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2562 - Aerial CD Cover Art
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2562 Aerial CD

 2562 Discography of CDs

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2562: Dave Huismans.
An opening salvo of the Dutch dubstep scene, AERIAL, the debut album by the Hague-based producer 2562 (Dave Huismans), represents a giant step forward from the genre's fiercely South London-based roots. Fusing the most salient aspects of dubstep--lurching syncopations and wobbling sub-bass--with Basic Channel-style dub techno, 2562 creates speaker-rattling low-end thump that extols the virtues of Teutonic minimalism and Jamaican sound system heaviness.The Wire (p.58) - "[I]t's the insistent funk syncopation even in half-steppers like 'The Times' that have made 2562 so popular in dances, and which should give this new strand of dub longevity."
Aerial Music


Detailed Aerial Music Information



List Price $15.98 (You save $2.53)
Category Rock/Pop Albums, R&B CDs, Electronica, Dance
Label Tectonic
Orig Year 2008
All Time Sales Rank   107993  
CD Universe Part number 7685030
Catalog number 4
Discs 1
Release Date Jun 10, 2008
Studio/Live Studio
Mono/Stereo Stereo
Personnel Dave Huismans
2562 Aerial Songs


2562 Aerial Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Redux
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Morvern
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Moog Dub
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Channel Two
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Techno Dread
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Basin Dub
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Greyscale
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Enforcers
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Kameleon
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Times, The

Aerial Music


Aerial Other Versions



2562
Aerial  (2008) 
Vinyl Record$18.75
Aerial Review


Aerial Music Reviews



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Flying Lotus is the musical alias of Steven Ellison, great-nephew of Alice Coltrane and creator of some of the Cartoon Network's wackier promo music for the cult series Adult Swim. Odd personal details notwithstanding, FlyLo (as he is known to fans) is first and foremost a hip-hop producer; especially if the definition of hip-hop stretched to included fractured beats and a pervasive free-jazz influence. LOS ANGELES, the young producer's debut, is steeped in slippery analog electronics, anchored by the loose, swing-heavy boom-bap of contemporary masters such as J Dilla and Madlib.
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On Greg Sanders' sophomore effort, the dubstep titan begins exploring the gritty borderlands between his normal territory and industrial music. It's a hugely promising fusion, and if the results are sometimes just a bit conceptually thin, the music is still very enjoyable all the way through. The two genres blend most fruitfully on tracks like "Koncrete," with its grinding guitar pulses, and the sharp but cool "Skeleton Grin." "Loosen My Grip" is great for the first minute or two but doesn't develop enough new material to justify its length, and the same is true of "Mirror Tell" and the title track. However, "Sending Chills" employs a nifty flute loop that contrasts nicely with the track's overall dark, spare ambience. ~ Rick Anderson
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With his third CD, Bassist composer Howard Britz has come up with a recording that’s good for the soul and the intellect. In the tradition of Horace Silver he reasserts for 2007 the importance of the jazz composer in a small group context. Each of the eight original tunes is beautifully conceived and arranged as a whole experience and not just a head with a series of solos. The grooves range from Swing to New Orleans second line, Latin and Gospel with a touch of Weather Report with tight ensemble playing and sizzling solos by a group of New York’s finest.REVIEWSJAZZ TIMES March 2008Howard BritzHERE I STAND (Tee Zee) http://jazztimes.com/reviews/cd_reviews/London-born bassist- composer Britz came to the States in 1991 on a a full scholarship to attend the Berklee College of Music in Boston. He subsequently completed jazz studies at the New England Conservatory of Music before moving to Philadelphia in 1996, and then settled in Brooklyn in 1998. His latest release, a follow-up to his 2005 debut as a leader Made in Brooklyn, again finds him collaboration with some of the best and brightest on New York’s modern-jazz scene. This time out Britz is accompanied by the excellent pianist George Colligan, the well-established drummer Sylvia Cuenca and two lesser-known but equally accomplished talents, trumpeter David Smith and alto saxophonist Casey Benjamin. Together they tackle Britz’s original compositions like the gospel-tinged “Yakkology,” the dynamic 6/8 vehicle “Oceans” and the kinetic up-tempo boppish romp “New York Roast”-with requisite chops, flexibility and killer instincts.The settle into Britz’s melancholy ode “Goodbye (for Dad)” with reverence and sensitivity, then delve in to an real-deal second line feel on “Lucky Friday the 13th” which morphs back and forth between N’awlins funk and New York swing. Along the way, the leader distinguishes himself as a first-rate swinger with considerable soloistic skills, which becomes especially apparent on the down-home medium groover “Brown & Sizzle,” Britz’s tribute to his bass idol, Ray Brown. The composer also explores more sharply intelligent, modernistic fare on the angular modal romp “Scatterbug” and the buoyant 7/4 vehicle “Martha’s Song” written for his wife.CD Review: http://therunoffgroove.blogspot.com/2008/01/run-off-groove-185_09.htmlHoward ...
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