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Widely considered the preeminent vocal harmony group of the roots reggae era, Culture were also chief exponents of the spiritual and social themes associated with Rastafarianism. At first blush, pairing such heavily cultural themes with the raffish deejay crowd would seem to indicate a recipe for a sound clash disaster. But CULTURE & THE DEEJAY'S AT JOE GIBBS--featuring toasts from deejays like U-Roy, Prince Far-I, and U Brown--tones down the slack chatter for more suitably Roots & Culture-oriented material.
Personnel: Lennox Gordon, Eric Lamont, Robbie Shakespeare (guitar); Herman Marquis (alto saxophone); Tommy McCook (tenor saxophone); Bobby Ellis (trumpet); Lloyd Parks (bass instrument); Sly Dunbar (drum); Sticky (percussion).
Audio Mixer: Errol Thompson.
The Wire (p.63) - "This set pulls together some of the group's 12" discomixes shared with an array of popular deejays of the day, plus a few tracks where 7" vocal sides are segued into the deejay version to form an extended mix." Culture & The Deejay's At Joe Gibbs 1977-79 Music Culture & The Deejay's At Joe Gibbs 1977-79 Songs Culture & The Deejay's At Joe Gibbs 1977-79 Review
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Purchase Culture & The Deejay's At Joe Gibbs 1977-79 CD To buy, Click on price to add to cart | Uncanned! The Best Of Canned Heat CDs (1994)
Culture & The Deejay's At Joe Gibbs 1977-79 album
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Digitally remastered by Kevin Reeves (February 1994, Tower Mastering, Hollywood, California).
For all but the completists, this anthology should more than suffice as an apt compact-disc retrospective of Canned Heat's releases on Liberty Records. To that end, it's a more or less chronological overview of the combo's LPs, commencing with a trio of tunes from a spring 1967 studio session that predates their self-titled debut (1967). Primary is an extended, seven-plus-minute "On the Road Again," losing the trippy pretensions of the more popular version. Rather, it ...
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The Abyssinians cut the original version of "Satta Massa Gana" in 1969 at Clement Dodd's legendary Studio One in Kingston, Jamaica. This first "Satta" featured a lead vocal by Bernard Collins, a distinctive bassline played by Leroy Sibbles of the Heptones, and a simple but effective horn chart voiced by Headley Bennett on alto sax and Vin Gordon on trombone. The song was a big hit in the dancehalls of the day, and before long new versions and dub plates of "Satta" began to appear. In time, the "Satta" rhythm became one of the most versioned in Jamaican history, with over 450 known variations to date. Britain's fine reggae reissue label Blood and Fire has collected several of these musical offspring, along with the original Abyssinians version, in a single package ...
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Having crafted such a singular sound for himself both in Dire Straits and as a respected film composer, it's gratifying to hear that Mark Knopfler's consummate musicianship has only gotten better on what is only his second solo album in a career that began in the mid- '70s. For SAILING TO PHILADELPHIA, Knopfler once again looks to America for inspiration, starting with the stirring title track that draws from Thomas Pynchon's fictionalized account of English adventurers/surveyors Charles Mason and Jeremiah Dixon and which ...
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