| | Marmoset Record In Red Vinyl LP Record Marmoset Discography of CDs
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Our Price: $13.59  For Sale Usually ships in 1-2 days
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Issued in 2001, RECORD IN RED remains a fine example of Marmoset's dark, dreamy indie-rock, which often brings to mind the Shins in a more subdued mode. From the woozy "Golden Cloak" to the punchy "Lost Days for Ways," RED is both consistent and dynamic, and proves why the group still is one of Indiana's best open secrets.
Recorded in 1999 & 2000.
Producers: Vess Ruthenberg, LonPaul, Marmoset, Josh Seib.
CMJ (7/2/01, p.22) - "...This is the indie rock kids came to know and love....a pleasant respite from those young whippersnappers and their new-fangled rock music..." Marmoset Record In Red Songs | 1. | Eyes Are Looking | $0.99 | |
| 2. | Golden Cloak | $0.99 | |
| 3. | Winter | $0.99 | |
| 4. | Torn Cup Fly Up Above | |
| 5. | Art Maker | |
| 6. | City, The | |
| 7. | Lost Days For Ways | $0.99 | |
| 8. | Frendamine | $0.99 | |
| 9. | Summertime Is Easy | $0.99 | |
| 10. | December 4th | $0.99 | |
| 11. | Tuesday Horn, The | |
| 12. | Sound Again | $0.99 | |
| 13. | Walking Thru The Lake | $0.99 | |
| Record In Red Review
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Purchase Record In Red CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
Record In Red album
$9.58 Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Those won over by Boyle, either her voice or story, will surely be satisfied.
There's no question that Susan Boyle's story is inspiring, but the same adjective can't quite apply to her ...
| | Paul McCartney Good Evening New York City CDs (2009) With DVD; Digipak
Record In Red CD music
$15.64 Unlike its 2002 predecessor Back in the U.S., Good Evening New York City doesn't cherrypick highlights from a tour, it commemorates a specific event: the inauguration of Citi Field -- the replacement for the now-defunct Shea Stadium, where the Beatles played a legendary show in 1965 -- in the summer of 2009. The circumstances may be different -- different enough to lead to a Billy Joel cameo on "I Saw Her Standing There," the piano man returning a favor from Paul, who played at Billy's Shea-closing shows in 2008 -- and McCartney might have two strong albums of new material to draw upon, but as an album, Good Evening New York City plays a lot like Back in the U.S. with a whopping 17 of its 35 tracks shared between ...
| | Echo & The Bunnymen The Fountain CD (2009)
Record In Red music CDs
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| | Glee The Music 1 Glee: The Music, Vol. 1 CD (2009) Original Soundtrack
Record In Red songs
$10.39 Like the HIGH SCHOOL MUSICAL franchise, GLEE became more than a TV show when several of its songs cracked the Hot 100, including the number four hit "Don't Stop Believing." That song kicks off this soundtrack, the first in a series of albums cataloging the music performed by the show's cast. Not all GLEE members are created equal--some cast mates are far better actors than singers--but this soundtrack has enough star power to keep things trucking along, especially when powerhouse alto Lea Michele takes the wheel. She sounds fantastic throughout, whether she's holding her own during a duet with Broadway queen Kristen Chenoweth or covering the likes of Jordin Sparks, Avril Lavigne, and Queen. The soundtrack is mostly a vehicle for her voice, yet it also gives ample stage time to Matthew Morrison, who downplays ...
| | Nirvana Bleach CD (1989) Deluxe; Deluxe Edition
Record In Red album
$13.19 With a sludgy, chainsaw guitar sound that owes as much to early Black Sabbath as to Kurt Cobain's heroes The Melvins, whose drummer puts in an appearance here, Nirvana emerges from Seattle's underground scene as standard-bearers of a style that embraces the anger and energy of punk alongside the thick, muddy sonic attack favored by early '70s proto-metal bands. Cobain's lyrics are fueled by outrage and self-loathing, combining literary flair with a direct, visceral quality that makes him a viable candidate for the John-Lennon-of-Gen X award.
Nirvana's debut album showcases what sounds more like a force of nature than a rock band. The unrelenting fervor with which the group delivers these 13 tunes is almost frightening. There is also a strong melodic flair that leavens the ferocity occasionally, hinting at the scope of Cobain's compositional talents. "Love Buzz" and "About A Girl" show off enough pop smarts to make it clear that as strong as BLEACH is, Cobain's hiding even more tricks up his sleeve.
This is one case where the legend really precedes the record itself. Cut for about 600 dollars in Jack Endino's studio over just a matter of days, this captures ...
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Record In Red CD music
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Record In Red album
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| | Warren Haynes Tales Of Ordinary Madness Vinyl LP (1993)
Record In Red album
$32.39 Produced by Chuck Leavell, Warren Haynes' first solo album is a refreshing change of pace from his work with the latter-day incarnation of the Allman Brothers Band. Although the feel of this album is undeniably classic rock, with much of Free's bluesy swagger, it is also vaguely reminiscent of '80s rock at times (check out the Mr. Big-esque verse to "Fire in the Kitchen"). The focus on Tales of Ordinary Madness is clearly on Haynes' songwriting chops. For the most part, the songs on this record are tight and concise, focusing on immediate riffs, gritty vocals, and cool arrangements to sell them. This, however, is not to suggest that Haynes has stopped tearing it up with his guitar, and he amply demonstrates why he is one of the most lauded straight-ahead rock lead guitarists of the '90s. The various bands that back up Haynes are all quite good, and notables Bernie Worrell and producer Leavell both make guest appearances on keyboards. Standout tracks include the mid-tempo "Tattoos and Cigarettes," which is a great showcase for Haynes' under appreciated vocal talents. The smoky ...
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