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Circle X Prehistory CD

 Circle X Discography of CDs

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Circle X's first album -- its only full-length record, in fact, to appear until Celestial came out about a decade later -- is very much a relic of the early-'80s New York no wave sound, cut in 1981 but not released until 1983. To say this is unconventional and barely classifiable as rock is an understatement, as melody is almost totally absent. It's the sound that seems to matter more than any tune or lyric, as choppy, semi-tribal rhythms and blurry, murky distorted guitars flail away. Barely discernible, half-chanted, impressionistic, gloomy words are expelled, often with the desperate fervor of a man tearing off his shirt to escape unseen shackles. A slight echo overlaid on the vocals and instruments add to the purgatorial sense of guys trapped in a near-nightmare. This music was prescient in that records such as this would become far more common (especially in the indie rock scene) in the years to come, but it doesn't make it any easier to listen to now than it was back in the early '80s. ~ Richie Unterberger
Prehistory Music


Detailed Prehistory Music Information



List Price $15.99 (You save $3.30)
Category Rock/Pop Albums, Rock CDs, Jazz Instrument, Classics (Silents / Avant Garde)
Label Blue Chopsticks
Orig Year 2008
All Time Sales Rank   198875  
CD Universe Part number 7679432
Catalog number 18
Discs 1
Release Date May 20, 2008
Studio/Live Studio
Mono/Stereo Stereo
Circle X Prehistory Songs


Circle X Prehistory Album Track Listing



1.Current
2.Prehistory Part I
3.Prehistory Part II
4.Culture Progress
5.Underworld
6.Beyond Standard
Prehistory Review


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CD $14.49  4.3 stars
The Organ's 2002 debut EP Sinking Hearts was more captivating than most of that year's full-length releases: over the course of just 15 minutes, the band crafted chiaroscuro meditations on falling in and out of love that were just as light and jangly as they were dark and brooding. The EP was a promising beginning, and Grab That Gun, the Organ's first album, builds on that promise by delivering more appealingly moody music instead of reinventing the band's sound. It's tempting, initially, to be slightly disappointed that the Organ didn't broaden its sonic territory. But, even though the music remains remarkably focused, Grab That Gun proves that the band has plenty of room for expression within its rather limited palette of droning organs, succinct drumming and sharp, upturned guitar lines that give new meaning to the term "hook." While this sound comes from the legacy of '80s college rock -- at times suggesting a fusion of the Smiths' witty, bouncy melancholy and the on-the-sleeve passion of Throwing Muses -- and also has ties to some of the other bands remaking new wave and post-punk in their own images, the Organ and Grab That Gun have a freshness that isn't often heard in any kind of rock music. This is partly due to the simplicity of the band's playing; some call it amateurish, although innocent is probably a more apt description. There's ...
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In the ongoing battle against the hegemony of the two guitars/bass/drums group configuration in rock & roll, Matson Jones at very least deserve credit for creating a unique alternative -- by replacing the guitars with cellos, they've come up with a variant that offers a broad range of tonal colors and sounds much more aggressive than you might expect. The Albatross Mates for Life, But Only After a Lengthy Courtship That Can Take Up to Four Years is a four-song EP from Matson Jones that's practically over by the time you finish saying the title, but offers a quite satisfying taste of what this quartet can do. While there are moments where one senses PJ Harvey's "Man Sized Sextet" provided the template for this band's entire ...
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CD $12.95  Audio Samples
THE SPELL, the seventh release from San Diego's the Black Heart Procession, combines the band's early minimalist tendencies with the rock richness of 2002's AMORE DEL TROPICO. The Procession still wade in dark, melancholic waters, ...
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National Boxer CD  (2007)

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On 2007's BOXER, the National's second full-length album for the venerable Beggars Banquet label, the Brooklyn-based indie-rock act follows up the lauded ALLIGATOR with another round of melancholy guitar-driven tunes. Led by deep-voiced vocalist Matt Berninger, who often sounds hung-over yet disarmingly articulate, the band excels at brooding mid-tempo songs, as exemplified by the world-weary "Fake Empire," which combines political and personal themes, and "Mistaken for Strangers," a track that recalls NYC peers Interpol, thanks in part to the punchy approach of shared producer Peter Katis. And while his presence isn't immediately apparent, indie hero ...
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WE ARE HIM, the fifth long-player from Angels of Light, is wholly uncategorizable, and features Gira chasing far-flung muses from Beefheart stomps ("My Brother's Man") to dirgy semi-ragas ("Promise of Water"), to almost traditional pop ("Good Bye Mary Lou.") The constants throughout are delicate arrangements, odd structures, and Gira's mesmerizingly laconic baritone. There are familiar touchstones here--synth-era Leonard Cohen and Nick Cave's solo work to name two--but Gira is an original and WE ARE HIM is weird American noir that sounds like nothing else on earth. Michael ...
LP
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Holy Fuck LP CD  (2007)

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Toronto-based electro noise squad Holy Fuck specialize in the kind of unholy racket worthy of their expletive-brandishing moniker. Finely honing their live electronics-aided lo-fi "motorik" for their ...
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Attributed To Cerebral Corps
Attributed To Cerebral Corps CD  (1992)

Prehistory songs
CD $12.39  Audio Samples
An ultra-quirky slice of early '90s art rock, Attributed To Cerebral Corps is playful and weird, but it's also got a solid musical foundation. Singer-songwriters Jeff Saltzmann and Bob Vickers aren't interested in weird for weird's sake; the songs are sturdily melodic and lyrically substantial, so that oddball touches like the toy piano anchoring the opening "Sounding Song" are merely colorful details, not ends in themselves. Saltzmann wrote the majority of the songs, with Vickers adding only one, the sweetly power-poppy "Girl From the Carnival." (There's also an interesting pair of freakbeat covers, Fire's immortal "Father's Name Was Dad" and UK Kaleidoscope's "Music," odd choices for 1992.) Saltzmann's often-surreal lyrics ...
Wrack And Ruin
Hocico Wrack And Ruin CD  (2004)

Prehistory album
CD $12.95  4 stars Audio Samples
Originally called "Hocico de Perro" (Spanish for "dog's muzzle" or "dog's snout"), Hocico was formed in the early 1990s by Racso Agroyam and Erk Alcrag, both former members of the Mexico City-based collective Ninera Degenerada. They released several albums on their own, and others later with the Mexican label Opcion Sonica, before signing with Metropolis in 2002 . Wrack and Ruin is their third effort for Metropolis, and it finds the duo focusing on English lyrics (with mixed success) while continuing to develop its harsh-electro sound and its already considerable studio chops. These guys subscribe to the stage-whisper school of industrial vocalizing, which means that the songs basically all sound like ...
24 Songs: Fine Singing
Brown's Ferry Four 24 Songs: Fine Singing CD  (2008)

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Liner Note Author: Chuck Young.
Catch 22
Hypocrisy Catch 22 CD  (2002) Remastered

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Journey: The Very Best Of Sizzla
Journey: The Very Best Of Sizzla CDs  (2008) With DVD

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Spiritual Fitness
Fridrik Karlsson Spiritual Fitness CD  (2007)

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Lead And Aether
Skepticism Lead And Aether CD 

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Recording information: 1997.
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