| | Weezer (Red Album) CD Weezer Discography of CDs
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The third self-titled album by Weezer mixes the hooky sound of their 1994 and 2001 releases (known as the "blue" and "green" albums, respectively) with the experimental tendencies of efforts like PINKERTON. Like its eponymously titled cousins, Weezer's sixth release overall (destined to become known as "the red album") sports a full frontal picture of the band, dressed this time in costumes that call to mind the Village People. Cheekiness has always been central to Weezer's aesthetic: their music takes an arch, outsider's approach to rock while still rocking out in earnest, channeling the awkwardness of the bookish geek through a cranked-up amplifier.
This latest WEEZER embraces this contradiction with glee. With a hook-heavy, singalong melody driven by powerhouse guitars, lead single "Pork and Beans" is a subversive ditty about the pressures of tailoring one's image and sound for commercial ends. "Troublemaker," another anti-conformist tract, is wrapped in a tune tasty as cotton candy. This is classic Weezer: sure-fire pop songs that play both sides of the alternative/ mainstream fence. Yet the experimental aspects of the band are also represented on tunes like "The Greatest Man That Ever Lived," which brings together Southern rap, heavy metal, religious hymns, and police sirens in one song. Production by Rick Rubin and Jacknife Lee makes the songs gleam, but it's the tunefulness, cleverness, and irresistibility of Weezer's music that makes this another winner in the band's discography.Spin (p.96) - 3.5 stars out of 5 -- "'Pork and Beans' and 'Troublemaker' rally against conformity while supplying spiffy hooks."
Entertainment Weekly (pp.68-69) - "[Cuomo's] sharp sense of melody is undeniably intact..."
Kerrang (Magazine) (p.46) - "[There is] melody to spare, a sense of compositional and tonal genius that makes this by turns a playful, witty, weird, confusing and mesmerizing set."
Kerrang (Magazine) (p.62) - Ranked #11 in Kerrang's Best Albums Of The Year 2008 -- "[E]ffortlessly catchy tunes."
Q (Magazine) (p.111) - 4 stars out of 5 -- "Everything is supercharged and melodic, like a poppy version of Nirvana..." Weezer (Red Album) Review
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Buy Weezer (Red Album) CD  | | Weezer
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14.5 x 20.5 inch
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Purchase Weezer (Red Album) CD To buy, Click on price to add to cart | Weezer (Blue Album) CD (1994)
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| | Jim Noir Tower Of Love CD (2006) (Import) England
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On his debut album, Tower of Love, Jim Noir proves himself to be a first-class mix-and-match master, blending the cheesy drum machines and bubbling synths of indie electronic, the lo-fi guitars and adult-child vocals of indie pop, and the full-bodied and harmony-drenched arrangements of chamber pop into a swirling, soothing, and truly lovely Technicolor pop confection. Noir also proves himself to be an able student of great outsider pop of the '60s, '70s, and 2000s. There are echoes of British eccentrics like XTC, Kevin Ayers, and ELO to be found in the grooves of Tower. There is the pronounced influence of those renowned American nutters, the mid-'70s edition of the Beach Boys and their Love You album. There are comparisons to be made to the anything-goes spirit and sound of contemporary explorers like Super Furry Animals and the Beta Band. Best of all, if you happen to have never heard of any of those bands and just love a good melody played and sung sweetly by a likeable singer, you will love the record just as much as someone who can train-spot all the influences. There really isn't a weak song to be had, and the album flows past like a gentle stream winding its way through a summer meadow. Noir's crack hand at arranging provides many moments of pleasure: the lovely stacked vocal harmonies on the thrillingly peaceful "How to Be So Real," the smooth and EZ keys that decorate "Tower of Love," the loose-limbed and nearly funky bassline of "Key of C," and the twangy guitars that crop up unexpectedly in the absurdly peppy "A Quiet Man" are the work of someone with a firm grip on what it takes to make song burst into life. His songwriting is equal to his arranging skills, as catchy and richly constructed tunes ...
| | Mary James Truth Cries Out CD (2005)
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Meet Mary JamesIf there's one thing that Mary understands, it's the transforming work of Christ. One to whom grace abounds, she is a testimony of the new life that is given to the sinner who repents and to the prodigal who returns. "I was a dead man walking," she says of her life before Christ. Now Mary is a new creation, empowered to bring a message of hope, renewal, and faith through the songs God has given her to share with the world.Unwanted  From the very beginning, Mary James' life has not been ordinary. Born to a teenager who was not ready to be a parent, she was given up for adoption and taken in by a pastor and his wife. Mary's adoption was never a secret and life at home was difficult. Mary's adoptive Mother suffered from alcoholism and died of cancer when Mary was only 13. Her Father spent his life dedicated to serving his congregation and was unable to spend much time with the family. These circumstances sparked in her a certain insecurity that remains to this day. "I have always had a feeling of being unwanted, of not being loved and accepted. I came to the place where I really just gave up on myself." This giving up was what led 16-year-old Mary to the streets and to drugs. "As a child I had no concept of who God was because I could not see Him in my daily life," she says. The Chance to LiveMary's first feeling of belonging came at 21 when she met her biological mother and finally understood how she had fought for her unborn baby's right to live. "Since abortions were illegal in the United States at that time, my Grandmother wanted my Mother to travel to Europe to end her pregnancy. In spite of the pressure, my Mom was willing to go through the pregnancy and all of the social stigmas related to being a pregnant teenager in order to give me a chance to live." Even though Mary did not know it yet, God had a plan for her. MusicFor as long as Mary can remember, music has been a part of her life. Raised in a musical family, her talents were recognized at an early age when she began to sing solos in church and in school. Her teachers encouraged the budding talent, and Mary was given opportunities to train her voice and perform publicly at a young age. Despite a strong start and her own desire to succeed, Mary was not able to advance in the ...
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