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Third Cycle - Pressing Sound CD Cover Art
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Third Cycle Pressing Sound CD - Import

 Third Cycle Discography of CDs

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 Our Price: $11.99  CD
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The Third Cycle burst onto the Australian live scene in 2006 impressing crowds along Australia's east coast with their dynamic & powerful performances. Their ability to captivate an audience, combined with their infectious blend of pop rock, has earned them a reputation as one Australia's upcoming must see live acts. The Third Cycle's debut release 'Pressing Sound' is edgy, driving & emotive.
Pressing Sound Music


Detailed Pressing Sound Music Information



List Price $13.97 (You save $1.98)
Category Rock/Pop Albums, Rock CDs
Label Phantom
CD Universe Part number 7680906
Discs 1
Release Date Jun 03, 2008
Additional Info Import
Third Cycle Pressing Sound Songs


Third Cycle Pressing Sound Album Track Listing



1.Brand New
2.Pressing Sound
3.The Goodbye Song
4.Subtitles & Silence
5.Spheres
Pressing Sound Review


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A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train mobbed with adoring young fans (mostly women) as they attempt to travel to the television studio in London. The antics of the band during rehearsals and makeup application provide a large part of the comic material in this feature, though there are other moments of pure hilarity. The unscripted vignette featuring a hangover-suffering Ringo is especially funny, particularly when he is arrested and risks having to miss the broadcast. None of this goes unnoticed by the director of the show, played by Victor Spinetti, who went on to become a recurring ...
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Within a couple years, Canadian teenager Justin Bieber went from covering Usher on YouTube to working with Usher. An internet sensation from his renditions of several pop and pop-oriented R&B ...
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned readings of "Lucky Day" and "I'll Shoot the Moon" from 1993's Black Rider, and a killer -- though equally revamped -- version of "Singapore" from 1985's Rain Dogs. Musically, the performances are flawless, as is the sound on this set. The killer stage band includes Vincent Henry on woodwinds and harmonica, guitarist Omar Torres, Patrick Warren on piano and keyboards, Casey Waits on drums/percussion, and Seth Ford Young on bass. There is also a guest appearance by Sullivan Waits on sax and clarinet; Tom plays piano and guitar. Waits ...
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Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California). Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system. The breakthrough success of DARK SIDE OF THE MOON made WISH YOU WERE HERE a crucial follow-up in strictly commercial terms. Further pressure came from it being Pink Floyd's first recording for a new label, Columbia. Yet the demands on the band only provided Roger Waters with more fodder for his lyrics, which glanced at the band's roots as well as their new responsibilities. The mechanized throb of a VCS3 synthesizer, fed through a repeat-echo unit, signals the opening bars of "Welcome to the Machine," a diatribe against an industry more concerned with money than creative music-making. "Have a Cigar" further establishes Waters' contempt by bringing in singer Roy Harper to play the role of a "faceless suit," who none-too-innocently asks, "Which one's Pink?" The remaining songs indirectly look back to the first casualty of Pink Floyd's growing fame, the group's founder, Syd Barrett. The ...
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THE MILLIONAIRE$ are an Aussie indie supergroup featuring DAVID MCCORMACK (CUSTARD), JIM ELLIOTT (CRUEL SEA) and BRENDAN GALLAGHER & MICHAEL GALEAZZI both of KARMA COUNTY. Between them they have won 10 ARIAs and played every major venue and festival ...
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The first volume in Norton Records' three-volume set of rare and unreleased tracks ...
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CD $10.62  SALE
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