Salmonella Dub Heal Me Re Bottled CD Import

Heal Me Re Bottled Music

List Price	$19.99 (You save $1.60)
Category	Reggae Albums
Label	Phantom
All Time Sales Rank	408676
CD Universe Part number	7696286
Discs	1
Release Date	Jul 15, 2008
Additional Info	Import

Salmonella Dub Heal Me Re Bottled Songs

	1.	That Easy
	2.	Peaches
	3.	Nothing Is Free
	4.	Love Sunshine & Happiness
	5.	Lightning

Heal Me Re Bottled Review

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Chinese Traditional Yang-qin Music is Anna Guo's first album produced and released outside of China. A master of the yang-qin, a Chinese hammered dulcimer with 170 strings, Guo performs mostly solo here, accompanied in two pieces by Ting Hong on zhang and Samuel Hong on small percussion in two more. The yang-qin is a peculiar instrument with a frivolous harmonic table. Played softly, it lets rich overtones rise slowly. Hammered more energetically, both in terms of volume and speed, it saturates the spectrum of harmonics because of its slow note-decay rate. As a result it is difficult to make it sound convincing on record. Most ...

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As the guitarist for Queen, Brian May helped define that group's grand, almost operatic gestures. The trademark touches he brought to Queen's music--the massed sections of baroque multi-tracked strings, the burnished electric timbre and his keen lyric focus--are well-represented by BACK TO THE LIGHT. Of particular note is the title tune, which should remind old fans of classic Queen, even in the vocals. Likewise, on the lush Freddie Mercury-styled classical ballad "Too Much Love Will Kill You" and the protoboogie of "Resurrection," where May employs Cozy Powell's big rolling drum beat, walls of vocal chorales, distorted strings, and a high-flying lead line to supercharge his tale of renewal. Elsewhere, May enunciates a classic vision of the hard rock radio anthem. The crushing riffs and vocal one-upmanship of "Love Token" are reminiscent of Meat Loaf's big battle of the sexes gestures, while on "I'm Scared" May's mock-humorous insecurity finds release in a hard rocking power pop arrangement. For the slow dancers among us, the lazy backbeat and mournful nostalgia of "Nothing But Blue" and the fluid leads of the instrumental "Last Horizon" lend a contrasting touch of grace. Queen guitarist Brian May's first complete attempt at a solo album, Back to the Light, focuses on the hard rock sound that Queen often abandoned in the 1980s. While obviously sounding similar to some of the work by his former band, May's path is far more hard-edged and emotionally punched than the majority of Queen's work. His vocals are sometimes weak for a singer, but they also add a certain tenderness that most hard rock frontmen seem to lack. The album succeeds best on its heaviest tracks such as the cover of "Rollin' Over" or "Resurrection," which features pounding drums courtesy of Cozy Powell and thundering guitar riffs with Queen-like multi-tracked vocals. References to Queen can also be heard in the eccentric humor of such numbers as "Love Token," which includes a back-and-forth dialogue in the middle of the song. Likewise, the low-key country song, "Let Your Heart Rule Your Head," is reminiscent of "'39" off Queen's A Night at the Opera. The ballads ...

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Warren Zevon Excitable Boy CD (1978) Bonus Tracks; Remastered

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Warren Zevon came roaring out of the '70s touchy-feely California singer-songwriter gene pool with one hand on the piano and the other waving a pistol. While his more genteel peers were primarily concerned with taking it easy, Zevon crawled under the seedy side of L.A. and poured it into his ivories, taking in every ounce of decadence and excess. Although the weight the underworld would eventually all but break him, EXCITABLE BOY finds Zevon empowered by his surroundings. The terrain is unsettling, bizarre and often soaked with blood. Stalking across the landscape are pina colada-sipping werewolves, headless mercenaries, and desperate gamblers. That the sound and overall musical mood of the record is upbeat underscores Zevon's ability to attach a winning melody to a gallow's tale. The home runs are the instantly memorable "Werewolves of London," the murderous glee of "Excitable Boy," and the affecting "Accidentally Like a Martyr." The inclusion of obvious filler cuts detract from the overall focus of the ...