| | Sugarland Love On The Inside CD Sugarland Discography of CDs
 (3 Customer Reviews)
After Sugarland's first two albums hit it big on the country charts, 2008's LOVE ON THE INSIDE is the duo's breakthrough into the pop mainstream. Featuring the first single, "All I Want To Do," LOVE ON THE INSIDE mixes traditional country, singer-songwriter folk-rock, and commercial pop in a slick but ingratiating package. Other highlights include second single "Already Gone" and the mythologizing "Steve Earle." LOVE ON THE INSIDE was released both as a standard CD and as an expanded special edition that features five bonus tracks, including a live cover of the Dream Academy's 1985 alternative rock hit "Life In A Northern Town," featuring guest appearances by Jake Owen and Little Big Town, which was a surprise country radio hit in early 2008.
Additional Tracks; Deluxe Edition
Sugarland: Jennifer Nettles (vocals); Dan Dougmore (guitar); Michael Landau (guitars); Kristian Bush (mandolin); Brandon Bush (organ); Paul Bushnell (bass guitar); Shannon Forrest (drums, percussion).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Blender (Magazine) (p.84) - 3.5 stars out of 5 -- "Sugarland love the '80s. Their third album opens with two songs about avoiding your job, both applying singer Jennifer Nettles's pronounced twang to the pop-rock bounce of the Bangles..." Sugarland Love On The Inside Songs Love On The Inside Music Review Purchase Love On The Inside CD To buy, Click on price to add to cart | Sugarland Twice The Speed Of Life CD (2004)
Love On The Inside album
 $10.39   
Fronted by the seriously ...
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I was the baby in a very “horsy” family, so there is a high probability that I was horseback before I was born. When I was eight years old, my father took me to a night time rodeo. I don’t remember anything about the events, but I do remember what happened at half time. The lights went down, and into the spotlight on a big white horse rode Tex Ritter, the singing cowboy movie star. He wore a purple velvet suit, with rhinestones, and carried a guitar. He rode to the center of the arena, and sang in that great western baritone “Blood on the Saddle”. I am told that I leapt to my feet and screamed “Daddy, I want to do that!”I pestered everybody for a guitar, and finally got one, and eventually I wound up in the music performing business. In the mid-seventies I had the opportunity to meet “The King of the Rodeo” Larry Mahan, at the time when he was easing up on rodeoin’ and moving into the western music business as a singer/performer. I had the opportunity to help him put together his band and tour the rodeo circuit for several years. One evening we were playing the national teen rodeo in Huston, Texas. Often when Larry was introduced, he would ride a bucking horse out of the shoots, and then come up on stage and burst into “Mamas, don’t let your babies grow up to be cowboys.” It drove the crowd wild. At this rodeo, however, a friend of Larry’s had brought down two really good roping horses, and suggested that he ride one of them into the arena instead of a bucking horse. He agreed, and asked me to ride the other one. I agreed. Every thing seemed straight forward enough as we sat in the gate waiting to be introduced, and I anticipated a leisurely gallop around the arena and up to the stage. Suddenly the lights went out, and it was pitch black. As they announced Larry, four follow spots suddenly swept up and focused on us, and Larry’s horse shot off like he was going to a championship calf roping. Mine with absolutely no coaxing from me, did the same. About half way down the straight away with my guitar banging on my back, at a dead run, and completely blinded by the spot lights, I managed to collect the reins, get my feet squared in the stirrups, and my other hand jammed against the saddle horn. Larry’s horse, raced to the end of the arena, and then managed to cut to the left like a batter sliding into home. I couldn’t see this for the lights, but my horse, close behind must have, and to keep from running into them decided to jump over the back half of Larry’s horse. I went air born, but fortunately had a firm white knuckle grasp on the saddle horn, and apparently on the reins as well, for when I came back down (kind of in the saddle), the horse stopped, and trotted up to the stage. The lights had come up. Larry had all ready dismounted, and ...
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