and adds shades of `70s funk and Latin-jazz. The remixes are as diverse as the label's far-reaching catalog, taking in approaches as varied as modernized Afrobeat, Neo-Northern Soul stomp, and orchestral electronica. Some of the pairings alone are worthy of the price of admission; Kenny Dope taking on the funk Godfather James Brown's "There Was A Time", and hip-hop wunderkind 9th Wonder's clipped, beat-heavy reconfiguration of Roy Ayers' "Everybody Loves the Sunshine" are among some memorable stand-outs. Verve Remixed 4 Review
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Encouraged by the success of the first VERVE REMIXED album, the techno-friendly souls at Verve have once again opened up their vaults to electronica artists. This time around, the Funky Lowlives kick things off with Dizzy Gillespie's "Manteca," a ...
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Verve produced some of the most evocative, groove-oriented instrumental albums of the 1960s and '70s, a fact not lost on DJs and remix artists in the '90s and 2000s, who packed their crates with the label's back catalogue. Interestingly, this VERVE REMIXED set does not focus on standard club fare by mixing Verve samples with breakbeats. Instead, the guest producers look to the label's more famous female vocalists. Treatments of songs by Billie Holiday, Sarah Vaughan, Astrud Gilberto, and Dinah Washington, among others, combine the stellar voices of these singers and the sultry jazz of their original recordings with high-end contemporary electronica.
The Postal Service's remix of Nina Simone's "Little Girl Blue" is virtually unrecognizable through its driving bounce, until Simone's familiar voice comes floating through. ...
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Smooth jazz stalwarts the Rippingtons infuse their trademark brand of instrumental pop with a Latin aesthetic on Wild Card. Once again featuring the lead guitar of Russ Freeman, the Rippingtons deliver a solid collection ...
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Additional Tracks
Photographer: Dervin Curiël.
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Hirota is a Japanese percussion master, one who loves and understands taiko drumming, with its deep, impressive history. There's something literally awesome about hearing these drums thunder (especially on "Kannabi," a solo for the massive Oh daiko drum). It can be a spectacle that's as much visual as musical -- watching heavily coordinated and choreographed movements is almost like seeing a ballet -- but it works well just aurally when the ensemble is in true harmony, as this one is. But it's not all a roar of sound, as the delicate "Kin ...
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