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The debut album by Belfast indie electronica duo Oppenheimer is an often lovely blend of wispy high-register harmonies that recall the Flaming Lips' Wayne Coyne and tuneful synthesizer-based songs that borrow smartly from artists as varied as Brian Eno, Caribou, and the Magnetic Fields. Highlights include the wistful ballad "Cate Blanchett" and the spirited pure pop rush of "Look Up." Playful, smart, and unfailingly melodic, TAKE THE WHOLE MIDRANGE AND BOOST IT is sure to please indie kids of all ages.
Personnel: Tom McShane, Richard Anthony Davis, David Fridlund (vocals); David Moore (saxophone, trumpet).
Recording information: Jazzy City Studios, NJ (03/2007-10/2007); Mississippi Studios, Portland, OR (03/2007-10/2007); Start Together Studios at Oh Yeah, Belfast, Ireland (03/2007-10/2007).
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Purchase Take The Whole Midrange And Boost It CD To buy, Click on price to add to cart | Rosanne Cash List CD (2009)
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. ...
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Often, supergroups wind up dominated by one particular personality - think Eric Clapton in Derek & the Dominos, Jack White in the Raconteurs -- which makes the egalitarianism of Them Crooked Vultures all the more remarkable. Of course, when it comes down to it, it's a group of three natural-born collaborators: John Paul Jones, the old studio pro who gravitated toward provocative partners after Led Zeppelin's demise, teaming up with R.E.M. as easily as he did with ...
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Bob Vickers has spent the last decade and a half on the fringe of the Bay Area power pop scene, first as one-half of the appealingly quirky one-off Cerebral Corps, whose Attributed to Cerebral Corps was probably the best thing Alias Records ever released that involved neither Yo La Tengo nor the Loud Family, and later as the drummer of the fantastic but frustratingly non-prolific Orange Peels. His brother Rob Vickers (credited with lead vocals, guitar, and keyboards) is a figment of his own imagination. Together (?), they're the Incredible Vickers Brothers, and their debut album Gallimaufry is a fine example of the more twee end of power pop. The album was produced by Allen Clapp (who also plays percussion and Mellotron) and recorded in Clapp's home studio, so this is fundamentally an Orange Peels record with Clapp and Vickers' band roles reversed. (The third OP, bassist Jill Pries, ...
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