| | Bonne Aparte CD - Import
Bonne Aparte Music | List Price | $23.99 (You save $1.64) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7698661 | | Discs | 1 | | Release Date | Jun 17, 2008 | | Additional Info | Import |
Bonne Aparte Review
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Purchase Bonne Aparte CD To buy, Click on price to add to cart | Alice In Chains Black Gives Way To Blue CD (2009) Limited Edition; Digipak
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When Layne Staley died from a drug overdose in 2002, it had already been several years since most Alice in Chains fans stopped hoping for a new album. The singer had become a recluse since the late-`90s, and there was little indication that AIC would ever again produce much in the way of new music. As a result, when the remaining members reunited to release BLACK GIVES WAY TO BLUE in 2009, expectations were low. To the delight of all however, the album proved to be perhaps the Seattle ...
| | Rosanne Cash List CD (2009)
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. The opener, a version of Jimmie Rodgers' "Miss the Mississippi and You," is full of comfortable grace and sentiment, and Cash keeps that fine emotional tone throughout this set. Songs like the folk classic "500 Miles" feel at once both lovingly rendered and reborn for a new century in Cash's ...
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' ...
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Every once in a while a singer/songwriter comes down the pike in the grand emotive tradition of Neil Young and Van Morrison. In the early 2000s, the quietly intense folk of Iron & Wine and the rootsy-experimental stylings of Sufjan Stevens continued that lineage. Ray LaMontagne, whose impressive 2004 debut, TROUBLE, draws on alt-country, roots rock, and progressive folk in a unique, strikingly sincere way, seems a likely candidate for the keeper of the flame.
The title track, which opens the album, introduces LaMontagne's deeply textured singing. Simultaneously raw, lilting, and expansive, LaMontagne's voice bristles with emotion, and immediately commands ...
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Functioning as something of a replacement for the 2001 collection Their Greatest Hits: The Record, The Ultimate Bee Gees covers much of the same ground as that double-disc set, albeit in not quite so linear a fashion. The Record marched through its 40 tracks chronologically, opening with the stately baroque Beatlesque pop of the '60s and then winding through the '70s, whereas this opens with the bright, fabulous blast of "You Should Be Dancing" and remains in their late-'70s heyday for a while before fast-forwarding to such latter-day adult contemporary hits as "One." ...
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Although billed as a tribute to Louis Armstrong, this 1996 recording by the great cornetist Ruby Braff is not all it seems to be. Several of the swing standards (such as "I Never Knew," "Little One" which Braff sings" and "Royal Garden Blues") do not have much to do with Armstrong; there are no attempts to pay direct homage to any of his recordings, and the arrangements (by Braff and trombonist Dan Barrett) look more toward Count Basie and Lester Young than to Satch. In addition, there is no explanation of the "Being With You" subtitle, nor any song with that name. The lineup of musicians is impressive: cornetist Jon-Erik Kellso, Barrett, Scott Robinson on baritone and clarinet, veteran tenorman Jerry Jerome, guitarist Bucky Pizzarelli, pianist Johnny Varro, bassist Bob Haggart and drummer Jim Gwin; the sidemen get almost as much solo space as the leader. ...
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What is the Circle of Signs? Perhaps you think it's just a band with a gimmick. But when you listen to the music you'll find something more. They combine old with the new, ancient with the modern. When you listen to their words you'll feel the pull of primeval forces...to ...
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