| | Fiesta CD Gustavo Dudamel Discography of CDs
(4 Customer Reviews)
Fiesta Music Review Average Rating: (4.8 out of 5 stars)   Lots of Spirt Dudamel gets the group going. I bought the CD for the group. I played an arrangement of Estancia in band. I also liked the Danzon No.2, by Arturo Marzuez. Submitted by Dennis (Evergreen Park, IL)  Was This Review Helpful? Yes No 2 of 2 found this helpful.
The title says it all This set of Latin American (mostly) music is played with passion and committment. This is music for both the feet and the brain. The DGG team captured these live performances in all their glory. Large and detailed sound-stage. These folks have this music in their blood. Listen and enjoy. Submitted by lowellgraham (El Paso, TX)  Was This Review Helpful? Yes No 2 of 2 found this helpful.
This CD is just plain fun! Wunderkind conductor Gustavo Dudamel leads the Simon Bolivar Youth Orchestra in a musical trip through 20th century classics from Venezuela, Mexico, and Argentina that is lively, rollicking, and rambunctious but also whisper-soft and sweet. In particular, Arturo Marquez's Danzon No. 2 will pick up anyone who's feeling down. The album has no weak spots and has the makings of a cross-over hit. Mambo! Submitted by lpowers (Boston, MA, USA)  Was This Review Helpful? Yes No 1 of 1 found this helpful.
I was surprised.... I normally avoid these types of discs but this was a mistake at order time but WHAT A PLEASANT SURPRISE...sheer rollicking fun. Ordering the wrong thing sometimes pays off ROYALLY. Submitted by Paul (Houston) Was This Review Helpful? Yes No
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Purchase Fiesta CD To buy, Click on price to add to cart | M Argerich Schumann: Violin Sonatas No 1 & 2 / Kremer, Argerich CD (1990)
$29.09 | | Carole King Music CD (2004) (Import) Japan; Remastered
Fiesta
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| | BBC Scott So Bowen, Forsyth: Viola Concertos / Power, Brabbins, Etc CD (2005)
$14.29 | | Weather Report Mysterious Traveller CD (2008) (Import) Japan; Mini LP Sleeve
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$36.29
| | Weather Report Sportin' Life CD (2007) (Import) Japan; Mini LP Sleeve
Fiesta
$29.79
| | Weather Report This Is This! CD (2007) (Import) Japan; Mini LP Sleeve
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$29.75
| | L V Beethoven Cons Pno CD (2005)
$18.15 | | American Classics - Brubeck: Nocturnes / John Salmon CD (2006)
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$6.59
| | Von Meissen:Der Taugenhort Reflexions CD (2008) (Import) Import
$38.09 | | Latvian Organ Landscape / Martin Rost CD (2008)
$15.05 | | Andreas Staier Musique Pour Pno Solo & Cons CD (2008) (Import)
$39.39 | | Tuma - Partitas, Sonatas And Sinfonias / Alessandrini, Concerto Italiano CD (2008)
$10.95 | | Ronda To Another Place CD (2008)
Fiesta
$15.19 To Another PlaceOriginal Classic CompositionsPlaying ...
| | EMI 20th Century Classics - Hindemith: Symphony "Mathis Der Maler", Etc / Karajan, Ormandy, Et Al CDs (2008) (Import)
$9.99 | | Yuliya Gorenman Beethoven Piano Concerti Nos. 3 & 4 CD (2008)
Fiesta
$20.29 Award-winning Russian-born American pianist Yuliya Gorenman has rightfully been called a "pianist without fear." Now firmly established in her performing career, Gorenman first achieved international acclaim in 1995 as a prizewinner of the prestigious Queen Elisabeth Competition in Belgium. Since then she has been continually invited to perform solo, chamber, and orchestral concerts throughout the United States and in Europe, and, in the process, has earned consistent praise for her artistic fire, extraordinary virtuosity, and the depth of her interpretations.Born in Odessa, Ukraine, Gorenman began to shape her performance style while attending the St. Petersburg Conservatory. While still a student, she performed throughout the former Soviet Union. After immigrating to the United States in 1989, she studied first at the San Francisco Conservatory and then at the Peabody Conservatory with mentors such as Nathan Schwartz and Leon Fleischer. When Gorenman earned her laureate at the Queen Elisabeth Competition, she characteristically did so while on a precipice, as an artist between worlds, an emigre from the Soviet Union still weeks shy of her American citizenship. Schooled in two musical traditions but wholly defined by neither, Gorenman has since freely but carefully drawn on both heritages in performances of ...
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