| | Bitcrush Shimmer And Fade CD Bitcrush Discography of CDs
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Our Price: $11.59 CDFor Sale Usually ships in 1-2 days
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Bitcrush Shimmer And Fade Songs | 1. | Shimmer |
| 2. | Aventious |
| 3. | No Bridge No Water |
| 4. | Missing, The |
| 5. | Every Sunday |
| 6. | Waiting for Something |
| 7. | Have You Lost Your Way? |
| 8. | And We Fade |
| 9. | White Flag Song |
| 10. | When Swallowing Becomes Difficutl |
| 11. | Destruction of Self, The |
| 12. | Missing, The - (alternate take) |
| Shimmer And Fade Review
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Purchase Shimmer And Fade CD To buy, Click on price to add to cart | Bob Dylan Christmas In The Heart CD (2009)
Shimmer And Fade album
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| | Shakira She Wolf CD (2009)
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$11.18 Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation ...
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| | Peter Bjorn & John Writer's Block CDs (2006) Bonus CD
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$10.45 The Stockholm trio of Peter Moren, Bjorn Yttling, and John Eriksson scored a European hit with their delightfully amateurish "Young Folks" single, included here complete with whistling and bongos. The rest of their second album, a fully realized fusion of intelligent songwriting and innovative production, is equally enchanting. Moren's "Objects Of My Affection" combines the rhythm, soul, and self-analysis of a RUBBER SOUL-era John Lennon composition with the atmosphere and melodic distortion of My Bloody Valentine, and Eriksson's "Up Against The Wall" evokes Blur's early Syd Barrett-influenced songs.
Peter Bjorn and John's third album deserves every bit of attention and hype it's received, from large media outlets right down to the lowliest blog. It's a major work of post-everything indie rock that has enough hooks, production genius, and emotional strength to make other rock acts (indie or otherwise) sound like they are just wasting everyone's time. The group's previous two albums were excellent power pop records with an excess of brains and style, whereas Writer's Block scales back the guitars in favor of subtler arrangements that deliver just as much power sonically and ups the stakes in every other way. Every song has that kind of stripped-down, well-thought-out, whatever-works production style that brings the music fully to life. Check the steel drums on "Let's Call It Off," the shh-shh-shh percussion on "The Chills," or the majestic tubular bells of "Roll the Credits" for Spectorian shoegaze production magic. Or look at the infectious single "Young Folks" for the key to why the record sounds so right. Here they added the whistling as a marker for a future instrument but realized the offhanded whistle was just what the song needed. These are the decisions that make for greatness. Sure, the songs would have worked fine with just guitar-bass-drums backing, ...
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