| | Enemy We'll Live & Die In These Towns CD - Import Enemy Discography of CDs
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Our Price: $28.89  CDFor Sale Usually ships in 1-2 days
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We'll Live & Die In These Towns Music | List Price | $30.99 (You save $2.10) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7670266 | | Discs | 1 | | Release Date | Apr 15, 2008 | | Additional Info | Import |
We'll Live & Die In These Towns Music We'll Live & Die In These Towns Review
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Buy We'll Live & Die In These Towns CD Purchase We'll Live & Die In These Towns CD To buy, Click on price to add to cart | Beatles - A Hard Day's Night DVDs (1964)
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A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train mobbed with adoring young fans (mostly women) as they attempt to travel to the television studio in London. The antics of the band during rehearsals and makeup application provide a large part of the comic material in this feature, though there are other moments of pure hilarity. The unscripted vignette featuring a hangover-suffering Ringo ...
| | King Crimson In The Court Of The Crimson King CD (1969) Bonus Tracks
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Initial pressings featured a limited edition, cardboard-stock gatefold sleeve and unpublished archive photos.
KC's debut album introduced to the world a group that threw various '60s genres into a blender and set the results afire with a blowtorch. One of the pioneers of the progressive rock movement that began in the late '60s and flourished in the early '70s, King Crimson was arguably the most consistently creative band in the genre. On IN THE COURT they blend wispy, Donovan-ish folk-rock with Wagnerian grandeur, mind-bending heavy rock, and even a free- jazz sensibility. Greg Lake's vocals are effectively theatrical but more restrained than in his later ELP work. Robert Fripp was just learning how to make mincemeat of a chord progression, but he's alternately lyrical and frenetic as the moment requires.
The extended jams on cuts like "Moonchild" are light-footed and inventive, never ponderous, thanks largely to the crisp, jazzy drumming of Michael Giles. "20th Century Schizoid Man"'s bone-crushing ensemble riffs and crazed solos were of a heft unprecedented in rock & roll. Most importantly, the trademark ...
| | Justin Bieber My World CD (2009) Enhanced CD
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Within a couple years, Canadian teenager Justin Bieber went from covering Usher on YouTube to working with Usher. An internet sensation from his renditions of several pop and pop-oriented R&B hits, he was still only 15 years old when he released this, his first album -- though it's more like an EP since it is contains only seven songs that are 25 minutes in duration. Given the comfort level he showed in ...
| | Halford III: Winter Songs CD (2009) Special Edition; Digipak
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At first glance, Halford's entry into the crowded holiday market looks like a parody. Heavy metal and Christmas make for strange bedfellows, and WINTER SONGS' pastoral cover art -- which depicts Rob Halford staring wistfully (with a goatee and shades) into a soft, snowy pine forest -- screams Spinal Tap. That said, the Judas Priest frontman approaches yuletide ...
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When he was recording his debut album in 2006, Chris Daughtry didn't have the time to assemble the real rock band he so desperately wanted to have, so it appeared under the band name Daughtry without featuring any of the musicians who later became part of the group. That's not the case with LEAVE THIS TOWN, Daughtry's second record: all five members are glowering on the album cover, floating like specters over an abandoned Californian street. The five rockers serve as visual evidence that Daughtry is a band, not a person, and such reminders may be necessary because LEAVE THIS TOWN doesn't differ much in feel or form from DAUGHTRY. Overall, LEAVE THIS TOWN isn't quite as studio slick as DAUGHTRY, which was fueled by Chris Daughtry's desire prove that he belonged in the big leagues; here, he's achieved that goal and he's happy to stay there as long as possible, giving the people what they want in the form of furrow-browed rockers and brooding power ballads, all saved from their self-conscious sobriety by arena-level hooks, hooks that come ...
| | Sting If On A Winter's Night... CDs (2009) Digipak
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It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for him, no comforts of carols; he favors formal over familiar, writing madrigals, not ditties. It is music made by someone who lives in a castle, which isn't necessarily such a bad thing: the austerity is genuine, not affected, and the cerebral nature of the album is fascinating, albeit mildly so, as this is as sleepy as it is thoughtful. And it's that thoughtfulness that does distinguish IF ON A WINTER NIGHT...; no other Christmas album exists in the head like this. It's a holiday album for people who have never wanted to hear a holiday album, let alone own one.
It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for him, no comforts of carols; he favors formal over familiar, writing madrigals, not ditties. It is music made by someone who lives in a castle, which isn't necessarily such a bad thing: the austerity is genuine, not affected, and the cerebral nature of the album is fascinating, albeit mildly so, as this is as sleepy as it is thoughtful. And it's that ...
| | Neil Hogan Yesterday's News CD (1992)
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| | Zappatistas Live In Leeds CD (2001)
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John Etheridge, guitarist of Soft Machine during the group's jazzier period, put the project Zappatistas together with Steve Lodder for a festival in Newark in late 1998. The group went on to do a few more concerts, which led to this live recording from November 1999. The idea was to pay tribute to Frank Zappa's jazz repertoire. Beside Etheridge and Lodder (keyboards), the lineup includes Annie Whitehead (trombone), Ben Castle (saxophone), Paul Jayasinha (trumpet), Rob Statham (bass), Mike Bradley (drums), and Teena Lyle (percussion, vibes). Scaled down a little bit, the instrumentation is similar to what Zappa used for the 1988 tour. Add the jazz element and you get a CD that for the ...
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We'll Live & Die In These Towns album
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Includes 2 bonus tracks
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