| | Dream Steel You CD - Import Dream Steel Discography of CDs
Dream Steel You Songs | 1. | Frantic (Intro) |
| 2. | Flight of a Butterfly |
| 3. | Behind... |
| 4. | You |
| 5. | Lost |
| 6. | Thin Line |
| 7. | Dancing in the Fate |
| 8. | Black Gift |
| 9. | Neverstar |
| 10. | Flight of a Butterfly [Radio Edit] |
|
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Purchase You CD To buy, Click on price to add to cart | Toby Keith American Ride CD (2009)
You album
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With most contemporary country artists, you could guarantee that a song called "American Ride" would be a slice of jingoism, but Toby Keith isn't like most country singers. His "American Ride" casts a cynical eye at desperate housewives and wannabe pop stars, not celebrating down-home values but wondering where we're all headed on this American Ride at the end of the 2000s, a sentiment not all that far removed from some of Keith's previous social commentary, which makes it a mild surprise that it is the only song here that doesn't come from his own pen. As superb and striking as it is, it's not necessarily a good keystone for the rest of the record, which does have a few tougher numbers that pick up on the lean, mean vibe of 2008's THAT DON'T MAKE ME A BAD GUY -- "Every Dog Has Its Day," the sly "If I Had One," and the heavy blues stomp "Loaded" -- but spends more time on the softer side, even when he kicks up a bit of dust on the dancefloor on "You Can't Read My Mind" or does a funny, respectful salute to military life on "Ballad of Balad." In other words, the real touchstone for the rest of the record is "Tender as I Wanna Be," where he lets his guard down and lets the romance flow. This doesn't turn AMERICAN RIDE into a schizophrenic jumble, as Keith has always balanced these two extremes, but after spending a little bit more time swaggering than wooing, he's back to crooning and it's amiable and appealing.
Personnel: Ilya Toshinsky (acoustic guitar, banjo); Steven Sheehan ...
| | Nile Those Whom The Gods Detest CD (2009)
You CD music
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It's hard to not be impressed by the sheer sonic onslaught that is otherwise known as Nile. Except to the most hardened death metal fanatic, the genre has a way of sounding the same after a while, but Nile is one of the few exceptions -- able to put their own unmistakable fingerprints on this heavy duty style (Egyptian-influenced lyrics and musical bits, highly impressive instrumental dexterity, etc.). And on their sixth studio effort overall, 2009's Those Whom the Gods Detest, Nile has once again proven that they are a step ahead of the rest of the pack. Although some of the sonic depth has to be attributed to producer Neil Kernon (after all, he worked with such sticklers for audio perfection as Queensr˙che in the past), it's the true metallic fury that Nile create themselves that makes it all extremely impressive. Case in point, such delicious death metal ditties as "Kafir!," while on selections such as the title track and what's sure to be top metal song title of 2009, "Yezd Desert Ghul Ritual in the Abandoned Towers of Silence," Karl Sanders shows why he is considered by many to be the finest guitarist of the extreme metal genre (both songs incorporate Sanders' love of all things Middle Eastern). ...
| | Metallica - S&M With The San Francisco Symphony Orchestra DVDs (1999) Elektra
You music CDs
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In this rare and ground breaking performance, hugely popular heavy metal band Metallica is accompanied by the San Francisco Symphony Orchestra with Michael Kamen conducting. The pairing of the full and lush-sounding symphony with the guitar-driven virtuosity works well, ...
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Brent Gorton is a commanding songwriter whose unassuming demeanor and off-kilter charm belie the turbo-charged performer underneath. With a deadly ear for the perfect pop hook, Mr. Gorton’s songs about owls, mannequins, and sinking ships entrench themselves instantly into the listener’s psyche.Growing up with a stockpile of his parents\' 45s avidly played on a barely functioning turntable, Brent learned from the best American rock and roll pioneers. Little Richard, Buddy Holly, the Shangri-Las and Bobby Darin were particular favorites for their accessible melodies tinged with teenage drama. Classical music was also a large influence. The severe dynamics of Stravinsky and Bartok’s jarring instrumentation left a lasting impression that would resurface in Brent’s spare yet effective arrangements. The album was recorded entirely at home in a studio put together from second ...
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