| | Violent Minds We Are Nothing CD Violent Minds Discography of CDs
Violent Minds We Are Nothing Songs | 1. | Total Control |
| 2. | Smash Their World |
| 3. | We Are Nothing |
| 4. | Left Behind |
| 5. | A.D.D. Stole My Brain |
| 6. | Scared of Life |
| 7. | Deceiver |
| 8. | Come Turn Me On |
| 9. | No Heart |
| 10. | Another Day |
| 11. | Gone for Good |
| 12. | Just Kicked In |
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We Are Nothing Review
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In 1996, renowned classical violin soloist Rachel Barton Pine made history when she played her version of Metallica’s “One” live in the studio on Chicago’s Rock 103.5. The incredibly enthusiastic listener response and enormous number of requests caused the performance to end up in regular rotation on the station for a few months. This unprecedented success led Rachel to record an entire album of some of her favorite rock and heavy metal songs by AC/DC, Black Sabbath, Megadeth, Led Zeppelin, Pantera, Rush, Nirvana, and others. “Stringendo: Storming the Citadel” and especially its signature hit “One” show that Rachel and her violin can shred on mosh riffs as well as any guitarist!Rachel's BioIt’s easy to be intimidated by the sheer immensity of Rachel Barton Pine’s accomplishments. The young Chicago based violinist has performed on stages all over the world in front of hundreds of thousands of people, released 13 albums, won countless prestigious awards, and played with musicians ranging from Placido Domingo to Jimmy Page. Yet throughout her career, Rachel has worked to demystify classical music and bring it to audiences for whom it has not been easily accessible. Groups as various as inner city children, sports fans, music students in developing countries, and even her fellow rock fans have been enriched by Rachel’s devotion to music and the infectious enthusiasm with which she shares it. She’s more than a musician – she’s perhaps the greatest young ambassador that classical music has today.Ironically, it was the vision of the beautiful dresses being worn by violin students in her church that first drew Rachel’s attention to the instrument at age three. As she remembers, “I was attracted to how the girls looked and totally entranced by the sound of the violin.” Rachel asked her parents for a violin immediately, but was turned down; it was only after her parents discovered a violin teacher a few blocks away that they acceded to her wish to learn the instrument. From her very first lesson, it was true love. “As soon as I started lessons, that was it,” she recalls. “By the time I was five, I was identifying myself as a violinist. All I wanted to do was play music. I would sit in kindergarten and plan what I was going to practice when I got home.”By age seven, Rachel was already soloing with orchestras and at age ten, she made her first appearance with the Chicago Symphony. She hit the competition circuit with full force, winning numerous national and international ...
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CLOUDS IN THE HEAD is the release from heavy metal group Hangnail.
With a sound somewhere between later-day Corrosion of Conformity and Kyuss, England's Hangnail is, first and foremost, a hard rock band, all stoner rock considerations bracketed, at least temporarily, because it's quite easy to get lost in such media-driven subcategories. Again, first and foremost, this is a hard rock album propelled by a driving, locked-down rhythm section, chunky, but articulate guitar work, and soaring vocals. Certainly, there is enough wah, fuzz, and phase on the guitars, and enough Iommi-influenced riffing to warrant the stoner rock tag, but Hangnail is nonetheless more akin to late-'80s rock revival outfits like Trouble, Circus of Power, the ...
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Audio Mixer: DJ Strobe.
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David Johansen's first solo album was a triumph, a savvy blend of the New York Dolls' swagger and a more conventional but no less idiosyncratic hard rock style that left plenty of room for Johansen's eclectic musical outlook. Unfortunately, it didn't sell, and for his second post-Dolls release Johansen and producer Mick Ronson aimed for something with a bit more polish and a better chance of getting onto the radio. The result, 1979's In Style, earned the wrath of many New York Dolls fans for the disco pulse of "Swaheto Woman," the slick R&B accents of the opener "Melody," the dandified reggae ...
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A couple of recent quotes:Online fan JAY D. said:“To me, LC7 is the perfect combinationof melodic power pop and innovative Zappa / Beefheartian elements. Both of which are probably my favorite genres of music, but I never figured any band could blend the two.”From the website MUZE:"The brilliantly eccentric Brooklyn band Love Camp 7 are rooted in the 1960s pop operas of the Beach Boys, the Beatles, the Who, and the Kinks. On SOMETIMES, ALWAYS, NEVER their songs hymn the lives of unsung heroes, forgotten eccentrics, and minor personalities of American popular history, such as the lesbian oil heiress who ruled her own Bahaman island, a principled politician, and a courageous telephone operator. Their music is a blend of neo-psychedelia and vintage rock & roll, as packed with surprising twists and turns as with sly references to the sounds of yesteryear." and the website LUCID CULTURE:Rich with catchy melodies, steeped in history, SOMETIMES, ALWAYS, NEVER gets better with repeated listenings, in the spirit of great ...
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