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Jazz For The Modern Woman CD - Import


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A refreshing take on silver age jazz classics and some originals, performed by the modern female superstars of jazz for the modern woman of today. Featuring the magic of Saskia Laroo, Chaka Khan, Lola Dutronic, Norah Jones, Corinne Bailey Rae, and more.
Jazz For The Modern Woman Music


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List Price $19.99 (You save $1.60)
Category Jazz Albums, Jazz Collections CDs
Label Phantom
CD Universe Part number 7699361
Discs 1
Release Date Jul 01, 2008
Additional Info Import
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On the third album they changed the formula a little bit and captured the crazy cabaret ambience of their live performances, leaning toward vaudeville. But it's the vaudeville treatment given this album that nearly covers up the fact that R&P have written the most incisive and brilliantly observed lyrics of their career. Classics: "The Sodomy Song," "Give Me a Homosexual, " "My Mother's Clothes" and "I've Created a Monster." ~ Will Grega Ron Romanovsky and Paul Phillips present a smorgasbord of satiric and touching songs on this their third album, Emotional Rollercoaster. The duo combines the down-to-earth personality of I Thought You'd Be Taller! with the slickness and broad musical variety of Trouble in Paradise, their first and second albums, respectively."Straightening Up The House" is a delightful Dixieland tune which comments quite humorously on the dilemma of going back into the closet during a parental visit. The title track, which makes you want to jump up and do the Twist, is a rollicking 60s number about the ups and downs of relationships. "Give Me A Homosexual" is a show stopper about the absurdity of gay men who lust after [so-called] straight men. The compassionate "Living With AIDS", perhaps the best song on the album, is a compelling ballad, that, unlike other songs about AIDS, puts the emphasis back on living, where it should be, while the scathing, techno-pop "Sodomy Song" summarizes the gay rights movement in two minutes and twenty-five seconds with the immortal line, "Only an asshole would care what goes into our assholes and who puts it there." On the lighter side is a hilarious parody of the spiritually correct entitled, "Waltz for the New Age" which pokes fun at a laundry-list of new age fads from rebirthing to crystals to Shirley MacLaine, while the Brazilian-flavored "Family of Lovers" is a poignant ode from one generation of gay men to another, declaring, "I'm not the first one to suffer and I'm probably not the last, but I'm here to change the future 'cause I can't forget the past." Other highlights include "The Woman Next Door", a powerful song about a battered wife performed with a ...
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Is lo-fi indie pop dead? Perish the thought! As long as guys like Stuart McLamb have a song in their heart and a cheap recording setup in their bedroom, homemade pop epics will be embraced by folks wearing carefully chosen thrift-store sweaters all over the world, and McLamb's project the Love Language is the latest example of this long and noble tradition. While the Love Language exists as a six-piece band that's taken this music on the road, their first album is a one-man-band effort, with McLamb writing all the songs, playing all the instruments and handling the engineering and mixing all by himself. In an era where digital technology has put quality recording in the hands of even the most humble amateur, McLamb's dedication to low fidelity (especially in the distorted, overdriven ...
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