| | Accomodata Per Cantar Et Sonar Sopra Organi Et Altri Stromenti CD - Import Tamminga, Liuwe: org CDS
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Accomodata Per Cantar Et Sonar Sopra Organi Et Altri Stromenti Music | Label | Tactus | | CD Universe Part number | 7679867 | | Catalog number | 540001 | | Discs | 1 | | Release Date | Aug 19, 1997 | | Recording Time | 1 1 |
Accomodata Per Cantar Et Sonar Sopra Organi Et Altri Stromenti Review
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Accomodata Per Cantar Et Sonar Sopra Organi Et Altri Stromenti Songs 1. Ricercar III from Musica Nova (2:32)  Windows Media  Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 2. Ricercares (4) for 4 instruments (from "Musica Nova" collection, unrelated to Willaert's "Musica Nov (4:13) Windows Media Real Audio | | Composer | Adrian Willaert (circa 1490 - 1562) | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Country | Europe | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 3. Ricercare VI from Musica Nova (2:48) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 4. Ricercare IV from Musica Nova (6:38) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 5. Ricercare VIII from Musica Nova (3:13) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 6. Rivercare XXI from Musica Nova (1:50) Windows Media Real Audio | | Composer | Girolamo Parabosco (circa 1524 - 1557) | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 7. Ricercare XI from Musica Nova (1:57) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 8. Ricercares (4) for 4 instruments (from "Musica Nova" collection, unrelated to Willaert's "Musica Nov (4:08) Windows Media Real Audio | | Composer | Adrian Willaert (circa 1490 - 1562) | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Country | Europe | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 9. Ricercare XII from Musica Nova (1:46) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 10. Ricercares (4) for 4 instruments (from "Musica Nova" collection, unrelated to Willaert's "Musica Nov (7:18) Windows Media Real Audio | | Composer | Adrian Willaert (circa 1490 - 1562) | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Country | Europe | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 11. Ricercare XIII from Musica Nova (2:13) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 12. Ricercare XV from Musica Nova (4:33) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 13. Ricercare XVI from Musica Nova (4:55) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 14. Ricercare IX from Musica Nova (1:32) Windows Media Real Audio | | Composer | Julio Segni da Modeno | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 15. Ricercare XVIII from Musica Nova (3:19) Windows Media Real Audio | | Composer | Girolamo Parabosco (circa 1524 - 1557) | | Genre | Renaissance Period | | Ensemble | Liuwe Tamminga | | Period | Renaissance | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 | | 16. Ricercare No 17 from Musica Nova (8:31) Windows Media Real Audio | | Composer | Guilielmo Golin | | Ensemble | Liuwe Tamminga | | Venue | Basilica di San Petronio, Bologna, Italy | | Recording Date | 05/1995 |
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"Just Because" was nominated for the 2004 Grammy Award for Best Hard Rock Performance.
Thirteen years after emerging from the studio with RITUAL DE LO HABITUAL, Jane's Addiction returned in 2003 with STRAYS. Unlike many comebacks, Jane's chemistry remains, even with new bassist Chris Chaney stepping in for founding member Eric Avery. With Perry Farrell in fine fettle and legendary producer Bob Ezrin aboard to oversee this highly risky project, the band's gamble has paid off in spades. Despite Jane's extended hiatus, the group's aggression hasn't abated at all, whether it's Dave Navarro's crunching guitar behind the stomping opening cut "True Nature," the mosh-ready groove "Just Because," or the ultra-funky "Wrong Girl," echoing Navarro's time in the Red Hot Chili Peppers. Unlike so much of the aggro-rock this quartet influenced in their aftermath, part of JA's magic was its ease with more eclectic fare. Some of this outing's more interesting moments include "Everybody's Friend," an acoustic-soaked ode to a lost chum, and "The Riches," which draws from a palette of spiky hooks and Chaney's fat basslines that give way to an ethereal ...
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- Among of the various selections contained in this recording, the common aspect connecting them all is that none were originally composed for the guitar. The modern classical guitar was at least a half-century away from being the standard plucked instrument when these composers were active, and with the exception of Bach, none have composed for the 18th century relative of the guitar, the lute. It was, however, common practice of the day for a composer or performer to transcribe music written for one instrument to another. This centuries-old tradition is continued with these selections.- The title track of this recording is derived from the Italian Tomaso Albinoni, who gained recognition in Venezia for his concerti for oboe. Ironically, his best-known work is not entirely his own. The revered “Adagio” for string orchestra, was actually conceived by Italian musicologist Remo Giazatto from a slow movement of an Albinoni trio sonata that survived the destruction of the State Library of Dresden during World War II where much of Albinoni’s work was housed. - Domenico Scarlatti, born in Napoli in 1685, was the son of well-known composer Allessandro Scarlatti. In 1720, Domenico moved to the Iberian Peninsula where he would remain for the rest of his life, first to Lisbon as Maestro of the Royal Chapel and then to Madrid as the tutor to Queen Maria Barbara. During this time, he composed over 600 sonatas for harpsichord from which the selections ...
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