| | Quicksilver Messenger Service What About Me CD Quicksilver Messenger Service Discography of CDs
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Quicksilver Messenger Service: Jose Rico Reyes (vocals, percussion); David Friedberg (guitar, bass guitar); Gary Duncan (guitars, bass guitar); Dino Valenti, John Cipollina (guitars, percussion); Mark Naftlain, Nicky Hopkins (piano); Greg Elmore (drums, percussion).
Quicksilver Messenger Service began as Grateful Dead-like psychedelic warriors full of improvisational bravado. By the time of WHAT ABOUT ME, they had become a much more song-oriented outfit, fronted by Dino Valente, who crooned the title tune's semi-protest message (which garnered the band a healthy amount of airplay) along with tracks that mixed psychedelic rock, folk, blues, and jazz influences. This would be founding guitarist John Cippolina's last album of the band's initial run, marking the end of an era.
Quicksilver Messenger Service: Gary Duncan (vocals, guitar, bass, organ, percussion); David Freiberg (vocals, guitar, bass); Dino Valenti (vocals, guitar, percussion); John Cipollina (guitar, percussion); Greg Elmore (drums, percussion).
Additional Tracks
Additional personnel: Jose Rico Reyes (vocals, conga, percussion); Mark Naftalin, Nicky Hopkins (piano).
What About Me Music | List Price | $15.99 (You save $2.50) | | Category | Rock/Pop Albums, Psychedelic CDs, Rock | | Label | Caroline World Service | | Orig Year | 1970 | | All Time Sales Rank |  78911  | | CD Universe Part number | 7700584 | | Catalog number | 17044 | | Discs | 1 | | Release Date | Jul 22, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | David Freiberg - vocals, guitar, bass
Gary Duncan - vocals, guitar, bass, organ, percussion
John Cipollina - guitars, percussion
Greg Elmore - drums, percussion
Dino Valenti - vocals, guitar, percussion
David Frieberg - guitar, bass guitar
Mark Naftlain
Also: Nicky Hopkins, Mark Naftalin, Jose Rico Reyes | | Additional Info | Bonus Tracks; Limited Edition; Mini LP Sleeve |
Quicksilver Messenger Service What About Me Songs | 1. | What About Me | |
| 2. | Local Color | |
| 3. | Baby Baby | |
| 4. | Won't Kill Me | |
| 5. | Long Haired Lady | |
| 6. | Subway | |
| 7. | Spindrifter | |
| 8. | Good Old Rock And Roll | |
| 9. | All In My Mind | |
| 10. | Call On Me | |
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What About Me Music Review Purchase What About Me CD To buy, Click on price to add to cart | Blackfoot Strikes CD (1979)
What About Me album
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| | Pretty Things S.F. Sorrow CD (1968) Digipak
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Digitally remastered by Mark St. John and Andy Pearce (Masterpiece Mastering).
SF Sorrow was recorded at Abbey Road Studios in England in 1967 and Resurrection is a live recording of a radio broadcast of SF Sorrow in it's entirety at Abbey Road Studios in England in 1998.
One of the great lost classics of the psychedelic rock era, S.F. SORROW was recorded at the same time (and in the same studio with the same engineer) as SGT. PEPPER and PIPER AT THE GATES OF DAWN, and is on par with both. Unfortunately, the commercial fate of the album (and the group) wasn't as rosy as that of its peers, but that doesn't diminish S.F. SORROW'S quality or historical importance. The record marked an important ...
| | Souther-Hillman-Furay Band CD (1974) Souther Hillman Furay Band
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When David Geffen convinced Richie Furay, Chris ...
| | Quicksilver Messenger Service Happy Trails CD (1969) Bonus Tracks; Limited Edition; Mini LP Sleeve
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| | Quicksilver Messenger Service CD (1968) Bonus Tracks; Limited Edition
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| | Point Blank Under The Radar CD (2008)
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Point Blank was formed in September 1996 in Moorestown, NJ. The original lineup consisted of Mike Ransom (guitar/vocals), Torr Walker (guitar/vocals), Jay Bintliff (bass/vocals), and Chuck Steig (drums). At that time, a friend of Mike Ransom's was in the process of forming a record label and was looking for a band to take the B-side of their debut release. Ransom jumped at the chance for early exposure, and managed to convince Mike Gilligan, of Chapter 11 Records, to make Point Blank the B-side. The guys rushed into the studio (aka Chuck's basement) and recorded 6 songs on a 4-track recorder. Considering the equipment and the utter inexperience of the band, "500 Pages", "Confusion Road", "Old Girlfriend", "Falling Down", "Don't Come Crying", and "What Tod?" actually came out pretty well.On November 11, 1996 the split EP with The Pushovers was released on Chapter 11 Records (now Fake Chapter Records), and Point Blank was off and running. On November 15, 1996 the band played their first show at the Daily Grind in Brownsmills, NJ, opening for Boxcar, Hippopotamus, and Degradation. They were amazed to have not been booed off the stage, and in fact, the response was quite positive. Point Blank had played a great show, and it was only their first. They made a bit of cash off of the cover charge and the split EP sold quite well. It all seemed, well, easy. The next show was December 7, and they realized that they had been lucky up to that point. Playing with Degradation, Concession Stand, and The Bagheads, the show was not a resounding success. Having been heckled by skin heads, they were...a bit shaken, and it showed. Despite the skin heads and their lousy performance, Point Blank still managed to sell a few more tapes. After the December 7th mess, Chuck decided to move on to other things. Point Blank languished as they struggled to find a new drummer. Frank Abel and Chris Lasardi both filled in briefly in practice sessions, but it wasn't until Graham Goldman joined up that they found a solid match for the band, and a great drummer. With the new lineup in place, Point Blank began playing shows again in Feb. 1997. They returned to the studio (Why Me? Recording) the same month, recording "Molly", "Mark Hoffman", and re-recording "Confusion Road" and "Old Girlfriend". By May of 1997, Torr Walker had left the band, Point Blank had played a few more shows, and "Molly" and "Mark Hoffman" ...
| | Anthony Papa Das Glas Under The Blood ''I've Been Forgiven'' CD (2008)
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| | John Sarcone Don't Look Back CD (2008)
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| | Silly Bus Vol. 2-Alphabet CD (2008)
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Once upon a time... in the magical land of Richmond, Virginia, six imaginative friends combined their creative powers to revolutionize children’s music. Wanting to create media that would simultaneously entertain the family and teach children the substantive materials of the standards of learning, these individuals united to develop a cutting edge approach to children’s educational media. ...
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| | Radiohead Pablo Honey CDs (1993) Collector's Edition; Limited Edition; Digipak
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Pablo Honey's "Collectors Edition" features the original album on disc one, and demos, rarities, live performance recordings and a 1992 BBC Radio One session on disc two.
Before the breakthrough that was THE BENDS and the colossal OK COMPUTER, there was the quietly magnificent PABLO HONEY. "Creep" was the surprise hit single in the UK, but even that gave scant indication of how special this band would become. Benefiting from a raw production, the debut was undoubtedly less slick and accomplished than subsequent work, although Thom Yorke's vulnerable but impressive vocal styling was already in place on songs such as "Stop Whispering." Many of the compositions were somewhat simplistic, but in terms of musical maturity Radiohead were clearly years ahead of their time. An indispensable album, it should not be parted from its two big brothers.
EMI's 2009 expansion of Pablo Honey comes with a second disc boasting a generous 22 tracks, many of them originally released as B-sides on multi-part singles in the '90s. This winds up collecting almost all the released non-LP tracks from 1992 and 1993, beginning with the four-track 1992 EP Drill, which includes demos of "Prove Yourself," "You," and "Thinking About You," plus the non-LP "Stupid Car"; eight B-sides from the "Creep" singles, including the non-LPs songs "Inside My Head" and "Million Dollar Question," live versions of "Inside My Head," "Vegetable," and "Killer Cars," and an acoustic version of "Creep" (a live take on "You" is missing but not missed), plus a remix of "Blow Out"; two flips from "Anyone Can Play Guitar" ("Faithless, the Wonderboy," "Coke Babies"); the non-LP single "Pop Is Dead" and two of its B-sides, "Banana Co." (acoustic) and a live "Ripchord" (a live version of "Creep" is left behind); and finally the U.S. version of "Stop Whispering" plus several BBC sessions that functioned as B-sides. It's a bunch of music and a fairly motley collection, revealing that Radiohead was an awkward fawn still learning how ...
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