| | Divinefire Farewell CD - Import Divinefire Discography of CDs
 (1 Customer Review)
2008 album from the 'heavenly' Swedish Symphonic Power Metal trio, their fourth album overall. Their past success and touring in Japan have put Divinefire in a great position as they mix with their excellent fast Symphonic Metal with Extreme Metal elements. If you love bands like Dragonforce, Children Of Bodom ... Farewell Music | List Price | $37.99 (You save $2.50) | | Category | Rock Albums, Heavy Metal CDs | | Label | Phantom | | CD Universe Part number | 7693028 | | Discs | 1 | | Release Date | Jul 08, 2008 | | Additional Info | Import |
Divinefire Farewell Songs | 1. | Calling The World |
| 2. | Unity |
| 3. | Youll Never Walk Away |
| 4. | Pass The Flame |
| 5. | Grow And Follow |
| 6. | My Roots Are Strong In You |
| 7. | King Of Kings |
| 8. | Heal Me |
| 9. | Farewell |
|
Purchase Farewell CD To buy, Click on price to add to cart | Anthrax Among The Living CDs (1987) With DVD; Bonus Tracks; Remastered
Farewell album
 $21.94   
When Anthrax released ...
| | Tangent Down And Out In Paris And London CD (2009)
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| | Motley Crue Greatest Hits CD (2009)
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| | Shadow Gallery Digital Ghosts CD (2009)
Farewell songs
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| | Within Temptation Silent Force CD (2005) Reissue
Farewell album
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| | Pelican What We All Come To Need CD (2009)
Farewell CD music
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| | Dream Ballads CD (2002) (Import) Finland
Farewell music CDs
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| | Pretty Things S.F. Sorrow CDs (1968)
Farewell songs
$11.65
Digitally remastered by Mark St. John and Andy Pearce (Masterpiece Mastering).
SF Sorrow was recorded at Abbey Road Studios in England in 1967 and Resurrection is a live recording of a radio broadcast of SF Sorrow in it's entirety at Abbey Road Studios in England in 1998.
One of the great lost classics of the psychedelic rock era, S.F. SORROW was recorded at the same time (and in the same studio with the same engineer) as SGT. PEPPER and PIPER AT THE GATES OF DAWN, and is on par with both. Unfortunately, the commercial fate of the album (and the group) wasn't as rosy as that of its peers, but that doesn't diminish S.F. SORROW'S quality or historical importance. The record marked an important turning point for the Pretty Things, who began as a Stones-ish R&B band, but by this time were ready to take the leap that a sudden personnel change made easier.
The band launched itself whole-heartedly into a more sophisticated style, both musically and lyrically. S.F. SORROW was even more of a concept album than SGT. PEPPER; in fact, thematically the songs hold together a lot better here. The theme concerns the life and times of a British everyman, and the songs are very much in the SGT. PEPPER mold, with production touches and vocal harmonies (not to mention song structures) very much in the Beatles vein, but it was a sound the Pretty Things arrived at more or less independently. Adding to the import of this release is the addition of some excellent, previously unreleased tracks.
Who could ever have thought, going back to the Pretty Things' first recording session in 1965 -- which started out so disastrously that their original producer quit in frustration -- that it would come to this? The Pretty Things' early history in the studio featured the band with its amps seemingly turned up to 11, but for much of S.F. Sorrow the band is turned down to seven or four, or even two, or not amplified at all (except for Wally Allen's bass -- natch), and they're doing all kinds of folkish things here that are still bluesy enough so you never forget who they are, amid weird little digressions on percussion and chorus; harmony vocals that are spooky, trippy, strange, and delightful; sitars included in the array of stringed instruments; and an organ trying hard to sound like a Mellotron. Sometimes one gets an echo of Pink Floyd's Piper at the Gates of Dawn or A Saucerful of Secrets, and it all straddles the worlds of British blues and British psychedelia better than almost any record you can name. The album, for those unfamiliar, tells the story of "S.F. Sorrow," a sort of British Everyman -- think of a working-class, luckless equivalent to the Kinks' Arthur, from cradle to grave. The tale and the songs are a bit downbeat and no amount of scrutiny can disguise the fact that the rock opera S.F. Sorrow is ultimately a bit of a confusing effort -- these boys were musicians, not authors or dramatists. Although it may have helped inspire Tommy, it is, simply, not nearly as good. That said, it was first and has quite a few nifty ideas and production touches. And it does show a pathway between blues and psychedelia that the Rolling Stones, somewhere between Satanic Majesties, "We Love You," "Child of the Moon," and Beggars Banquet, missed entirely. [The 2003 Recall reissue includes the band's 1998 live performance of the album at Abbey Road, previously released as the album Resurrection.] ~ Bruce Eder & Richie Unterberger
The classic ...
| | Very Best Of Winger CD (2001) (Import)
Farewell album
$6.45
Digitally remastered by Dan Hersch & Bill Inglott (DigiPrep, Hollywood, California).
Winger wasn't the worst of the poppy hair metal bands of the late '80s/early '90s, but they were the brunt of more jokes than any of their peers. Perhaps that was because Mike Judge seized the opportunity to use them as a visual and verbal punchline throughout the run of Beavis & Butt-Head, but it's more likely because of the group's fondness for a bombastic melodic hook and of Kip Winger's model good looks and dazzling Colgate smile (well, there's also the matter of lyrics like "I'm only seventeen/I'll give you love like you've never seen," which are just ripe for lampooning). Such an atmosphere led to a never-ending series of prods and jabs, making easy Winger jokes very hard to resist (witness the above, if you need proof), but the fact of the matter is, they weren't that bad; they were even pretty good, as Rhino's exhaustive 16-track collection, The Very Best of Winger, proves. They weren't necessarily the best of the bunch, and they never transcended the genre, but they did have some good hooks, a good guitarist in Reb Beach, nice chemistry within the band, and a knack for a power ballad, which resulted in three classics of the genre -- the cheerfully sleazy jailbait paean "Seventeen," "Madalaine," and "Headed for a Heartbreak," one of the best power ballads of its time. Unfortunately, the reverse chronological sequencing of this collection makes you dig to hear these attributes (it opens with the new track "On the Inside," written around the time of Pull, and works its way backward like it was the pop-metal equivalent of Memento). Even with this nasty fault, it's does contain Winger at their best, complete with good liner notes from Dave Ling and an introduction from Kip Winger, and it does demonstrate that the jokes, no matter how much fun they are to make, are not entirely warranted. ~ Stephen Thomas Erlewine
Includes liner notes by Dave Ling & Kip Winger.
Producers: Beau Hill, Mike Shipley, Kip Winger.
Compilation ...
| | U2 Under A Blood Red Sky CDs (1983) With DVD; Remastered; Deluxe Edition
Farewell CD music
$17.29
By the time of this 1983 live EP, U2 had emerged as the socio-politically ...
| | Vintage Green Unheard Light CD (2009)
Farewell music CDs
$10.15
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