| | Benjamin Wetherill Laura CD Benjamin Wetherill Discography of CDs
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Benjamin Wetherill Laura Songs Laura Review
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Personnel: John Grant, Angele David-Guillou (vocals); Franck Alba (guitar, keyboards); Glen Johnson (guitar, programming); James Topham (viola); Jerome Tcherneyan (keyboards, drums, percussion, programming); Cedric Pin (keyboards, programming).
Recording ...
| | Sufjan Stevens Illinois CD (2005)
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The first new album since Seven Swans and the second in his 52 state series. Sufjan is one of the leading figures in the twisted folk revolution that includes Joanna Newsom, Devendra Banhart and Iron + Wine. 22 tracks, it is a breathtaking record, sure to be in all of the end of the year best of polls. ''A consistently moving, subtly beautiful experience'' -Billboard. ...
| | CocoRosie Noah's Ark CD (2005)
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CocoRosie: Bianca Casady, Sierra Casady.
Additional personnel: Devendra Banhart, Diane Cluck, Spleen, Gregory Rogove, Jana Hunter, Antony, Ardzen.
After hearing Noah's Ark, any concerns about CocoRosie becoming ...
| | Beirut Gulag Orkestar CD (2006)
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| | Thavius Beck Thru CD (2006)
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| | Depth Affect Hero Crisis CD (2008) (Import) Import; France
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| | U F O Strangers In The Night CD (1979) Bonus Tracks; Remastered
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Additional Tracks
UFO: Paul Raymond (vocals, guitar, keyboards); Phil Mogg (vocals); Michael Schenker (guitar); Pete Way (bass); Andy Parker (drums).
Producer: Ron Nevison.
Reissue producer: David K. Tedds.
Recorded live at The Amphitheatre, Chicago, Illinois; The Gardens, Louisville, Kentucky and in Youngstown, Ohio. Includes liner notes by Jon Sutherland.
Digitally remastered by Bob Norberg (Capitol Mastering).
Personnel: Paul Raymond (vocals, guitars, keyboards); Phil Mogg (vocals); Michael Schenker (guitar); Pete Way (bass guitar); Andy Parker (drums).
Unfortunately, this concert album is often overlooked when discussions of the great live rock albums of the '70s arise. UFO's Strangers in the Night deserves to be right up there with Kiss' Alive! and Thin Lizzy's Live and Dangerous, based on the excitement the group and its audience generate and due to the quality of the hard rock compositions. This is a band at its peak, with its prime lineup (led by German guitar-monger Michael Schenker) and all of its best songs. The group paces itself at the beginning, opting for some lesser material, but begins to hit a stride on the early track "Doctor Doctor." "Mother Mary" and "This Kids" combine all the elements of Led Zeppelin's best rock (concise riffs, mammoth drumming, etc.), while the introduction to "Love to Love" displays the talent of the instrumentalists. "Lights Out" is probably the band's best-known song, while the guitar solo-soaked "Rock Bottom" was an oft-requested fan favorite. UFO closes their set with the let-the-good-times-roll singalong "Too Hot to Handle" and the then-state-of-the-art heavy metal of "Let It Roll." ...
| | Mel Holder Music Book, Vol. 1 CD (2008)
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| | Bechet, Sidney & Martial Solal When A Soprano Meets A Piano CD (2009)
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Bechet was at the peak of his September fame when, while waiting to record in a Paris studio, he happened to overhear a young French-Algerian pianist. Bechet was so taken with Martial Solal’s playing that he told Charles Delaunay he’d like to record with him some day. Delaunay, father of jazz discography and founder of the magazine Jazz Hot, knew that the history of jazz is laden with missed opportunities, and he decided it might as well be some day soon. Thus this music came into being, at two sessions in March and June of 1957, and it was some of the finest of Bechet’s late years. There were, Delauney states in the original liners notes, no preliminary rehearsals. Bechet and Solal simply agreed that “they would prefer to records standards and ballads” – that was all. Bechet was approaching 60; Solal was 29. The others on the first session were Americans in their middle 20s. There were no problems, though Solal was identified with the modern movement and drummer Al Levitt had studied with Lennie Tristano and worked with Lee Konitz, Stan Getz and Paul Bley. These Foolish Things, the first tune recorded, was begun at 2:35 p.m. and finished in two takes. No second takes were required for the remainder ...
| | Foo Fighters Greatest Hits CD (2009) (Import)
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