| | Drag Me To Hell DVD (1 Customer Review)
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| Category | Horror DVDs, Recommended Movies, Live-Action Videos, Cult, Supernatural, Death, Demons, Disturbing, California, Demonic Possession, Devil/Demons, Young Love, Afterlife, Hell | | Starring | Alison Lohman, David Paymer, Justin Long, Adriana Barraza, Jessica Lucas, Dileep Rao, Lorna Raver | | Director | Sam Raimi | | Composer | Christopher Young | | Director of Photography | Peter Deming | | Executive Producer | Nathan Kahane, Joe Drake | | Producer | Rob Tapert, Grant Curtis | | Screenwriter | Sam Raimi, Ivan Raimi |
Additional Footage; Soundtrack English; Soundtrack French; Soundtrack Spanish; English Subtitles After nearly two decades of successful detours into mature thrillers (THE GIFT, A SIMPLE PLAN) and superhero blockbusters (the Spider-Man series), director Sam Raimi returns--full tilt--to his scrappy horror roots with DRAG ME TO HELL. Alison Lohman stars as Christine Brown, a soft-spoken Southern girl with a good heart, a PhD-toting boyfriend (Justin Long), and a job as a loan officer at a bank just outside of Los Angeles. When evicting a vile and negligent old woman named Mrs. Ganush (Lorna Raver) seems to be the only way to secure an important promotion, Christine pushes her moral flexibility about as far as it can go (not very far at all) only to dearly pay the price as the recipient of a rather nasty curse. The next three days of Christine’s life amount to an unimaginable endurance test in which she is subject to physical and psychological torture while a terrifying demon draws ever closer to take her to hell, where she would burn for eternity.
Raimi manages to keep the feverish awfulness of DRAG ME's central concept palpable while layering on his distinctly disturbing and exhilaratingly kinetic macabre-meets-slapstick portraiture, and the result is an efficient celebration of the art of horror movies that’s campy, scary, and fun. Similar to HBO’s classic TALES FROM THE CRYPT series, HELL feels like a living, breathing EC comic. While it may come as a minor shock that Bruce Campbell, the beloved mouthpiece of the EVIL DEAD franchise, is nowhere to be found in this unabashed horror-comedy, Christine is an excellent twist on Raimi's genre-hero archetype. Fans will get a kick out of seeing her inexplicably leave her gob agape as putrid projectiles pour in, and hearing her, after a bit of pushing, spout a Campbell-ism or two ("I’m gonna get me some!"). Drag Me To Hell Reviews: 3 stars out of 5 -- "The humor feels deliciously dark and the film's more thoughtful than a gorefest or a roller coaster ride..."-- Richard Mowe, Box Office "As its no-nonsense title suggests, DRAG ME TO HELL offers a kicking-and-screaming riff on the classic curse movie..."-- Peter Debruge, Variety "DRAG ME TO HELL is a joyous reconvening of man and bloody-good material that recalls Sweeney Todd's momentous reunion with his gleaming razor blades."-- Movieline Critic, Movieline "As in the best horror movies, DRAG ME TO HELL keeps the audience on the edge of hysteria throughout, so that every thump sets the heart racing and every joke earns a slightly out-of-control laugh."Washington Post "Sam Raimi has fashioned a slick, old-school scarefest that combines the best of schlocky fright flicks with classic supernatural thrillers."-- Claudia Puig, USA Today "[T]he payoff is experiencing a filmmaker totally in his element. Raimi is having the time of his life -- he knows exactly what he's doing with every scene and every scream."-- Betsy Sharkey, Los Angeles Times "DRAG ME TO HELL has a tonic playfulness that's unabashedly retro, an indulgent return to Mr. Raimi's goofy, gooey roots."-- Jeannette Catsoulis, New York Times "[A] horror flick that's smart and funny, as well as cringeworthy for all the right reasons....The film is cunningly crafted in every detail -- direction, script, performances, comic timing, special effects -- from thunderous start to delicious finish."Wall Street Journal "[T]he film relies on shock effects instead of blood, but Raimi pushes those effects to a full-on visceral assault." -- Grade: A--- Scott Tobias, A.V. Club "[S]uperb....With a tone even more sinister than Raimi's EVIL DEAD trilogy, the tale unfolds like a lost chapter from 1982 George A. Romero/Stephen King collaboration CREEPSHOW (only a good thing)."-- Movieline Critic, Movieline 3 stars out of 4 -- "DRAG ME TO HELL is a sometimes funny and often startling horror movie....It's like Sam Raimi is taking some personal time and returning to his hobby."-- Roger Ebert, Chicago Sun-Times Drag Me To Hell | List Price | $29.98 (You save $6.59) | | Studio | Universal Studios Home Video | | Orig Year | 2009 | | DVD Encoding | Region 1 | | All Time Sales Rank | 13817  | | CD Universe Part number | 7691596 | | Catalog number | 61106489 | | Discs | 1 | | Release Date | Oct 13, 2009 | | Rating | Not Rated | | Running Time | 78 Minutes | | Additional Info | Widescreen; Dubbed; Subtitled | | Movie Details | Color; Director's Cut; Widescreen; Dubbed; Subtitled |
Drag Me To Hell Movie Review Drag Me To Hell DVD Region 1 Director's Cut Widescreen - 2.39 Audio: Dolby Digital 2.0 Stereo - English, French, Spanish Dolby Digital 5.1 - English, French, Spanish Subtitles - English, French, Spanish
Purchase Drag Me To Hell Movie To buy, Click on price to add to cart | Strangers DVD (2008) Widescreen; Dubbed; Subtitled; Rated; Unrated
Drag Me To Hell film
$6.59 For his film debut, director Brian Bertino has crafted a fantastically creepy horror flick based on the very simple premise of strangers who come knocking late at night. Kristen (Liv Tyler) and James (Scott Speedman) have arrived at a secluded vacation home in the woods after attending a friend's wedding. It's four in the morning, and they're both tearful and emotionally exhausted after a disagreement about their relationship. As they awkwardly try to navigate the long night together, they are distracted by the sound of a heavy knock at the door. They open it to find a dazed young woman hidden in the shadows. Assuming she is lost, James sends her away, but Kristen is disturbed by the late-night visit. When James leaves to go on a drive and pick up some cigarettes, Kristen is left alone, and we watch her move through the huge house in a painfully eerie silence, all the while knowing that she is being watched. By the time James returns, Kristen is in hysterics, and together they must face the terrifying fact that they are indeed in grave danger.
Both Tyler and ...
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Drag Me To Hell review
$10.19 The grisly and debauched film PATHOLOGY is a juiced-up medical thriller that plays like FLATLINERS with a mean streak and a broken moral compass. Writers Mark Nelvedine and Brian Taylor have created a premise allowing for CSI-like forensics along with heaps of sex and violence, truly making the most of the film's R-rating. A high-end exploitation film with good performances, PATHOLOGY is strong enough for horror fans and should go down smoothly for non-squeamish viewers with a taste for the dark side.
Gifted med student Ted Grey (Milo Ventimiglia, HEROES) arrives at a major Washington, D.C., as an intern, where he is met with suspicion and resentment by the tightly knit group of fellow young pathologists-in-training. Soon, though, Ted is accepted into their circle---where they each take turns committing a murder so that the others may prove their mettle by figuring out the cause of death and celebrate with drug-fueled orgies among the dead bodies in the hospital. Things change for Ted, though, when his law student fiancée, Gwen (Alyssa Milano), moves to the city and helps to scare him straight. Soon, crazed Wallace Stevens-quoting leader Jake Gallo (Michael Weston) turns on Ted, putting both Ted's and Gwen's lives in serious jeopardy. The film opens with ...
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Drag Me To Hell DVD
$14.39 The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's ...
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$10.35 Based on the graphic novel by Steve Niles and Ben Templesmith, 30 DAYS OF NIGHT works overtime to pump fresh life into the vampire genre. Director David Slade (HARD CANDY) has created a series of pulse-pounding sequences, ripe with carnage, employing few tricks to keep his vision from getting lost in the seemingly tireless undertow of "undead" films. Located in the northernmost part of Alaska, the town of Barrow experiences a complete lack of sunshine for an entire month once a year. The town is populated with tough, hardworking, and generally law-abiding citizens, so there hasn't been much for Sheriff Eben Olesen (Josh Hartnett) to do except brood over his separation from his fire marshall wife, Stella (Melissa George). As darkness descends for its annual 30-day day, though, a series of bizarre discoveries rocks the town--and very soon vampiric Marlow (Danny Huston) and ...
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$23.39 After THE HILLS HAVE EYES was remade in 2006, another Wes Craven '70s shocker arrives on screen with this film. Mari (Sara Paxton) looks forward to a relaxing vacation at a lake house, the escaped convicts she meets have a different sort of evening in mind. The men brutally attack her, and she barely survives, but she tries to make it back home to her parents (Tony Goldwyn and Monica Potter). However, the prisoners accidentally arrive at her parents' home, and soon they're the ones who should be frightened.
Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four criminals on the lam who encounter a pair of nubile female teens in a small mountain town. After murdering one and brutally raping the other and leaving her for dead, the cons seek refuge at a nearby summer house. The twist is that it's the very home inhabited by the parents of one of the victims. Upon learning that their house guests raped and tortured their 17-year-old daughter, the couple exact a revenge that arguably exceeds the excesses of the sociopathic gang.
When originally released in 1972, LAST HOUSE ON THE LEFT was a shock to the system. Never before had a film ...
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Siddharth Anand's BACHNA AE HASEENO weaves tidbits from Bollywood's more innocent past into a robust modern romance. The title song that plays over the opening credits reworks a 1977 hit from HUM KISISE KUM NAHIN, a film featuring 1970s icon Rishi Kapoor--the father of Ranbir Kapoor, BACHNA AE HASEENO's charismatic young star. From the first moments, the film borrows wisely and also manages to come up with something fresh. Producer Aditya Chopra contributed the story, which begins, like Chopra's massive hit DILWALE ...
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