| | Goblin Cock Bagged And Boarded Vinyl LP Record Goblin Cock Discography of CDs
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Our Price: $12.05  For Sale Usually ships in 1-2 days
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Goblin Cock Bagged And Boarded Songs | 1. | Hissy Intro | $0.99 | |
| 2. | Stumped | $0.99 | |
| 3. | Childproof | $0.99 | |
| 4. | Striped Tiger Snaps | $0.99 | |
| 5. | Kegrah The Dragon Killer | $0.99 | |
| 6. | Talking To Chaka | $0.99 | |
| 7. | The Green Machine | |
| 8. | The Werewomb | |
| 9. | The Crusher | |
| 10. | Ichiro's Dilemma | $0.99 | |
| 11. | The Revenge Of Snufalufagus | |
| 12. | Winkey Dinky Donkey | $0.99 | |
| 13. | Goblin Cock Theme | $0.99 | |
| 14. | Black Black | $0.99 | |
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Bagged And Boarded Review
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Purchase Bagged And Boarded CD To buy, Click on price to add to cart | Judas Priest Concert Classics CD (2009) Reissue
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| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
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Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings ...
| | Scar Symmetry Dark Matter Demensions CD (2009)
Bagged And Boarded music CDs
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Audio Mixer: Jonas Kjellgren.
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| | Killing Joke Night Time Vinyl LP (1985) Limited Edition
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Killing Joke continued to move from strength to strength with the visceral NIGHT TIME. The band's edges still displayed something of the brittle surface of earlier records, but its playing had become more polished, Jaz Coleman's vocals more intelligible and wrought with bitter irony, and the charged energy of its signature sound was now being produced with a more sophisticated hand.
"Love Like Blood" is truly the album's centerpiece, Geordie's guitars arcing out like ruby lasers, etching a piquant melody above Paul Raven's percolating basslines, Coleman's preening synths and the gargantuan thrust of Paul Ferguson's mighty drums. "Multitudes" occupies a similar space but replaces the earlier song's massive forward motion with probing interludes of guitar and percussion. Also present here is the New Wave/punk/dance thrash of "Eighties," all raw guitar sarcasm and rhythmic thunderclap. The near-majestic atmosphere that infuses NIGHT TIME paved the way for the even more accomplished BRIGHTER THAN A THOUSAND SUNS.
Marking the full return from the band's out of nowhere hiatus in 1982, Night Time, following after a couple of test-the-water EPs, finds the reconstituted Killing Joke, with Paul Raven in on bass but otherwise unchanged, caught between their earlier aggression and a calmer, more immediately accessible approach. This turned out to be the band's Achilles heel in the end, with later albums in the '80s evidence that the group had turned into an unbelievably boring, generic modern rock band. At this point, however, the tension between the two sides had a perfect balance, and as a result Night Time is arguably the quartet's freshest album since its debut, with a warm, anthemic quality now supplementing the blasting, driving approach that made the band's name, as songs like "Kings and Queens" demonstrate. Geordie Walker pulls off some jaw-dropping solos amid his fierce riffs -- check out his turns on the title track -- while Paul Ferguson mixes and matches electronic beats with his own very well (perhaps a little less intensely than before, but not by much). Jaz Coleman's experimentation with keyboards -- chopped-up vocal samples, calmer and sweet lead melodies -- is paralleled by his own singing, now mostly free of the treatments and echoes familiar from earlier days. He's got a great singing voice as it stands, and it's a treat to hear him let it flow forth without ...
| | Xiu Xiu Knife Play Vinyl LP (2002)
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Xiu Xiu's Knife Play is a very eclectic mix of neurotic indie falterings similar to the Paper Chase school of rock, but with lighter techno beats and softly morose ballads of indifference. The opening tracks are hard to follow along with, and after a time the album seems to break into techno tunes and ...
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| | Jimmy Thackery Guitar Vinyl LP (2003)
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Electric blues fans flock to Jimmy Thackery to hear his fiery guitar, and tolerate his serviceable but far from thrilling gruff vocals. So, the compilers of this Blind Pig-era (six albums from 1992-2000) collection wisely stuck with all instrumental cuts. While that doesn't adequately summarize his career during this time, it sure makes for a dazzling disc displaying Thackery's sizzling six-string prowess. Although it is compiled predominately of previously released material (along with three unreleased live tracks), and these tunes are certainly among his best, by avoiding the "Greatest Hits" tag Blind Pig makes it easy to zero in on Thackery's most incendiary guitar showcases. Using his stripped down Drivers backing band generally comprised only of bass and drums, allows the guitarist plenty of room to strut his no-nonsense rockin' blues. From the speedy "Hang Up & Drive," to the lumbering power of nearly nine minutes of Roy Buchanan's "Roy's Blutz" and the Dick Dale-styled surf-twang of "Apache," there ...
| | Amos Lee Last Days At The Lodge Vinyl LP (2008)
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