| | Japan Tin Drum CD - Import Japan Discography of CDs
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Our Price: $42.39  CDFor Sale Usually ships in 1-2 days
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Limited edition remastered Japanese pressing of this album comes housed in a miniature LP sleeve. EMI. 2008. Tin Drum Music | List Price | $49.98 (You save $7.59) | | Category | Rock/Pop Albums, Alternative CDs, Rock | | CD Universe Part number | 7701719 | | Catalog number | 68873 | | Discs | 1 | | Release Date | Jul 02, 2008 | | Additional Info | Japan |
Tin Drum Review
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Purchase Tin Drum CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
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| | Mariah Carey Merry Christmas CD (1994)
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At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on MERRY CHRISTMAS Mariah jumps, climbs, crawls, twirls and dashes her way through both traditional fare and original Christmas songs.
She shifts through styles, offering fans from all musical camps a gift of their own. Her "Silent Night" shows off a studied vocalization where liquid phrasing is key. "Miss You Most (At Christmas Time)" shows off a dynamic voice that is hard to match. She has fun with the Phil Spector goodie "Christmas (Baby Please Come Home)," a song straight out of '60s girl-group heaven. There is even a "Joy To The World" medley mixing the old and the new--the traditional Christmas song and the Three Dog Night hit. And, as usual, her gospel-voiced background singers are out in full force.
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Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome by a guitar crunching juggernaut. This strange mix of styles is more effective here than it has been for about a decade, and there's no threat of the album becoming ponderous either as the economical tracklist and purposeful songs wipe away the sins of their previous album, 2005's ROSENROT. The group's loyal fans have ...
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she still is slightly skewed, willing to go so far over the top she goes beyond camp, yet still channeling it through songs that are written, not just hooks. The Fame Monster builds upon those strengths exhibited on The Fame, offering a credible expansion of the debut and suggesting she's not just ...
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The Maroons deliver exhilarating, highly melodic pop music that is sugary sweet, but not afraid to rock. This is some of the most memorable pop music you're likely to hear in 2002.Front man John Moen has played drums for some of the Northwest's most influential artists, including Elliott Smith, The Spinanes, Fastbacks, Pete Krebs and the Gossamer Wings, and Heatmiser (to name a few). Moen is currently the drummer for Stephen Malkmus and The Jicks. The Maroons' keyboard player, Mike Clark, can be seen playing guitar/keyboards for Stephen Malkmus and The Jicks. The Maroons' lead guitarist Jim Talstra has played in Minus 5 and bassist John Cox is a member of surf-rockers Satan's Pilgrims. Rounding out the line-up is Eric Bennes on drums.You're Gonna Ruin Everything is The Maroons sophomore release, a contagious, danceable collection of warm, brilliant pop music sure to appeal to the indie rockers, pop fanatics, ...
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El Secreto de Andrómeda es una experiencia musical llena de magia, sentimientos y emociones; las cuales no tan solo se expresan con su música y sus intensas letras sino también con sus enérgicas presentaciones en vivo. Como muchas bandas, esta comenzó (a finales del 2001) con un simple "jamming" el cual con el tiempo se alimentó de musa cruda, música intensa y emociones pulidas que crearon lo que somos hoy dÃa. Nuestras influencias se esconden en los detalles, la música, las palabras, la musa desenfrenada, el drama, la lujuria, las pinturas, las explosiones, las lágrimas, ...
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As an acolyte ...
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