| | Walton: The Quest; Broughton: Silverado Overture; Tchaikovsky: The Maid Of Orleans, Etc / Leslie, Unlv Wind Orchestra CD Broughton / Unlv Wind Orch / Walton CDS
Walton: The Quest; Broughton: Silverado Overture; Tchaikovsky: The Maid Of Orleans, Etc / Leslie, Unlv Wind Orchestra Music | List Price | $16.99 (You save $4.24) | | Label | Klavier Records | | Orig Year | 6/24/2008 | | All Time Sales Rank | 39521  | | CD Universe Part number | 7677281 | | Catalog number | 11169 | | Discs | 1 | | Release Date | Jun 24, 2008 | | Recording Time | 1 8 |
Walton: The Quest; Broughton: Silverado Overture; Tchaikovsky: The Maid Of Orleans, Etc / Leslie, Unlv Wind Orchestra Review
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Walton: The Quest; Broughton: Silverado Overture; Tchaikovsky: The Maid Of Orleans, Etc / Leslie, Unlv Wind Orchestra Music Composers on Walton: The Quest; Broughton: Silverado Overture; Tchaikovsky: The Maid Of Orleans, Etc / Leslie, Unlv Wind Orchestra CD : Bruce Broughton, Fisher Tull, Frank Ticheli, Masao Yabe, Peter Ilyich Tchaikovsky, Sir William Walton Conductors on Walton: The Quest; Broughton: Silverado Overture; Tchaikovsky: The Maid Of Orleans, Etc / Leslie, Unlv Wind Orchestra CD : Takayoshi Suzuki, Thomas G. Leslie
Purchase Walton: The Quest; Broughton: Silverado Overture; Tchaikovsky: The Maid Of Orleans, Etc / Leslie, Unlv Wind Orchestra To buy, Click on price to add to cart | Jongen: String Quartets / Gong, Chen, Michallek, Hesselbein CD (2004)
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$8.99 Original score by Marty Stewart, Kristin Wilkinson, Larry Paxton.
Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. But let's face it, they took two hours outta the thing! All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter. He and his sextet have taken the drama of the film's text and created an aural theater of the American West. At the heart of each theme is a core of mandolin, viola, bass, guitar, accordion, piano, and percussion. Orchestrations ride ambiently in the background, highlighting tension and drama. In "Edge of the World," cornets play at the music's outermost edge, hinting at a red Sonoran sunset. In another place, guitars, both strummed and soloed upon, create an impressionistic picture of a campfire jam session. Elsewhere, "Strawberry Tango, Part One and Two" features a full horn and string section painting the atmosphere at a cantina dance from its wild beginnings until its sultry ending. Daniel Lanois, who scored Thornton's Sling Blade (well, it actually sounds as if he threw a bunch of leftover studio bits on a tape for the movie), makes a return appearance here with an actual song. The track "Porque" features the stirring vocals of Raul Malo of the Mavericks, who contributed the lyrics to the selection. It's a sad, romantic ballad. Lost love drips from the cowboy's ...
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$14.25 "Your interpretation of my music deeply moved me because it transcends what is written on the score. Passiveness before the music is not something your work can be characterized with" -Alfonso Montes, Venezuelan Composer "De Oriente a Occidente: Musica del Siglo XX" was the result of many different influences converging at one point at the right time. With sources as varied as the towering Brazilian musician Heitor Villa-Lobos to the intimate revelations of Japanese composer Toru Takemitsu, these works for classical guitar represent a glimpse into the century in which music became the highest form of abstraction and a return to art's roots. Héctor Murrieta Flores was born in Mexico City. He started his career as a classical guitarist at the "Ollin Yolliztli" conservatory, under the guidance of Antonio ...
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$22.85 Philip Glass is renowned for his style of pattern music, presented in its most developed form in this early work, still one of his best. Glass developed a method of writing that simultaneously retained the sense of the timeless "present" while bringing new thoughts about melody and harmony in a non-virtuosic sense. On Music in Twelve Parts (as well as his opera Akhnaten), these ideas are very elegant and profound, while at times Glass verges on the direct appeal of a movie-music sensibility as in 1000 Airplanes on the Roof. For having ...
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