Emmylou Harris All I Intended To Be CD

Personnel: Emmylou Harris (vocals, guitar, acoustic guitar, baritone guitar, bouzouki); John Starling, Pamela Rose (vocals, acoustic guitar); Kate McGarrigle (vocals, gut-string guitar, banjo); Mike Auldridge (vocals, dobro); Mary Ann Kennedy (vocals, mandolin); Buddy Miller (vocals, background vocals); Anna McGarrigle (vocals); Tim Goodman, Richard Rodney Bennett (acoustic guitar); Kenny Vaughn, John McPhee (electric guitar); Brian Ahern (12-string guitar, banjo, acoustic bass); Greg Leisz (slide guitar, electric slide guitar, mandocello); Stuart Duncan (mandolin, fiddle); Fats Kaplan (mandolin); Phil Madeira (accordion); Jim Horn (recorder); Glen D. Hardin, Patrick Warren, Bill Payne (keyboards); Glenn Worf (bass guitar); Harry Stinson, Keith Knudsen (drums).
Recording information: Easter Island Surround, Nashville, TN (10/16/2005-03/17/2008); Mayk Music Studios, St. Sauveur, Quebec, Canada (10/16/2005-03/17/2008); Sound Emporium Studio, Nashville, TN (10/16/2005-03/17/2008).
Photographers: Rocky Schenck; Noland O'Boyle; Richard Dennison; Brian Ahern.
In 2008, Emmylou Harris was inducted into the Country Music Association Hall of Fame, the sort of honor that is usually bestowed on artists in or past the twilight of their careers. ALL I INTENDED TO BE, her second album for Nonesuch Records, proves that this is far from the case. But overall her latest has a strong feel of summation, too. From the title on down, ALL I INTENDED TO BE reveals the total Emmylou Harris, its 13 songs examining every aspect of her long, varied, and storied career. Split, as her albums often are, between sensitive originals and exquisite covers of little-known songs, the album most of all demonstrates that Harris is country music's consummate team player. Guest vocal spots by Dolly Parton, Pam Rose and, most affectingly, Kate & Anna McGarrigle only emphasize this aspect of the album. The two songs sung with the McGarrigles, both of which the three singer-songwriters co-wrote, are actually its high spots. One, "How She Could Sing the Wildwood Flower," a tender and beautiful tribute to the late June Carter Cash, immediately leaps onto the list of the finest songs Emmylou Harris has ever recorded.
In 1995, Emmylou Harris made a decisive break with her creative past, recording the album Wrecking Ball with producer Daniel Lanois and abandoning the traditional country purity of her best-known work for lovely but spectral musical landscapes and exploring her muse as a songwriter in a way she had never attempted before. After Wrecking Ball, Harris recorded three albums in which she made the most of her new creative freedom and honed her impressive gifts as a songwriter, but All I Intended to Be, her first new release in five years, finds her reaching back toward a sound and style that recall the country and folk influences of her earlier work. But All I Intended to Be is clearly the work of an artist who is looking to the past entirely on her own terms, and with the lessons learned since 1995 clearly audible at all times. All I Intended to Be was produced by Brian Ahern, who was behind the controls for most of her albums of the '70s and '80s, and it features a handful of session players who worked with Harris and Ahern in the past, while Harris' occasional partner in harmony Dolly Parton contributes backing vocals to "Gold" (as does Vince Gill). The album's largely acoustic textures manage to sound both homey and fresh; if the melodies and the arrangements nod politely to traditional country sounds (and hold hands on "Gold"), the space in the production and the unpretentious artfulness of the songs reflect an intelligence and restraint largely absent from country music in the new millennium. Harris wrote or co-wrote six of these 13 songs, leaving more room for covers than on Red Dirt Girl or Stumble into Grace, but the tone of the album is consistent throughout, and she brings a streamlined passion to material by Patty Griffin, Billy Joe Shaver,Entertainment Weekly (p.69) - "On this superb, epically desolate weeper, her vocals meld with the more twanging tones of guest Dolly Parton to 24-karat effect." -- Grade: A-
Dirty Linen (p.52) - "Harris' rendition of Merle Haggard's classic 'Kern River' sounds as if it were written for her mournful voice to sing, while her own 'Not Enough' explores the deeper shades of age and loss."
Q (Magazine) (p.103) - 4 stars out of 5 -- "Restrained, graceful and poised, the lady remains country music's finest ambassador."
Record Collector (magazine) (p.88) - 3 stars out of 5 -- "ALL I INTENDED TO BE is an assured tribute to Emmylou's knack for finding the perfect song."